The Forbidden Circle

These two classic Darkover novels tell the epic tale of four people who challenged the ancient laws of the matrix towers.

"These two classic Darkover novels tell the epic tale of four people who challenged the ancient laws of the matrix towers."--Provided by publisher.

As a human being living in today's reality, information is readily available for interpretation and subjectivism. The information provided in this book may cause a few readers to prop up on the edge of their seat as they ponder such notions as: Psychology, Consciousness, Spirituality, Religion, Ancient History, Mythology, Symbolism, Shamanism, Music, Art, Crop Circles, and UFOs. 'The Forbidden Fruit & The Tree of Knowledge' is a book that is intended to raise some very curious questions about seemingly random topics which hold a sacred geometrical outline for understanding who and what we are.

Michael Cremo, an international authority on human antiquity, has justly earned the 'forbidden archeologist' title. For over twenty-seven years he's been 'digging up' documented, credible findings that mainstream archeologists don't want you to know about - discoveries in the fossil record that tell a completely different story from Darwinian evolution. His latest book, The Forbidden Archeologist (Torchlight Publishing A2010), presents his research at international scientific conferences, comments on the latest discoveries and 'missing links', examines famous archeological sites such as the Sterkfontein Caves - the alleged Cradle of Humanity, and responds to mixed reactions to his books, now translated into 26 languages. This collection of forty-nine articles published in Atlantis Rising magazine is like the Cliff Notes on his best selling, encyclopedic Forbidden Archeology and formidable Human Devolution. Readers will quickly understand the strongest arguments and remarkable discoveries that reveal evolution as a failing theory.

Benito Pérez Galdós, considered Spain’s most important novelist after Cervantes, wrote 77 novels, several works of theater and a number of other tomes during his lifetime (1843–1920). His works have been translated into all major languages of the world, and many of his most highly regarded novels, those of the contemporary period, have been translated into English two, three and even four times over. Of the few “contemporary novels” of Galdós that until now have not come to light in English, The Forbidden is certainly among the most noteworthy. The story line concerns a wealthy philanderer, José María Bueno de Guzmán, who attempts to buy the favors of his three beautiful married cousins. He is successful with the first, Eloísa, a grasping materialist who falls deeply in love with him. Then he rejects her in order to attempt to seduce the youngest, Camila. Meanwhile, the third, the pseudo-intellectual María Juana, jealous, seduces José María. But it is Camila, healthy, impetuous and wild, who resists his temptations and holds our attention. The novelist and critic Leopoldo Alas, Galdós’s contemporary, calls her “the most feminine, graceful, lively female character that any modern novelist has painted.” As a naturalistic study, in the manner of Balzac in particular, principal characters of Galdós’s other novels (El doctor Centeno, La de Bringas, La familia de León Roch) become fleetingly visible in The Forbidden. In addition, the entire Bueno de Guzmán family gives evidence of the naturalistic emphasis on heredity: they all display certain physical or mental disorders. Eloísa has a morbid fear of feathers, María Juana often feels that she has a tiny piece of cloth caught in her teeth, José María suffers bouts of depression, an uncle is a kleptomaniac, one of the relatives writes letters to himself, etc. At the same time, this novel shows the foibles of Spanish society where status is determined by one’s associates, by the wearing of finery, and by living on borrowed money. In their history of Spanish literature, Chandler and Schwartz call Galdós “the greatest novelist of the nineteenth century and the only one who deserves to be mentioned in the same breath with great novelists like Balzac, Dickens and Dostoievsky.” The Forbidden, written at the height of the author’s creative powers, is a major work and its publication for an English-speaking audience is long overdue.

Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.

One door in this whole universe should never be opened. However appealing opening the door might be, the Forbidden Realm’s black knob should never be turned. The Forbidden Realm contains the wickedest of creatures and artefacts of all the realms. With Colt determined to obtain as much power as possible, the Stone Bearers must find a way to stop him. Each Stone Bearer needs to gain that special connection with their slayer wand to have any chance against Colt and his minions. Yet one of the Stone Bearers will turn the key to open the Forbidden Realm’s door. Which Stone Bearer will it be?