The Flamethrowers

Arriving in New York to pursue a creative career in the raucous 1970s art scene, Reno joins a group of dreamers and raconteurs before falling in love with the estranged son of an Italian motorcycle scion and succumbing to a radical social movement in 1977 Italy. By the National Book Award-nominated author of Telex from Cuba.

From the bestselling author whose debut novel, "Telex from Cuba," was nominated for a National Book Award comes an extraordinarily ambitious new novel about a young artist and the worlds she encounters in New York and Rome in the mid-1970s.

NATIONAL BOOK AWARD FINALIST * NAMED ONE OF THE TEN BEST BOOKS BY THE NEW YORK TIMES BOOK REVIEW * New York magazine’s #1 Book of the Year * Best Book of 2013 by: The Wall Street Journal; Vogue; O, The Oprah Magazine; Los Angeles Times; The San Francisco Chronicle; The New Yorker; Time; Flavorwire; Salon; Slate; The Daily Beast “Superb…Scintillatingly alive…A pure explosion of now.”—The New Yorker Reno, so-called because of the place of her birth, comes to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity—artists colonize a deserted and industrial SoHo, stage actions in the East Village, blur the line between life and art. Reno is submitted to a sentimental education of sorts—by dreamers, poseurs, and raconteurs in New York and by radicals in Italy, where she goes with her lover to meet his estranged and formidable family. Ardent, vulnerable, and bold, Reno is a fiercely memorable observer, superbly realized by Rachel Kushner.

Three early stories of myth, regime, and harlotry by the acclaimed author of The Flamethrowers. An explorer’s whereabouts keeps a queen in waiting; a faith healer’s illegal radio broadcasts give hope to an oppressed people; a president’s offer of ice cream surprises a prostitute expecting to cooperate fully — the three short fictions gathered in The Great Exception build into a vision of Cuba that is black-humored, brutal, and beautiful. Written prior to the publication of Rachel Kushner’s first acclaimed novel Telex From Cuba, these stories, like Roberto Bolano’s Antwerp, burst forth with the genesis of her fictional universe as though fired from a cannon. From the mythical title story, to the ominous “Debouchment” — originally published in her too short-lived journal Soft Targets — to the sexy and noirish “Strange Case of Rachel K,” this is Kushner saddling up for a journey into the wilds of the modern novel.

Coming of age in mid-1950s Cuba where the local sugar and nickel production are controlled by American interests, Everly Lederer and KC Stites observe the indulgences and betrayals of the adult world and are swept up by the political underground and the revolt led by Fidel and Raul Castro. 75,000 first printing.

Sharing a close bond that supersedes other relationships, Nic, a fiercely reclusive musician, and Denise, his dedicated sister and solitary audience member, become increasingly isolated in the wake of Nic's obsessive work.

An ambitious and powerful story about idealism, passion, and sacrifice, Eat the Document shifts between the underground movement of the 1970s and the echoes and consequences of that movement in the 1990s. A National Book Award finalist, Eat the Document is a riveting portrait of two eras and one of the most provocative and compelling novels of recent years.

The focus of this book is a weapon that has literally placed the power of fire in human hands – the man-portable flamethrower. This formidable weapon first saw battlefield use in the hands of German troops during World War I, and went on to arm the forces of many countries in World War II and beyond. Capable of inflicting horrific injuries – or of using up the oxygen supply inside a building, causing the occupants to suffocate – it projected a stream of flammable liquid, which could be 'bounced' off the interior surfaces of tunnels, buildings and other defended structures to reach deep inside a fortification. From its combat debut to its deployment in Vietnam, Chechnya and elsewhere, the flamethrower has proven to be devastatingly effective, not least because of its huge psychological impact on enemy troops. Yet despite this, the weapon and its operators have always been vulnerable, suffering from a very particular set of limitations, all of which are explored here. Featuring expert analysis, first-hand accounts and a startling array of illustrations and photographs, this is the definitive guide to an extraordinary chapter in the history of military technology.