The Genius Who Hacked The Bible

Somebody's been hacking into the Bible for a long time now and it's time to expose him. His goal has been to hack into the stories in the Bible to cast doubt on any, little point he can to plant a little seed of doubt in your mind regarding the Bible. If he can get you to have a little doubt, he can get you to discredit the entire Bible and God. This book shows you his tactics and some incredible truths and events you'll learn about in the Bible.

The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce – cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell's Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text – its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. H. G. Wells (1866-1946) was a prolific English writer of fiction works, history and politics. Wells is called a father of science fiction. Table of Contents: A Modern Utopia Ann Veronica Bealby In the Days of the Comet The Chronic Argonauts The First Men in the Moon The Invisible Man The Island of Dr Moreau The New Machiavelli The Passionate Friends The Prophetic Trilogy The Research Magnificent The Sea Lady The Secret Places of the Heart The Soul of a Bishop The Time Machine The Undying Fire The War in the Air The War of the Worlds The World Set Free Tono-bungay When the Sleeper Wakes Collections of Short Stories Short Stories: A Catastrophe A Deal in Ostriches A Dream of Armageddon A Slip Under the Microscope A Story of the Days to Come A Story of the Stone Age A Tale of the Twentieth Century A Talk with Gryllotalpa How Gabriel Became Thompson How Pingwill Was Routed In the Abyss Le Mari Terrible Miss Winchelsea's Heart Mr. Brisher's Treasure Mr. Ledbetter's Vacation Mr. Marshall's Doppelganger Mr. Skelmersdale in Fairyland My First Aeroplane Our Little Neighbour Perfect Gentleman on Wheels Pollock and the Porroh Man The Empire of the Ants The Flying Man The Grisly Folk The Inexperienced Ghost The Land Ironclads The Lord of the Dynamos The Loyalty of Esau Common The Magic Shop The Man Who Could Work Miracles The Man with a Nose The Moth The New Accelerator The New Faust The Obliterated Man The Pearl of Love The Presence by the Fire The Purple Pileus The Rajah's Treasure The Reconciliation The Red Room The Sea Raiders The Star The Stolen Body The Story of the Last Trump The Story of the Stone Age The Temptation of Harringay The Thing in No. 7...

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This story has its beginnings in the town of Alexandria, Illinois, between 1884 and 1889, at the time when the place had a population of somewhere near ten thousand. There was about it just enough of the air of a city to relieve it of the sense of rural life. It had one street-car line, a theatre,—or rather, an opera house, so-called (why no one might say, for no opera was ever performed there)—two railroads, with their stations, and a business district, composed of four brisk sides to a public square. In the square were the county court-house and four newspapers. These two morning and two evening papers made the population fairly aware of the fact that life was full of issues, local and national, and that there were many interesting and varied things to do. On the edge of town, several lakes and a pretty stream—perhaps Alexandria's most pleasant feature—gave it an atmosphere not unakin to that of a moderate-priced summer resort. Architecturally the town was not new. It was mostly built of wood, as all American towns were at this time, but laid out prettily in some sections, with houses that sat back in great yards, far from the streets, with flower beds, brick walks, and green trees as concomitants of a comfortable home life. Alexandria was a city of young Americans. Its spirit was young. Life was all before almost everybody. It was really good to be alive.

This carefully edited collection of Theodore Dreiser's greatest novels has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: Sister Carrie Jennie Gerhardt The Financier The Titan The "Genius" An American Tragedy The Bulwark The Stoic

In For and Against the Bible (1801), Sheila Delany translates Sylvain Maréchal’s rationalist commentary on Jewish and Christian scripture. Atheist and supporter of the French Revolution, Maréchal hoped his text might remind compatriots of the values for which they had recently fought.