The Gladiators

An analysis of the lives of ancient Rome's gladiators explores how they were both despised and hero-worshiped, chronicling how tens of thousands of gladiators perished publicly over the course of six hundred years.

He won his fame—and his freedom—in the gory pits of Rome's Colosseum. Yet the greatest challenge for once-legendary gladiator Caros Viriathos comes to him through a slave. His slave, the beautiful and mysterious Pelonia Valeria. Her secret brings danger to his household but offers Caros a love like he's never known…. Should anyone learn she is a Christian, Pelonia will be executed. Her faith threatens not only herself, but her master. Can she convince a man who found fame through unforgiving brutality to show mercy? And when she's ultimately given the choice, will Pelonia choose freedom or the love of a gladiator?

"Gladiators, an exciting account of the ancient Roman institution of arena combat, traces the bloody 800-year history of the bustuarii from their rise during the third century B.C. to their eventual abolition at the end of the fifth century A.D. The popularity of gladiatorial combat dramatizes the paradox of Roman civilization: poets, philosophers, and politicians glorifying this brutal and savage institution in a culture remarkable for its contributions to government, law, literature, philosophy, and art--a culture that was a cornerstone of Western civilization. Although no amount of explanation can mitigate the savagery, in some ways good things came out of this almost-supreme evil. It brought forth countless acts if individual courage, it created one of the world's greatest architectural forms, and it inspired a number of thoughtful men to write down violent protests that stood firm against this overwhelming tide of brutality. Illustrations of mosaics, statuettes, reliefs, and the remains of arenas and amphitheaters illuminate the text."--Provided by publisher

Reprint of the original, first published in 1863.

Using previously unpublished correspondence and personal journal entries from screenwriter Abraham Polonsky, neglected notices in Variety and other Hollywood trade publications, and a wide range of published sources, this narrative backstory of rival movie productions of The Gladiators vs Spartacus documents that intense competition with greater precision and clarity than any other existing account. The key role that this little-known chapter of Hollywood's blacklist history played, in connection with Dalton Trumbo's successful effort to win screen credit for Spartacus, is now for the first time available to film historians and lay readers. A companion study, Volume 2, is devoted to Abraham Polonsky’s rediscovered screenplay.