The Future Is In The Post

INSTANT NEW YORK TIMES BESTSELLER A moving account of resilience, hope, fear and mortality, and how these things resonate in our lives, by actor and advocate Michael J. Fox. The entire world knows Michael J. Fox as Marty McFly, the teenage sidekick of Doc Brown in Back to the Future; as Alex P. Keaton in Family Ties; as Mike Flaherty in Spin City; and through numerous other movie roles and guest appearances on shows such as The Good Wife and Curb Your Enthusiasm. Diagnosed at age 29, Michael is equally engaged in Parkinson’s advocacy work, raising global awareness of the disease and helping find a cure through The Michael J. Fox Foundation for Parkinson’s Research, the world’s leading non-profit funder of PD science. His two previous bestselling memoirs, Lucky Man and Always Looking Up, dealt with how he came to terms with the illness, all the while exhibiting his iconic optimism. His new memoir reassesses this outlook, as events in the past decade presented additional challenges. In No Time Like the Future: An Optimist Considers Mortality, Michael shares personal stories and observations about illness and health, aging, the strength of family and friends, and how our perceptions about time affect the way we approach mortality. Thoughtful and moving, but with Fox’s trademark sense of humor, his book provides a vehicle for reflection about our lives, our loves, and our losses. Running through the narrative is the drama of the medical madness Fox recently experienced, that included his daily negotiations with the Parkinson’s disease he’s had since 1991, and a spinal cord issue that necessitated immediate surgery. His challenge to learn how to walk again, only to suffer a devastating fall, nearly caused him to ditch his trademark optimism and “get out of the lemonade business altogether.” Does he make it all of the way back? Read the book.

“Comic and Exuberant . . . A fine and tender tale for anyone who has tried to let go of the past and envision the future while falling in love.” —Rhonda Riley, author of The Enchanted Life of Adam Hope What if you could know your romantic future? What if an envisionist could enter the name of your prospective mate into a computer that would show you a film of your future life together? In The Future for Curious People, a young librarian named Evelyn becomes obsessed with this new technology: she can’t stop visiting Dr. Chin’s office because she needs to know that she’ll meet someone and be happy one day. Godfrey, another client, ends up at the envisionist’s office only because his fiancée insisted they know their fate before taking the plunge. But when Godfrey meets Evelyn in the waiting room, true love may be right in front of them, but they are too preoccupied—and too burdened by their pasts—to recognize it. This smart, fresh love story, with its quirky twists and turns, ponders life’s big questions—about happiness, fate, and our very existence—as it follows Evelyn and Godfrey’s quest for the elusive answers. “A love story about love stories . . . The pages burst with laugh-out-loud scenes and crisply original set-ups. I loved it!” —Lydia Netzer, author of Shine Shine Shine “Somewhere between Jorge Luis Borge’s ‘The Garden of Forking Paths’ and The Eternal Sunshine of the Spotless Mind you will find Gregory Sherl’s warm, intelligent debut novel.” —Roxane Gay, author of An Untamed State “Enormously appealing . . . Evelyn and Godfrey are two unforgettable characters you’ll root for and remember long after you’ve read the last page of this wildly original, deeply moving novel.” —Mindy Friddle, author of Secret Keepers

A provocative, exuberant novel about time, memory, desire, and the imagination from the internationally bestselling and prizewinning author of The Blazing World. A young woman, S.H., moves to New York City in 1978 to look for adventure and write her first novel, but finds herself distracted by her mysterious neighbor, Lucy Brite. As S.H. listens to Lucy through the thin walls of her dilapidated building, she carefully transcribes the woman’s bizarre monologues about her daughter’s violent death and her need to punish the killer. Forty years later, S.H. stumbles upon the journal she kept that year and writes a memoir, Memories of the Future, in which she juxtaposes the notebook’s texts, drafts from her unfinished comic novel, and her commentaries on them to create a dialogue among selves over the decades. She remembers. She misremembers. She forgets. Events of the past take on new meanings. She works to reframe her traumatic memory of a sexual assault. She celebrates the legacy of the wild and rebellious Dada artist-poet, the Baroness Elsa von Freytag-Loringhoven. As the book unfolds, you witness S.H. write her way through vengeance and into freedom. Smart, funny, angry, and poignant, Hustvedt’s seventh novel brings together the themes that have made her one of the most celebrated novelists working today: the strangeness of time, the brutality of patriarchy, and the power of the imagination to remake the past.

