The Girl With White Flag

In 1945 Okinawa, a seven year old girl is wandering about carrying a white flag.

FOREWORD BY GENERAL SIR MIKE JACKSON After the pain of Iraq and Afghanistan, it is hard to imagine the UK being drawn into another war. Defence chiefs warn that there is a real prospect of future conflict, but they have struggled to persuade most politicians to take them seriously. Our leaders have concluded there are no votes in defence, and have progressively run down the armed forces. Today, the army is at its smallest since the Napoleonic Wars; the RAF is less than half its size twenty five years ago, and the Royal Navy will struggle to muster the ships and weapons required to protect our new aircraft carriers. Is there really a risk of war? Is our military less capable and, if so, what could that mean for our future? White Flag? explains what has happened to our armed forces in recent years and asks whether their decline endangers our safety and prosperity.

Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Lili Hahn's personal journal provides insight into the everyday life and experiences of the German citizen between 1933 and 1945.

A moving and vivid memoir of a young girl—long before her starring role in the Degrassi series—who was always switching between worlds, wanting only to be loved When Anais Granofsky’s parents meet in the early 1970s, they are foreign and fascinating to each other. Stanley is the son of a very wealthy Toronto Jewish family; Jean is one of fifteen children from a poor Black Methodist family, direct descendants of the freed Randolph slaves. When Jean becomes pregnant at nineteen, Stanley doesn’t anticipate being cut off by his parents. Nor does the couple anticipate that Stanley, soon to rename himself Fakeer, will find his calling in the spiritual teachings of Bhagwan Shree Rajneesh on an ashram in India. The Girl in the Middle is the story of a child who spends her life navigating between two very different worlds. Alone, Anais and her mother teetered on the poverty line, sharing a mattress in a single room in social housing in Toronto, while her grandparents lived a twenty-minute car ride away on the mansion-lined Bridle Path. As Anais grows up, she spends weekends having lunch with her grandmother by the pool, while during the week, she and her mother often don’t know where their next meal will come from, even after Fakeer’s return. Anais realizes that if she wants to be loved, she has to switch identities to please each of the adult women in her family. It isn’t until she gets a role in the TV series Degrassi Junior High that Anais finds a third world—her own—and begins to define an identity for herself. The Girl in the Middle offers a powerful lens to explore how two families, one white and one Black, faced systemic oppression spanning multiple generations and came out at opposite economic classes—and how they clashed when they shared a granddaughter. With compassion and vivid storytelling, Granofsky shares her experience of living in opposite worlds, and demonstrates how generational shame, grief and prejudice ultimately lead to love and forgiveness.

In a moving tale of oppression and courageous defiance, sixteen-year-old Latifa tells her story of growing up in war torn Afghanistan.