The Garden Of The Gods Plants In Ancient Greece A History

"The Garden of the Gods" examines the intimate relationship between the ancient Greek gods and the plant world. The Greek myths envisaged the beginning as Chaos. As it divided into the sky, the sea, the underworld and the earth from the struggle over their dominance emerged a victor. He kept the sky for himself, gave the patronage over the sea and the underworld to his two brothers leaving the earth to all. It became their garden. While they oversaw it from above, the mortals set about using the plant life for their own purposes - for food, medicine, pleasure, worship, and, indeed, for making sense of the verdant world surrounding them. Among them emerged historical men who provided us with the basis of scientific and medical knowledge. The patronage of the gods and their active involvement in the vegetable kingdom, guarding, selecting and creating a new species, adds a new perspective explored in this book, contributing to the wonder of the Greek myths, the greatest ever told.

This engaging book focuses on the perennially fascinating topic of plants in Greek and Roman myth. The author, an authority on the gardens, art, and literature of the classical world, introduces the book’s main themes with a discussion of gods and heroes in ancient Greek and Roman gardens. The following chapters recount the everyday uses and broader cultural meaning of plants with particularly strong mythological associations. These include common garden plants such as narcissus and hyacinth; pomegranate and apple , which were potent symbols of fertility; and sources of precious incense including frankincense and myrrh. Following the sweeping botanical commentary are the myths themselves, told in the original voice of Ovid, classical antiquity’s most colorful mythographer. The volume’s interdisciplinary approach will appeal to a wide audience, ranging from readers interested in archaeology, classical literature, and ancient history to garden enthusiasts. With an original translation of selections from Ovid’s Metamorphoses, an extensive bibliography, a useful glossary of names and places, and a rich selection of images including exquisite botanical illustrations, this book is unparalleled in scope and realization.

Zeus, Medusa, Hercules, Aphrodite. Did you know that these and other dynamic deities, heroes, and monsters of Greek and Roman mythology live on in the names of trees and flowers? Some grow in your local woodlands or right in your own backyard garden. In this delightful book, botanist Peter Bernhardt reveals the rich history and mythology that underlie the origins of many scientific plant names. Unlike other books about botanical taxonomy that take the form of heavy and intimidating lexicons, Bernhardt's account comes together in a series of interlocking stories. Each chapter opens with a short version of a classical myth, then links the tale to plant names, showing how each plant "resembles" its mythological counterpart with regard to its history, anatomy, life cycle, and conservation. You will learn, for example, that as our garden acanthus wears nasty spines along its leaf margins, it is named for the nymph who scratched the face of Apollo. The shape-shifting god, Proteus, gives his name to a whole family of shrubs and trees that produce colorful flowering branches in an astonishing number of sizes and shapes. Amateur and professional gardeners, high school teachers and professors of biology, botanists and conservationists alike will appreciate this book's entertaining and informative entry to the otherwise daunting field of botanical names. Engaging, witty, and memorable, Gods and Goddesses in the Garden transcends the genre of natural history and makes taxonomy a topic equally at home in the classroom and at cocktail parties.

Draws on primary sources such as Homer, Herodotus, and Plato, and on many later works on botany, history, philology, and archaeology to explore how the ancient Greeks perceived and used plants. Considers the landscape, cults and myths, medicine and magic, dyes and textiles, food, and other uses. Highly illustrated, mostly in color. First published in German in 1982 and translated from the third edition. Annotation copyright by Book News, Inc., Portland, OR

In the spring, the ground of the Agora archaeological park is covered in poppies and daisies while poplars and oaks shade many of the pathways. Some of these plants are wild and some were deliberately introduced to Athens in classical times. This booklet presents evidence for ancient horticulture in the Agora (for example, structured antique gardens were uncovered around the Temple of Hephaistos). Its color plates also provide a useful guide to identifying modern Greek vegetation.