'The text provides an interesting history of previous and anticipated accomplishments, ending with a chapter on the relationship of fusion power to nuclear weaponry. They conclude on an optimistic note, well worth being understood by the general public.'CHOICEThe gap between the state of fusion energy research and public understanding is vast. In an entertaining and engaging narrative, this popular science book gives readers the basic tools to understand how fusion works, its potential, and contemporary research problems.Written by two young researchers in the field, The Future of Fusion Energy explains how physical laws and the Earth's energy resources motivate the current fusion program — a program that is approaching a critical point. The world's largest science project and biggest ever fusion reactor, ITER, is nearing completion. Its success could trigger a worldwide race to build a power plant, but failure could delay fusion by decades. To these ends, this book details how ITER's results could be used to design an economically competitive power plant as well as some of the many alternative fusion concepts.

For Vol. 1, Report, see (ISBN 9780215532725)

Explores the current and future trajectories of the paradigm of postsocialism. If socialism did not end as abruptly as is sometimes perceived, what remnants of it linger today and will continue to linger? Moreover, if postsocialism is an umbrella term for the uncertain times of various transitions that followed in socialism’s wake, how might the “post” be rendered complicated by the notion that the unfinished business of socialism continues to influence the trajectory of the future? The Future of (Post)Socialism examines this unfinished business through various disciplinary and transdisciplinary approaches that seek to illuminate the postsocialist future as a cultural and social fact. Drawn from the fields of history, ethnology, anthropology, sociology, economics, political science, education, linguistics, literature, and cultural studies, contributors analyze various cultural forms and practices of the formerly socialist cultural spaces of Eastern Europe. In so doing, they question the teleology of linear transitional narratives and of assumptions about postsocialist linear progress, concluding that things operate more as continued interruptions of a perpetually liminal state rather than as neat endings and new beginnings. John Frederick Bailyn is Professor of Linguistics at Stony Brook University, State University of New York, and the author of The Syntax of Russian. Dijana Jelača teaches in the Film Department at Brooklyn College and is the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema. Danijela Lugarić is Assistant Professor of East-Slavic Languages and Literature at the University of Zagreb, Croatia. She is the coeditor (with Jelača and Maša Kolanović) of The Cultural Life of Capitalism in Yugoslavia: (Post)Socialism and Its Other.

The European post-trading system has changed significantly in the last years and is currently facing enormous challenges, e.g. due to the financial crisis, stricter regulation of financial markets, globalization, and the automation of securities processing. Until now, a systematic assessment of the European post-trading industry is missing in academic literature. Using the Delphi methodology, this study among 158 experts from different areas of the post-trading industry aims to develop a joint and coherent view of what the European post-trading system will look like in the future. It identifies measures for the improvement of the post-trading system and the most important issues concerning risk management and information technologies within this industry.

Is culinary art really so exact that, as Delia Smith once wrote, “cooking is an exact art and not some casual game”? (BQ 2012) This exact view of cooking can be contrasted with an opposing observation by Tom Jaine, when he argued that, “if cooking becomes an art form rather than a means of providing a reasonable diet, then something is clearly wrong.” (BQ 2012a) Contrary to these opposing views (and other ones as will be discussed in the book), culinary art, in relation to both ingredients and techniques, is neither possible or impossible, nor desirable or undesirable, to the extent that the respective ideologues on different sides would like us to believe. Needless to say, this challenge to the opposing views of cooking does not mean that culinary art has no practical value, or that those interdisciplinary fields (related to culinary art) like food science, nutritional economics, food chemistry, food aesthetics, the ethics of killing for food, molecular gastronomy, food rheology, food photography, Shechita, the science of aphrodisiacs, and so on, are unimportant. Of course, neither of these extreme views is reasonable. Rather, this book offers an alternative, better way to understand the future of culinary art, especially in the dialectic context of ingredients and techniques—while learning from different approaches in the literature but without favoring any one of them or integrating them, since they are not necessarily compatible with each other. More specifically, this book offers a new theory (that is, the inquisitive theory of culinary art) to go beyond the existing approaches in a novel way. If successful, this seminal project is to fundamentally change the way that we think about culinary art in relation to ingredients and techniques from the combined perspectives of the mind, nature, society, and culture, with enormous implications for the human future and what the author originally called its “post-human” fate.