The Fool Of New York City

Set in present day Manhattan, The Fool of New York City is the tale of two souls who are considered to be "fools" and "idiots" in the eyes of most people they encounter. One is a literal giant, the other an amnesiac who believes he is the 17th century Spanish painter Francisco de Goya, hundreds of years old, aging more slowly than the rest of the human race. Billy the giant has also briefly suffered from amnesia years ago, and he understands the anguish of those who have lost their identity. He is an apparently simple person, a failed basketball player with an enormous good heart who takes Francisco under his wing after they meet through a seeming coincidence. Together they undertake a laborious search to discover Francisco's true past. The trail leads them to numerous adventures, into the shrouded realm of hidden memories, the ironies and complexities of human character and destiny, of catastrophic evil and of redemption. It is a journey into the mysterious dimensions of the mind. It is about trauma and remembrance in America.

Set in present day Manhattan, The Fool of New York City is the tale of two souls who are considered to be "fools" and "idiots" in the eyes of most people they encounter. One is a literal giant, the other an amnesiac who believes he is the seventeenth-century Spanish painter Francisco de Goya, hundreds of years old, aging more slowly than the rest of the human race. Billy the giant briefly suffered from amnesia years ago, and he understands the anguish of those who have lost their identity. He is an apparently simple person, a failed basketball player with an enormous good heart, who takes Francisco under his wing after they meet through a seeming coincidence. Together they undertake the search to discover Francisco's true past. The quest leads them on numerous adventures and into the shrouded realm of hidden memories and the mysterious dimensions of the mind. It is a journey into the ironies and the complexities of human character and destiny.

This carefully crafted ebook: "The Gift of the Magi and Other New York City Stories" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: The Voice Of The City The Making Of A New Yorker A Retrieved Reformation The Cop And The Anthem The Duplicity Of Hargraves The Gift Of The Magi The Last Leaf The Ransom Of Red Chief The Skylight Room The Trimmed Lamp The Whirligig Of Life A Harlem Tragedy Biography of O. Henry The Gift of the Magi is a story about a young couple who are short of money but desperately want to buy each other Christmas gifts. The Cop and the Anthem is about a New York City hobo named Soapy, who sets out to get arrested so that he can be a guest of the city jail instead of sleeping out in the cold winter. A Retrieved Reformation tells the tale of safecracker Jimmy Valentine, recently freed from prison. The Duplicity of Hargraves is a short story about a nearly destitute father and daughter's trip to Washington, D.C. The Ransom of Red Chief is a short story, it follows two men who kidnap and attempt to ransom a wealthy Alabaman's son; eventually, the men are driven to distraction by the boy's spoiled and hyperactive behavior, and end up having to pay the boy's father to take him back. William Sydney Porter (1862-1910), known by his pen name O. Henry, was an American writer. O. Henry's short stories are known for their wit, wordplay, warm characterization, and surprise endings.

New York City Subways traces the history of mass transportation in Manhattan and New York City's outer boroughs. Public transportation has long been vital to the city, with horse-drawn surface lines established by 1831 and elevated railroad lines constructed during the 1870s and 1880s. The concept of subways, railroads operating underground, originated in London in 1863 and was applied to New York City by 1904. This collection of vintage postcards brings you through the tunnels of the subway, onto the platforms of the long-gone els, and examines New York's renowned terminals, especially Grand Central and Penn Station.

Marc Spitz assumed that if he lived like his literary and rock 'n' roll heroes, he would become a great artist, too. He conveniently overlooked the fact that many of them died young, broke, and miserable. In his candid, wistful, touching, and hilarious memoir, Poseur, the music journalist, playwright, author, and blogger recounts his misspent years as a suburban kid searching for authenticity, dangerous fun, and druggy, downtown glory: first during New York's last era of risk and edge, the pre-gentrification '90s, and finally as a flamboyant and notorious rock writer, partying and posing during the music industry's heady, decadent last gasp. Part profane, confidential tell-all and part sweetly frank coming-of-age tale, this dirty, witty memoir finds Spitz careening through the scene, meeting and sometimes clashing with cultural icons like Courtney Love, Jeff Buckley, Rivers Cuomo of Weezer, Chloëevigny, Kim Deal, The Dandy Warhols, Guns N' Roses, Ryan Adams, Paul Rudd, Coldplay, Pavement, Peter Dinklage, Julie Bowen, The Strokes, Trent Reznor, Chuck Klosterman, Interpol, and Franz Ferdinand, as well as meeting heroes like Allen Ginsberg, Shirley Clarke, Joe Strummer, and Morrissey. Along the way he finds literary guru Gordon Lish is a long-lost relative, and erstwhile pal and sensation JT LeRoy is an even bigger poseur. Spitz refuses to give up the romantic ghost until a post-9/11 breakdown and an improbable new love (fellow music writer Lizzy Goodman) finally help him strike the hardest pose of all: his true self. /DIV

“We were living through the realities of war and bringing the war onto the stage... Everybody hated us, man” Alan Vega Born out of the city's vibrant artistic underground as a counter-cultural performance art statement, opposing the war by mirroring its turmoil, Suicide became the most terrifyingly iconoclastic band in history, and also one of the most influential. By the time the punk scene they're usually associated with came out of CBGBs in the mid-seventies, Suicide had already been causing havoc in New York’s clubs for several years. Working closely with the author, Rev and Vega explain the influences and events which led to the birth of Suicide and their early struggles. They invoke another world and era, peppered with smoky jazz clubs, Iggy Pop in his new-born Stooge persona and even suffer an attack from beat guru Allen Ginsberg. Along with interviewing major figures in the Suicide story, the author reaches back into 40 years chronicling and interviewing major players in New York’s musical history, including Blondie, Jayne County, James Chance and the New York Dolls. While the city changes around them, it all adds up to the definitive account of the lives and times of this unique duo.