*Includes pictures of important places and historic art depicting Zeus and other Greek gods. *Explains the historical origins of the god and the mythological tales about him. *Includes a Bibliography for further reading. "I will sing of Zeus, chiefest among the gods and greatest, all-seeing, the lord of all, the fulfiller who whispers words of wisdom to Themis as she sits leaning towards him. Be gracious, all-seeing Son of Cronos, most excellent and great!" - "The Hymn To Zeus," attributed to Homer Zeus is a god of apparent paradox: sublimely regal yet ridiculously fickle, a giver of laws but a slave to his own passions, a being of incredible power who is desperate to possess that which he cannot have. As the leader of the Greek pantheon on Mount Olympus, Zeus was the god of kingship (and the associated elements of law, oaths, the state and the protection of property) and the god of storms, controlling lightning, wind and thunder. In many ways, one of Ancient Greece's most complex gods is also the most understandable, since he seems so human, and because there is plenty of information about him that survived, including the original legends about his birth, his early deeds and his many relationships with other gods, lovers, and humans. Furthermore, scholars have been able to analyze the historical roots of "Zeus" as a concept, identifying what gods he is related to among other cultures, where the legends of Zeus originated, and what this information says about the Ancient Greeks. One of the reasons Zeus remains one of the most recognizable gods in history is because of the spread of his influence. Due to the conquests of Alexander the Great, Zeus was brought along with other elements of Hellenization to Egypt and the Near East, and a few centuries later, Rome all but adopted him as their own chief god, Jupiter. From there, he was exported around the Roman Empire and fused with numerous other local gods in the process. Ultimately, Zeus was a prominent god from the period of pre-recorded history until the Christianization of Greece, which was complete by the early 7th century A.D. It is difficult for modern observers to understand how a hot-headed, sex-obsessed god could command the love and admiration of so many Greeks, not to mention their cultural heirs throughout the Roman Empire. What did the worship of this god provide for his worshipers? How did belief in his existence fulfill their spiritual needs? How was he different from other members of his pantheon? This book explores the figure of Zeus, including his origins, the stories told about him, the way he was worshiped and how he is remembered today. Along with pictures and a bibliography, you will learn about the Greek god like you never have before, in no time at all.

The cultivation of gardens played an integral role in both the public and private spheres of the ancient world. Whether grown as sources of food, symbols of wealth and prestige, or as dwellings for the gods, gardens were nurtured at every level of society. In this beautifully illustrated book, Maureen Carroll examines the most recent evidence for the existence, functions, and designs of gardens from the second millennium B.C. to the middle of the first millennium A.D. in the cultures of the ancient Near East, Egypt, Greece, Italy, and the provinces of the Roman Empire. She looks at gardens in their many forms, including house gardens, orchards and parks, sacred gardens and cemetery gardens, and dedicates a chapter to gardens in ancient poetry. She also discusses ancient horticultural practices and the role of gardeners, concluding with a chapter on the survival of ancient gardening traditions in the Islamic and Byzantine worlds, and the perception and depiction of paradise in those cultures. Evidence is drawn from archaeological excavations, which can reveal the remains of gardens that were never mentioned in written sources, as well as from textual, pictorial, and environmental sources. Illustrated with delightful images from tomb and wall paintings, sculptural reliefs and manuscripts, as well as with informative reconstructions and plans, this book provides fascinating insights into the earthly paradises of antiquity. Book jacket.

A Cultural History of Plants in the Early Modern Era covers the period from 1400 to 1650, a time of discovery and rediscovery, of experiment and innovation. Renaissance learning brought ancient knowledge to modern European consciousness whilst exploration placed all the continents in contact with one another. The dissemination of knowledge was further speeded by the spread of printing. New staples and spices, new botanical medicines, and new garden plants all catalysed agriculture, trade, and science. The great medical botanists of the period attempted no less than what Marlowe's Dr Faustus demanded - a book “wherein I might see all plants, herbs, and trees that grow upon the earth.” Human impact on plants and our botanical knowledge had irrevocably changed. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Andrew Dalby is an independent scholar and writer, based in France. Annette Giesecke is Professor of Classics at the University of Delaware, USA. Volume 3 in the Cultural History of Plants set. General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.