The Germans Of Charleston Richmond And New Orleans During The Civil War Period 1850 1870

This book is the first monograph on the role of the German population minority in the southern states in the American Civil War. It points out that Germans were quite involved in the fighting and, for the most part, had a positive attitude towards slavery. A comparative analysis presents the German militia, the leaders, consuls, blockade breakers and businessmen of the cities of Charleston, Richmond and New Orleans. The appendix contains an extensive survey of primary and secondary sources, including a tabular list of relatives of ethnically German military units with names, origin, rank, vocation, income and number of slaves owned. The book can serve as an archives guide for further related work by historians, military researchers and genealogists.

This work is the first monograph which closely examines the role of the German minority in the American South during the Civil War. In a comparative analysis of German civic leaders, businessmen, militia officers and blockade runners in Charleston, New Orleans and Richmond, it reveals a German immigrant population which not only largely supported slavery, but was also heavily involved in fighting the war. A detailed appendix includes an extensive survey of primary and secondary sources, including tables listing the members of the all-German units in Virginia, South Carolina and Louisiana, with names, place of origin, rank, occupation, income, and number of slaves owned. This book is a highly useful reference work for historians, military scholars and genealogists conducting research on Germans in the American Civil War and the American South.

A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.

This volume explores the mutually transformative relations between migrants and port cities. Throughout the ages of sail and steam, port cities served as nodes of long-distance transmissions and exchanges. Commercial goods, people, animals, seeds, bacteria and viruses; technological and scientific knowledge and fashions all arrived in, and moved through, these microcosms of the global. Migrants made vital contributions to the construction of the urban-maritime world in terms of the built environment, the particular sociocultural milieu, and contemporary representations of these spaces. Port cities, in turn, conditioned the lives of these mobile people, be they seafarers, traders, passers-through, or people in search of a new home. By focusing on migrants—their actions and how they were acted upon—the authors seek to capture the contradictions and complexities that characterized port cities: mobility and immobility, acceptance and rejection, nationalism and cosmopolitanism, diversity and homogeneity, segregation and interaction. The book offers a wide geographical perspective, covering port cities on three continents. Its chapters deal with agency in a widened sense, considering the activities of individuals and collectives as well as the decisive impact of sailing and steamboats, trains, the built environment, goods or microbes in shaping urban-maritime spaces.

The creation of the Confederate States of America and the subsequent Civil War inspired composers, lyricists, and music publishers in Southern and border states, and even in foreign countries, to support the new nation. Confederate-imprint sheet music articulated and encouraged Confederate nationalism, honored soldiers and military leaders, comforted family and friends, and provided diversion from the hardships of war. This is the first comprehensive history of the sheet music of the Confederacy. It covers works published before the war in Southern states that seceded from the Union, and those published during the war in Union occupied capitals, border and Northern states, and foreign countries. It is also the first work to examine the contribution of postwar Confederate-themed sheet music to the South's response to its defeat, to the creation and fostering of Lost Cause themes, and to the promotion of national reunion and reconciliation.

The U.S. South is a distinctive political and cultural force -- not only in the eyes of Americans, but also in the estimation of many Europeans. The region played a distinctive role as a major agricultural center and the source of much of the wealth in early America, but it has also served as a catalyst for the nation's only civil war, and later, as a battleground in violent civil rights conflicts. Once considered isolated and benighted by the international community, the South has recently evoked considerable interest among popular audiences and academic observers on both sides of the Atlantic. In The U.S. South and Europe, editors Cornelis A. van Minnen and Manfred Berg have assembled contributions that interpret a number of political, cultural, and religious aspects of the transatlantic relationship during the nineteenth and twentieth centuries. The contributors discuss a variety of subjects, including European colonization, travel accounts of southerners visiting Europe, and the experiences of German immigrants who settled in the South. The collection also examines slavery, foreign recognition of the Confederacy as a sovereign government, the lynching of African Americans and Italian immigrants, and transatlantic religious fundamentalism. Finally, it addresses international perceptions of the Jim Crow South and the civil rights movement as a framework for understanding race relations in the United Kingdom after World War II. Featuring contributions from leading scholars based in the United States and Europe, this illuminating volume explores the South from an international perspective and offers a new context from which to consider the region's history.

This is an exploration of the Charleston Campaign in the Civil War through the lens of leadership. Part One, "Understanding Charleston," contains a discussion of leadership, a campaign overview, and a brief introduction to the key participants. Part Two, "Leadership Vignettes," includes 21 scenarios that span the actions of the most senior leaders down to those of individual soldiers. Each scenario provides the context, explains the action in the terms of leadership lessons learned, and concludes with a list of "take-aways" to crystallize the lessons for the reader. The book ends with summary information and a set of conclusions about leadership during the Charleston Campaign. Although it featured some of the era's most advanced military technology, the Charleston Campaign was decided by more than just shot and shell, and this book offers a perspective of the campaign as a leadership laboratory.

From the first arrivals at Germantown, Pennsylvania in 1683 to the twilight of ethnicity in the twenty-first century, this book surveys the sweep of German American history over 300 years. It presents not only the institutions German immigrants created, but also their individual and collective voices as they established their lives within American society.