The Fractured Jew

Musician Josh Groban claims that he is not Jewish because of his paternal lineage. Contrariwise, Comedian Tiffany Haddish claims Jewish identity specifically because of similar lineage. Using this contrast as a jumping off point, this book explores how Judaism and Jewishness represent themselves in popular culture.

Mother Goose, Ver farblondjet!* Aesop? You're not fooling anyone. Brothers Grimm? Goniffs.** You didn't create the fairy tale--we did (The Chosen People) thousands of years ago, to keep the kids quiet when we were running from Pharoah. Here are all your favorite classic fairy tales as they're supposed to be told: Goldie's Lox and the Three Bagels Rumpleforeskin Snow Whitefish and the Seven Dwarfkins The Three Little Chazzers Jake and Mr. Bienstock Pushkin Boots The Ugly Schmuckling And more! * Get lost ** Thieves

One of the most respected religious thinkers of our time makes an impassioned plea for the return of religion to its true purpose—as a partnership with God in the work of ethical and moral living. What are our duties to others, to society, and to humanity? How do we live a meaningful life in an age of global uncertainty and instability? In To Heal a Fractured World, Rabbi Jonathan Sacks offers answers to these questions by looking at the ethics of responsibility. In his signature plainspoken, accessible style, Rabbi Sacks shares with us traditional interpretations of the Bible, Jewish law, and theology, as well as the works of philosophers and ethicists from other cultures, to examine what constitutes morality and moral behavior. “We are here to make a difference,” he writes, “a day at a time, an act at a time, for as long as it takes to make the world a place of justice and compassion.” He argues that in today’s religious and political climate, it is more important than ever to return to the essential understanding that “it is by our deeds that we express our faith and make it real in the lives of others and the world.” To Heal a Fractured World—inspirational and instructive, timely and timeless—will resonate with people of all faiths.

In this remarkable work by seasoned scholar Lawrence Rosen, we follow the fascinating intellectual developments of four ordinary Moroccans over the span of forty years. Walking and talking with Haj Hamed Britel, Yaghnik Driss, Hussein Qadir, and Shimon Benizri—in a country that, in a little over a century, has gone from an underdeveloped colonial outpost to a modern Arab country in the throes of economic growth and religious fervor—Rosen details a fascinating plurality of viewpoints on culture, history, and the ways both can be dramatically transformed. Through the intellectual lives of these four men, this book explores a number of interpretative and theoretical issues that have made Arab culture distinct, especially in relationship to the West: how nothing is ever hard and fast, how everything is relational and always a product of negotiation. It showcases the vitality of the local in a global era, and it contrasts Arab notions of time, equality, and self with those in the West. Likewise, Rosen unveils his own entanglement in their world and the drive to keep the analysis of culture first and foremost, even as his own life enmeshes itself in those of his study. An exploration of faith, politics, history, and memory, this book highlights the world of everyday life in Arab society in ways that challenge common notions and stereotypes.

An in-depth look at why non-Jewish Poles are trying to bring Jewish culture back to life in Poland today Since the early 2000s, Poland has experienced a remarkable Jewish revival, largely driven by non-Jewish Poles with a passionate new interest in all things Jewish. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew, Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew presents an in-depth look at Jewish life in Poland today. The book shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. The book also raises urgent questions, relevant far beyond Poland, about the limits of performative solidarity and empathetic forms of cultural appropriation.

This book takes the reader through a genealogical embodied journey, explaining how our historical context, through various expressions of language, culture, knowledge, pedagogy, and power, has created and perpetuated oppression of marginalised identities throughout history. The volume is, in essence, a social justice initiative in that it shines a spotlight on elitist forms of knowledge, and their attached privileged protectors. As such, the reader will unavoidably reflect on their own pre-conceived meanings and culturally inherent notions while engaging with these pages, and in so doing open a third space where new forms of knowledge that may transcend time and space can evolve into endless possibilities. It is these possibilities of expanding the nuanced meanings of evolving knowledge, fluid lifestyles, and of a dynamic connection to humanity and God, which make this book contextually relevant in our post-modern landscape. It un-situates philosophies which have traditionally been unknowingly situated, and, in so doing, propels the reader to re-interpret discourse and recreate taken-for-granted “universal truths.”

Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody studies Jewish American writers' relationships with the idea of world literature. Writers such as Sholem Asch, Jacob Glatstein, Isaac Bashevis Singer, Anna Margolin, Saul Bellow, and Grace Paley all responded to a demand to write beyond local Jewish and American audiences and toward the world, as a global market and as a transnational ideal. Beyond fame and global circulation, world literature holds up the promise of legibility, in which a threatened origin becomes the site for redemptive literary creativity. But this promise inevitably remains unfulfilled, as writers struggle to balance potential universal achievements with untranslatable realities, rendering impossible any complete arrival in the US and in the world. The work examined in this study was deeply informed by an intimate connection to Yiddish, a Jewish vernacular with its own global network and institutional ambitions. Jewish American Writing and World Literature tracks the attempts and failures, through translation, to find a home for Jewish vernacularity in the institution of world literature. The exploration of the translational uncertainty of Jewish American writing joins postcolonial critiques of US and world literature and challenges Eurocentric and Anglo-American paradigms of literary study. In bringing into conversation the fields of Yiddish studies, American Studies, and world literature theory, Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody proposes a new approach to the study of modern Jewish literatures and their implication within global empires of culture.

Although Jewish participation in German society increased after World War I, Jews did not completely assimilate into that society. In fact, says Michael Brenner in this intriguing book, the Jewish population of Weimar Germany became more aware of its Jewishness and created new forms of German-Jewish culture in literature, music, fine arts, education, and scholarship. Brenner presents the first in-depth study of this culture, drawing a fascinating portrait of people in the midst of redefining themselves. The Weimar Jews chose neither a radical break with the past nor a return to the past but instead dressed Jewish traditions in the garb of modern forms of cultural expression. Brenner describes, for example, how modern translations made classic Jewish texts accessible, Jewish museums displayed ceremonial artifacts in a secular framework, musical arrangements transformed synagogue liturgy for concert audiences, and popular novels recalled aspects of the Jewish past. Brenner's work, while bringing this significant historical period to life, illuminates contemporary Jewish issues. The preservation and even enhancement of Jewish distinctiveness, combined with the seemingly successful participation of Jews in a secular, non-Jewish society, offer fresh insight into modern questions of Jewish existence, identity, and integration into other cultures.