The Frangipani Is Dead

This book offers a contextual understanding of the contemporary Pacific art movement in New Zealand. As well as examining key individual artists, the book also addresses issues that underlie this movement and the inspirations for creating this art.

Cash Cashion is the Swamp Gardener. He has grown vegetables all over the world. Cash became fascinated in Botany during his pre-med days. He grows and experiments with various fruit trees and vegetables in sub tropical South Florida area The Swamps. Cash writes a column for the Palm Beach Post Residential Section and also writes a monthly column in the Jupiter Farmer. Cash Cashion

First in a delightfully charming crime series set in 1930s Singapore, introducing amateur sleuth SuLin, a local girl stepping in as governess for the Acting Governor of Singapore. 1936 in the Crown Colony of Singapore, and the British abdication crisis and rising Japanese threat seem very far away. When the Irish nanny looking after Acting Governor Palin's daughter dies suddenly - and in mysterious circumstances - mission school-educated local girl SuLin - an aspiring journalist trying to escape an arranged marriage - is invited to take her place. But then another murder at the residence occurs and it seems very likely that a killer is stalking the corridors of Government House. It now takes all SuLin's traditional skills and intelligence to help British-born Chief Inspector Thomas LeFroy solve the murders - and escape with her own life. 'Simply glorious. Every nook and cranny of 1930s Singapore is brought richly to life, without ever getting in the way of a classic puzzle plot. But what's a setting without a jewel? Chen Su Lin is a true gem. Her slyly witty voice and her admirable, sometimes heartbreaking, practicality make her the most beguiling narrator heroine I've met in a long while.' Catriona McPherson 'Charming and fascinating with great authentic feel. Ovidia Yu's teenage Chinese sleuth gives us an insight into a very different culture and time. This book is exactly why I love historical novels.' Rhys Bowen

When a friend is gunned down in a Bequia boatyard, and a visiting tourist vanishes, a man with a secretive past hunts the persons responsible at the risk of exposing his hideaway, resurrecting personal demons, and confronting a nemesis from his past who threatens everyone he holds dear.

Catherine Lim’s free-wheeling imagination cheerfully dispenses with all constraints to tell stories of that other world. Written with an exaggerated sense of earnestness and caution, the eighteen tales in this collection elicit in the reader the very goosebumps of terror she had herself experienced as a child listening to such tales. As an adult, these goosebumps persist for her. However, they no longer arise from fear, but from a sense of awe and mystery that she feels when she considers this large existential question: Despite our extensive scientific knowledge today, what do we know of the supernatural? What can we know of the supernatural? Catherine’s deep and abiding sense of mystery is reflected in the pronouncement by one of her characters in the last story in this collection: “I don't know, I don't know. I wish I did.”

The death of Pope John Paul II and consequent election of Pope Benedict XVI has shed light on a political process that the world has not been privy to for almost twenty-six years. People from around the world gathered in St. Peter's Square, wondering who the next Vatican leader would be and how the election process really worked, while everyone from international news correspondents to local priests added their own opinions to the debate. In Heirs of the Fisherman, former Vatican insider John-Peter Pham presents a candid portrait of the modern Vatican, the only account to reveal the striking changes to papal succession procedures made by John Paul II. Blending political and ecclesiastical history, Pham goes beyond a mere description of the complex rituals to offer rare insight into the dramatic shifts inside the College of Cardinals, whose 100 members now hail from 50 nations around the globe. He takes us into the secret conclave, where the electors were kept under lock and key, until they had selected a new pope. He also includes a chapter devoted to the intrigues of the 20th century where the first conclave had an emperor's veto and the last was won by the first non-Italian in four centuries becauase the Italians were bitterly divided. With a new Preface, Afterword, and appendices that include an English translation of the last will and testament of Pope John Paul II, Heirs of the Fisherman is an illuminating history and must-have guide to this vitally important world event. It will continue to be an indispensable reference to observers of future Catholic Church politics.

Already well-established in the Lusophone world, Mia Couto is increasingly acknowledged as a major voice in World literature. Winner of the Camões Prize for Literature in 2013, the most prestigious literary prize honouring Lusophone writers, he was awarded the Neustadt International Prize for Literature in 2014, and in 2015 was shortlisted for the Man Booker International Prize. Yet, despite this high profile there are very few full-length critical studiesin English about his writing. Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luís Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but alsothe wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist. There are contributions on his work in ecology, theatre and journalism, as well as on translation and Mozambican nationalist politics. Most importantly the contributors engage with the significance of Couto's writing to contemporary discussions of African literature, Lusophone studies and World literature. Grant Hamilton is Associate Professor of English literature at the Chinese University of Hong Kong. He is the editor of Reading Marechera (James Currey, 2013). David Huddart is Associate Professor of English literature at the Chinese University of Hong Kongand is author of Involuntary Associations: World Englishes and Postcolonial Studies (Liverpool University Press, 2014]

A police inspector is investigating a strange murder, a case in which all of the suspects are eager to claim responsibility. Set in a former Portuguese fort which stored slaves and ivory, the tale combines fable and allegory, dreams and myths