The Gilded Page

A breathtaking journey into the hidden history of medieval manuscripts, from the Lindisfarne Gospels to the ornate Psalter of Henry VIII “A delight—immersive, conversational, and intensely visual, full of gorgeous illustrations and shimmering description.” –Helen Castor, author of She-Wolves Medieval manuscripts can tell us much about power and art, knowledge and beauty. Many have survived because of an author’s status—part of the reason we have so much of Chaucer’s writing, for example, is because he was a London-based government official first and a poet second. Other works by the less influential have narrowly avoided ruin, like the book of illiterate Margery Kempe, found in a country house closet, the cover nibbled on by mice. Scholar Mary Wellesley recounts the amazing origins of these remarkable manuscripts, surfacing the important roles played by women and ordinary people—the grinders, binders, and scribes—in their creation and survival. The Gilded Page is the story of the written word in the manuscript age. Rich and surprising, it shows how the most exquisite objects ever made by human hands came from unexpected places. “Mary Wellesley is a born storyteller and The Gilded Page is as good as historical writing gets. This is a sensational debut by a wonderfully gifted historian.” —Dan Jones, bestselling author of The Plantagenets and The Templars

"A history of manuscript gilding from ancient Egypt and Babylon to the modern day studio. Explains in detail both historical and modern techniques of manuscript gilding, along with recipes and tips. Illustrated in black and white, plus 16 color plates"--Provided by publisher.

Fueled by a flourishing capitalist economy, undergirded by advancements in architectural design and urban infrastructure, and patronized by growing bourgeois and elite classes, New York’s built environment was dramatically transformed in the 1870s and 1880s. This book argues that this constituted the formative period of New York’s modernization and cosmopolitanism—the product of a vital self-consciousness and a deliberate intent on the part of its elite citizenry to create a world-class cultural metropolis reflecting the city’s economic and political preeminence. The interdisciplinary essays in this book examine New York’s late nineteenth-century evolution not simply as a question of its physical layout but also in terms of its radically new social composition, comprising the individuals, institutions, and organizations that played determining roles in the city’s cultural ascendancy.

Best source of information and illustrations for private houses in Eastern cities during the early 1880s. Rare photographs of mansions belonging to Vanderbilt, Morgan, Grant, and many others. Extensive, informative new text.

"Against the assault of laughter nothing can stand," Mark Twain once wrote. In this sixth volume in The Library of America's authoritative collection of his writings-the final volume of his fiction-America's greatest humorist emerges in a surprising range of roles: as the savvy satirist of The Gilded Age, the brilliant plotter of its inventive sequel, The American Claimant, and, in two Tom Sawyer novels, as the acknowledged master revisiting his best-loved characters. Also in this volume is the authoritative version of Twain's haunting last novel, No. 44, The Mysterious Stranger, left unpublished when he died. The Gilded Age (1873), a collaboration with Hartford neighbor Charles Dudley Warner, sends up an age when vast fortunes piled up amid thriving corruption and a city Twain knew well, Washington, D.C., full of would-be power brokers and humbug. The novel also gives us one of Twain's most enduring characters, Colonel Sellers, who returns in The American Claimant (1892), an encore performance that moves beyond the worldly satire of its predecessor into realms of sheer inventive mayhem. Tom Sawyer Abroad (1894) and Tom Sawyer, Detective (1896) extend the adventures of Huck and Tom. No. 44, The Mysterious Stranger (1908), an astonishing psychic adventure set in the gothic gloom of a medieval Austrian village, offers a powerful and uncanny exploration of the powers of the human mind. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Gilded Age: a Tale of Today is a depiction of those crimes committed in the United States in the late 19th Century which so frequently went unpunished and of the casualties which ought to be called crimes. The description severely winds up with the satirical verdict “No one to blame.” The project of Colonel Sellers for raising mules for the Southern markets is a satire upon the fraudulency and soap-bubble speculation of capitalists. The work is full of hints and descriptions that take their rise from the frauds and outrages under which the country had plagued for so many years. Family, social and national questions are all cleverly satirized. The monument erected to the memory of the Father of his country – a monument begun, but, of course, never completed – calls forth some strokes of bitter but not unjust humor. The means by which preferment is obtained in Washington are amply satirized. There are two views of this book: favorable and unfavorable. This essay considers both. For instance, while some critics think that it is incoherent, others suggests that the narrative departs from the traditional methods of concluding and is thereby more natural than most novels because every chapter of the book bears the marks of both writers and is therefore a novelty in its way. In this essay I argue that The Gilded Age is essentially a satire and should always be accepted as such. Of course, other good contemporary books did not make it to our time in terms of popularity and legacy. The Gilded Age did. We talk, write, and read about it to this day. Evidently, it is an integral part of the annals of American literature and fully contributes to Mark Twain’s reputation, legacy, and lasting influence.

What would it be like for modern readers to sit down beside Jesus as he explained the Bible to them? What life-changing insights might emerge from such a transformative encounter? Lois Tverberg knows the treasures that await readers willing to learn how to read the Bible through Jewish eyes. By helping them understand the Bible as Jesus and his first-century listeners would have, she bridges the gaps of time and culture in order to open the Bible to readers today. Combining careful research with engaging prose, Tverberg leads us on a journey back in time to shed light on how this Middle Eastern people approached life, God, and each other. She explains age-old imagery that we often misinterpret, allowing us to approach God and the stories and teachings of Scripture with new eyes. By helping readers grasp the perspective of its original audience, she equips them to read the Bible in ways that will enrich their lives and deepen their understanding.