The Ghost Of White Hart Lane

'Had John lived, he could have been one of the greatest footballers of all time' Jimmy Greaves When John White was killed by a bolt of lightning in 1964, the football world was rocked by the tragedy. White was just 27 years of age. Nicknamed the 'Ghost' for the way that he could drift into space undetected, White played inside-forward for the great double-winning Tottenham Hotspur side of the early sixties. British football was entering a golden period and Bill Nicholson's free-flowing Spurs side was right at the forefront. White himself was on the cusp of greatness. Even alongside giants of the game like Dave Mackay and Danny Blanchflower, he stood out as a playmaker with incredible vision and touch. White lifted the European Cup Winners' Cup for Spurs (the first European trophy won by any British side) and gained 22 caps for Scotland, but he was also a family man. Six months before he died, his beloved wife Sandra, gave birth to their second child, a son called Rob. Rob White never knew his father. The man who was known by hundreds of thousands of football fans across the country, was a complete stranger to him. The Ghost of White Hart Lane is the result of interviews with his father's teammates, followers, and family members. Within these pages Rob White and Julie Welch have built up a portrait, not only of a brilliant and gifted young man, but also of a lost era.

NOMINATED FOR BEST FOOTBALL BOOK OF 2010 IN THE BRITISH SPORTS BOOK AWARDS Updated second edition True greatness does not feel the need to proclaim itself from the rooftops. It is happy to state its case quietly, yet with utter conviction. Alan Gilzean was a truly great footballer. Every observer of his talent confirms this as an indisputable fact: from the legendary Jimmy Greaves, who regards him as the best striker he ever played with, to Don Revie, the former Leeds United and England manager, who described the former Tottenham striker as the best touch player in Europe, and Spurs fans whose spine-tingling refrain, Gilzean, Gilzean, Born is the King of White Hart Lane, continues to echo down the generations. It is now 36 years since Gilzean retired from professional football and his life and times have become shrouded in mystery and rumour. All that exists are the memories of his greatness ... but how long before even those are forgotten forever? After fans on Tottenham Hotspur online forums claim that Gilzean is living as a down-and-out, James Morgan, a lifelong Spurs fan and sports journalist with The Herald, Scotland's leading quality newspaper, is filled with a fierce desire to separate fact from fiction and sets out on a journey In Search of Alan Gilzean. The facts of his illustrious career are down in black and white: 169 goals for Dundee, including 52 in one season, a record that stood until Henrik Larsson broke it in 2001; a league championship medal with the great Dundee team of the early 1960s; then, a move to Spurs in December 1964, where, over the course of the next decade, he forms unforgettable partnerships with Greaves and Martin Chivers. Gilzean's greatness shines like a beacon, but where is the rest of his story? Morgan soon discovers that a sprinkling of newspaper cuttings, a Wikipedia page and idle internet chatter, are all that exist of a life less ordinary. The Scottish Football Association Hall of Fame website included a Swede, Larsson, and a Dane, Brian Laudrup, but no Gillie. Dundee FC has named lounges after former players who are not fit to lace Gilzean's boots. Spurs haven't heard from him in years. Former team-mates are none the wiser. One of the best British strikers of his generation is a forgotten man. Morgan's desire to change this, and find out the full story, takes him on an exhilarating personal journey all over Britain. From Gillie's birthplace, in the small Perthshire village of Coupar Angus, to Dundee, London and beyond, he leaves no stone unturned. Initially, Gillie hovers in the shadow before emerging as a fascinating and complex character whose natural reticence has obscured his legacy. Morgan's portrait of the original King of White Hart Lane restores him to his rightful place in football folklore and stands as the only faithful testimony to the life of a bona fide British football legend.

Glory, Glory Lane is the life-affirming history - including a momentous last season - of a world-famous football stadium, home to Tottenham Hotspur for 118 years. A Victorian structure turned wraparound 21st-century all-seater, it became a theatre of dreams for supporters all attracted by teams which played the 'Spurs way' to achieve glory. The Lane gave a stage to a conveyor belt of legends from Cameron to Alli via Nicholson, Blanchflower, Greaves, Hoddle and Klinsmann. It provided unforgettable memories in unforgettable atmospheres - heart-lifting, heart-breaking, nerve-racking. Its story veers from founders obsessed by Harry Hotspur to Harry Kane via Harry Redknapp; through matches, personalities, ground developments and threatened closure, all with first-hand accounts. It's hard to imagine how a new �750m stadium can ever replace the edifice which shut its gates for the last time after Spurs played Manchester United in May 2017, having created a daunting legacy.

When Spurs legend John White was killed by a bolt of lightning in 1964, the football world was rocked by the tragedy. He was just 27 years of age. Nicknamed the 'Ghost' for the way that he could drift into space undetected, White played an inspirational role in the great double-winning Tottenham Hotspur side of the early 1960s. Every fan has a story about him. When White died, his son, Rob, was only six months old and so never knew his father. The man who was revered by hundreds of thousands of football fans across the country was a stranger to him. Beyond the grainy Cup Final footage and yellowed newspaper articles, there was so much Rob didn't know, questions he had never had an opportunity to ask. To find answers he set out to speak to White's former teammates, his family and followers, and built up a touching portrait of a gifted young footballer and of a lost era. 'Had John lived, he could have been one of the greatest footballers of all time' Jimmy Greaves With a new afterword for the paperback.

When Catherine da Costa, a wealthy Manhattan matron, learns she has only a short time to live, she realizes that her family tree will die unless she passes on its legacy and traditions to her granddaughters. But Suzanne and Francesca, beautiful young women caught up in trendy causes and ambitious careers, have no interest in the past. Catherine almost despairs until one night she is visited by the ghost of her family's anscestor, an indomitable Renaissance businesswoman named Hannah Mandes. The ghost of Hannah Mendes encourages Catherine to use every trick in the book to coerce the granddaughters to journey across Europe and acquaint themselves with their roots. While the sisters honor their grandmother's request out of loyalty, they believe their quest is futile--until it starts to uncover ancient pages from Hannah Mendes's fascinating memoir, and brings new loves into their lives.

" West Virginia boasts an unusually rich heritage of ghost tales. Originally West Virginians told these hundred stories not for idle amusement but to report supernatural experiences that defied ordinary human explanation. From jealous rivals and ghostly children to murdered kinsmen and omens of death, these tales reflect the inner lives—the hopes, beliefs, and fears—of a people. Like all folklore, these tales reveal much of the history of the region: its isolation and violence, the passions and bloodshed of the Civil War era, the hardships of miners and railroad laborers, and the lingering vitality of Old World traditions.

The Ballad of the White Horse is a poem by G. K. Chesterton about the idealized exploits of the Saxon King Alfred the Great. Written in ballad form, the work is usually considered one of the last great traditional epic poems ever written in the English language. The poem narrates how Alfred was able to defeat the invading Danes at the Battle of Ethandun under the auspices of God working through the agency of the Virgin Mary. In addition to being a narration of Alfred's military and political accomplishments, it is also considered a Catholic allegory. Chesterton incorporates a significant amount of philosophy into the basic structure of the story. Aeterna Press