The Glass Coffin

In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author’s characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera’s neutral eye can capture – and cause. Canada’s favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he’s a cold fish who not only has already lost two wives to suicide, but has exploited their lives – and deaths – by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It’s obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked. Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.

A S Byatt's fairy tales and fables are among the best-loved features of her fiction. Innumerable readers have asked for the two marvellous fairy tales in POSSESSION - 'The Glass Coffin' and 'Gode's Tale' of the Breton Naie des Trepasses - to be published seperately. Here they take their place with three other stories with medieval and oriental settings. The title story, 'The Djinn and the Nightingale's Eye', a long story about an Englishwoman in Turkey who unwittingly releases a genie from his bottle, is a reflection on women's lives, on magic and on the power of storytelling itself.

The tyrannous Huntsmen have declared everyone in one village to be outlaws, since they insist on supporting the magical beings of neighbouring Darkwood. Why won’t they accept that magic is an abomination? Far from being abominable, the residents of Darkwood are actually very nice when you get to know them, even Snow the White Knight, who can get a bit tetchy when people remind her she’s a Princess. In order to stop the Huntsmen from wiping out all magical beings, Snow and her friends have to venture into the Badlands of Ashtrie, and seek the support of the Glass Witch – but she has plans of her own, and let’s just say they’re not good ones. Praise for Gabby Hutchinson Crouch: ‘Gabby is one of the funniest writers I know.’ Sarah Millican ‘...very funny. If you like Terry Pratchett, or think gothic fairytales should have more LOLs, ’tis the book for ye.’ Greg Jenner ‘I have read this and it is great. Pratchetty fun for all the family.’ Lucy Porter ‘...magical, surprising and funny.’ Jan Ravens What people are saying about the Darkwood series: ‘Clever and funny and so very very entertaining. I would encourage everyone of every age to go ahead and read Darkwood.’ ‘Completely fabulous, can’t wait for the rest of the series.’ ‘A fun, exciting, action-packed story that once I started reading I couldn't put down.’ ‘I loved the mix of humour and fantasy, the tongue in cheek style of writing and the quirky characters.’ ‘I could go on and on about how much I love this book and why.’ ‘A delightful new mashup of old familiar fairy tale characters and themes, with loads of originality and memorable characters. ... I think this may well turn into one of my all-time favourites.’ ‘...incredible! It made me laugh out loud in several places, but also managed to pull off some intricate themes around power and bigotry – I adored the characters and the fun, genre-savvy writing.’

"Anonimo Mexicano is housed in the Bibliotheque Nationale de Paris. Its first complete publication here includes a full English translation, an accurate transcription of the original document's classical Nahuatl, a modern Nahuatl version for philological comparison, and comprehensive annotation. This definitive edition thus will be valuable for anthropologists, ethnohistorians, folklorists, linguists, Mesoamerican specialists, philologists, and others. Moreover, anyone interested in the epic origin tales of peoples and nations will find interest in Anonimo Mexicano's grand narrative of dynastic wars, conquests, and migrations, cast in mythological terms."--Résumé de l'éditeur.

Eleven-year-old twins Hannah and Anna agree about everything—especially that they don't want to move to the creepy old house on Hemlock Road. But as soon as they move into the house, the twins start disagreeing for the first time in their lives. In fact, it's almost as though something or someone is trying to drive them apart. While Anna settles in, Hannah can't ignore the strange things that keep happening on Hemlock Road. Why does she sense things that no one else in the family does? It's almost as though someone is trying to talk to her. Someone no one else can hear. Someone angry enough to want revenge. Hannah, are you listening? Is the house haunted? Is Hannah crazy? Or does something in the house want her as a best friend—forever?

In this chilling tale of the terrible power of the ties that both bind us and blind us, Gail Bowen has given us her best novel yet. Brimming with the author’s characteristic empathy for the troubled, The Glass Coffin explores the depth of tragedy that a camera’s neutral eye can capture – and cause. Canada’s favourite sleuth, Joanne Kilbourn, is dismayed to learn who it is that her best friend, Jill Osiowy, is about to marry. Evan MacLeish may be a celebrated documentary filmmaker, but he’s a cold fish who not only has already lost two wives to suicide, but has exploited their lives – and deaths – by making acclaimed films about them. Not even Jill appears to be particularly fond of him, and Jo is appalled to learn that her friend is marrying Evan primarily to become stepmother to his teenaged daughter, Bryn. Even Bryn hates her father for having filmed her all of her short life. It’s obvious to Joanne that this is stony ground on which to found a marriage. What is not obvious is that it is about to get bloodsoaked. Intelligent, sympathetic, and harder-edged than earlier novels in the Joanne Kilbourn series, The Glass Coffin is the work of a writer at the top of her form.

Rostislav is a witch of impressive enough skill he is known as the Cursebreaker—and has gained further notoriety by being the best friend of the infamous Johnnie Desrosiers. But even his power and connections would not be enough to save him from the ridicule and rejection he would face if his deepest secret came to light: that he is a human pathetic enough to be in love with a vampire. When he is hired by a museum to examine a cursed artifact—the glass coffin from a notorious, and false, legend about a vampire who fell in love with a human—it's one more bitter reminder about how impossible his deepest desire really is.