The Gilgamesh Epic In Genesis 1 11

This book provides a substantive, reliable, and accessible comparison of the Gilgamesh Epic and Genesis 1–11, investigating their presentation of humanistic themes such as wisdom, power, and the ‘good life.’ While the Gilgamesh Epic and Genesis 1–11 are characterized by historical and cultural features that may seem unusual or challenging to modern readers, such as the intervention of gods and goddesses and talking animals, these ancient literary masterpieces are nonetheless familiar and relatable stories through their humanistic composition. This volume explores the presentation of humanistic themes and motifs throughout both stories. Significant passages and narratives, such as stories from the Garden of Eden and the Flood, are translated into English and accompanied by comprehensive discussions that compare and contrast shared ideas in both compositions. Written in a lucid and concise fashion, this book offers new insights into the Gilgamesh Epic and Genesis 1–11 in an accessible way. The Gilgamesh Epic in Genesis 1–11: Peering into the Deep is suitable for students and scholars of ancient Near Eastern literature, with broad appeal across religious studies, ancient history, and world literature.

The evolution of the Gilgamesh epic" (1982) / Jeffrey H. Tigay -- From "Gilgamesh in literature and art: the second and first millennia" (1987) / Wilfred G. Lambert -- From "Gilgamesh: sex, love and the ascent of knowledge" (1987) / Benjamin Foster -- "Images of women in the Gilgamesh epic" (1990) / Rivkah Harris -- "The marginalization of the goddesses" (1992) / Tikva Frymer-Kensky -- "Mourning the death of a friend: some assyriological notes" (1993) / Tzvi Abusch -- "Liminality, altered states, and the Gilgamesh epic" (1996) / Sara Mandell -- "Origins: new light on eschatology in Gilgamesh's mortuary journey" (1996) / Raymond J. Clark -- From "a Babylonian in Batavia: Mesopotamian literature and lore in The sunlight dialogues" (1982) / Greg Morris -- "Charles Olson and the poetic uses of Mesopotamian scholarship" / John Maier -- From "'Or also a godly singer, ' Akkadian and early Greek literature" (1984) / Walter Burkert -- From "Gilgamesh and Genesis" (1987) / David Damrosch -- "Praise for death" (1990) / Donald Hall -- From "Gilgamesh in the Arabian nights" (1991) / Stephanie Dalley -- "Ovid's Blanda voluptas and the humanization of Enkidu" (1991) / William L. Moran -- From "the Yahwist's primeval myth" (1992) / Bernard F. Batto -- "Gilgamesh and Philip Roth's Gil Gamesh" (1996) / Marianthe Colakis -- From "The epic of Gilgamesh" (1982) / J. Tracy Luke and Paul W. Pruyser -- From "Gilgamesh and the Sundance Kid: the myth of male friendship" (1987) / Dorothy Hammond and Alta Jablow -- "Gilgamesh and other epics" (1990) / Albert B. Lord -- From "Reaching for abroad: departures" (1991) / Eric J. Leed -- From "Introduction" to he who saw everything (1991) / Robert Temple -- "The oral aesthetic and the bicameral mind" (1991) / Carl Lindahl -- From "Point of view in anthropological discourse: the ethnographer as Gilgamesh" (1991) / Miles Richardson -- From "The wild man: the epic of Gilgamesh" (1992) / Thomas Van Nortwick.

Cuneiform records made some three thousand years ago are the basis for this essay on the ideas of death and the afterlife and the story of the flood which were current among the ancient peoples of the Tigro-Euphrates Valley. With the same careful scholarship shown in his previous volume, The Babylonian Genesis, Heidel interprets the famous Gilgamesh Epic and other related Babylonian and Assyrian documents. He compares them with corresponding portions of the Old Testament in order to determine the inherent historical relationship of Hebrew and Mesopotamian ideas.

Genesis 1-11 contains some of the best-known stories in the world. To modern Westerners they may look like no more than entertaining tales that children can enjoy, but modern adults cannot take seriously. However, when read in the context of the ancient Orient, Genesis 1-11 looks very different. It turns out to be a truly revolutionary document. In retelling the history of the ancient world, it puts a new spin on it by introducing an all-powerful, all-knowing, unique God whose greatest concern is human welfare. The God who appears in Genesis 1-11 is the God presupposed by all the Old Testament writers, indeed by the New Testament as well. The gripping tales of Genesis thus provide the theological spectacles for a sympathetic reading of the Bible. They are the gateway to a valid understanding of its message and can even help modern believers construct a worldview that integrates both the discoveries of modern science and the insights of Christian theology.

One in an ongoing series of esteemed and popular Bible commentary volumes based on the New International Version text.

Genesis 1-11 contains some of the best-known stories in the world. To modern Westerners they may look like no more than entertaining tales that children can enjoy, but modern adults cannot take seriously. However, when read in the context of the ancient Orient, Genesis 1-11 looks very different. It turns out to be a truly revolutionary document. In retelling the history of the ancient world, it puts a new spin on it by introducing an all-powerful, all-knowing, unique God whose greatest concern is human welfare. The God who appears in Genesis 1-11 is the God presupposed by all the Old Testament writers, indeed by the New Testament as well. The gripping tales of Genesis thus provide the theological spectacles for a sympathetic reading of the Bible. They are the gateway to a valid understanding of its message and can even help modern believers construct a worldview that integrates both the discoveries of modern science and the insights of Christian theology.

Daniel Lowery commences this work by suggesting that history is a subjective enterprise—it is controlled by those who record it. The power of the present decides what is counted as history, and how the rest of us are told about the past shapes our view of it and, concomitantly, our outlook for the future. In this sense, then, history fundamentally shapes the future. Few questions are more basic to human existence than Who am I? Where did I come from? What is my place in this world? The earliest chapters of Genesis have oriented hearers and readers for millennia in their attempts to address these concerns. And so, in several respects, Genesis shapes the future. In this study, Lowery sets out to understand more accurately ancient Near Eastern language and claims about origins, specifically claims found in Gen 1–11. He uses Gen 4:17–22 as a test case representing the Hebrew tradition explaining how the world came to be civilized. Lowery observes that this passage serves a function within the larger narrative of Gen 1–11 akin to other ancient Near Eastern traditions of civilized beginnings. Moreover, it occupies a place in the overarching “narrative of beginnings” corresponding to what we find elsewhere throughout the ancient world. Lowery focuses mainly on Mesopotamia, leaving other cultures for later study. This study aims to demonstrate that much of the language of Gen 1–11 is similar in many ways to its Mesopotamian counterparts. More explicitly, here is an exploration of the nature of the language and terms of Gen 1–11 to ascertain what truths it communicates and how it communicates them. At its core, this is a study of the genre and generic claims of protohistory as found in Gen 1–11.

The stories of Genesis 1-11 constitute one of the better known parts of the Old Testament, but their precise meaning and background still provide many debated questions for the modern interpreter. In this stimulating, learned and readable collection of essays, which paves the way for his forthcoming ICC commentary on these chapters, John Day attempts to provide definitive solutions to some ofthese questions. Amongst the topics included are the background and interpretation of the seven-day Priestly Creation narrative, problems in the interpretation of the Garden of Eden story, the relation of Cain and the Kenites, the strange stories of the sons of God and daughters of men and of Noah's drunkenness and the curse of Canaan, the precise ancient Near Eastern background of the Flood story and the preceding genealogies, and the meaning and background of the story of the tower and city of Babel. Throughout this volume John Day constantly seeks to determine the original meaning of these stories in the light of their ancient Near Eastern background, and to determine how far this original meaning has been obscured by later interpretations.