The Golden Age Of Death

Meet Amber Benson's "authentically original creation" (Locus)... My name is Calliope Reaper-Jones (Callie to my friends). I’m Death’s Daughter and—as of very recently—the (reluctant) head of my father’s company, Death, Inc. I was gradually learning how to be a businesswoman. Had the power suits and shoes down, though the day to day was slow going. Then I was blindsided by Enemies Unknown and sent off to I-don’t-know-where. Not a good thing. Now not only must my friends and family be frantic, but without a CEO, Death, Inc., can’t function. With the newly deceased left free to roam the Earth, it’s the zombie apocalypse come true. I’ve got to get back—for my sake and the sake of, oh, all humanity…

Longlisted for the Wellcome Book Prize 2017 A moving story about transition between illness and recovery, childhood and maturity, life and death. Thirteen-year-old Frank Gold's family escaped from Hungary and the perils of WW2 to the safety of Australia, but not long after their arrival Frank is diagnosed with polio. Sent to a sprawling children's hospital called The Golden Age, he nds Elsa, the most beautiful girl he has ever seen, and a vocation for poetry. Frank and Elsa fall in love, fuelling one another's rehabilitation and facing the perils of polio and adolescence hand in hand. Meanwhile Frank and Elsa's parents must cope with their changing realities. Margaret, who has sacri ced everything to be a perfect mother, must reconcile her hopes and dreams with her daughter's illness. Frank's parents are isolated newcomers in a country they don't love. Ida, a renowned pianist in Hungary, refuses to allow the western deserts of Australia to become her home, while her husband Meyer slowly begins to free himself from the past and nd his place in the Perth of the early 1950s.

In the late fourth century, the world of Christianity was torn apart by debate over the teachings of the third-century theologian Origen and his positions on the incorporeality of God. In the year 400, Archbishop Theophilus of Alexandria convened a council declaring Origen's later followers as heretics. Shortly thereafter, Theophilus banished the so-called Tall Brothers, four Origenist monks who led monastic communities in the western Egyptian desert, along with hundreds of their brethren. In some accounts, Theophilus leads a violent group of drunken youths and enslaved Ethiopians in sacking and desecrating the monastery; in others, he justly exercises his episcopal duties. In some versions, Theophilus' violent actions effectively bring the Golden Age of desert monasticism to an end; in others, he has shown proper respect for the desert fathers, whose life of asceticism is subsequently destroyed by bands of barbarian marauders. For some, the desert came to be inextricably connected to violence and trauma, while for others, it became a site of nostalgic recollection. Which of these narratives subsequent generations believed depended in good part on the sources they were reading. In Death of the Desert, Christine Luckritz Marquis offers a fresh examination of this critical juncture in Christian history and brings into dialogue narrative strands that have largely been separated in the scholarly tradition. She takes the violence perpetrated by Theophilus as a turning point for desert monasticism and considers how monks became involved in acts of violence and how that violence came back to haunt them. More broadly, her careful attention to the dynamic relations between memory practices, the rhetorical constructions of place, racialized discourse, and language and deeds of violence speak to us in our own time.

Spring, 1971, East Pakistan. Rehana Haque is throwing a party for her beloved children, Sohail and Maya. Her young family is growing up fast, and Rehana wants to remember this day forever. But out on the hot city streets, something violent is brewing. As the civil war develops, a war which will eventually see the birth of Bangladesh, Rehana struggles to keep her children safe and finds herself facing a heartbreaking dilemma.

The truth behind ancient myths and the return of the celestial conditions for a Golden Age of peace and abundance • Reveals the events preserved in myth that launched humanity into 12,000 years of struggle, selfishness, and false beliefs • Explores how we can initiate a new Golden Age through ancient Egyptian teachings on the creative power of our imaginations • Explains how our world system of economics, which benefits a few at the expense of the many, arose as a reaction to global catastrophe in prehistory Since the beginning of recorded history humanity has been in a continuous struggle over land and resources. It continues today despite the abundance we have created through scientific innovation and technology. Why such a struggle for resources exists has never been explained. Neither has the human drive to own, accumulate, and hoard. Edward Malkowski reveals that the answer lies in recognizing the reality behind humanity’s earliest myths. He shows that the opportunity is at hand to transcend these inherited selfish traits and return to a Golden Age of peace and abundance. Malkowski explores the hidden meaning behind stories such as the Epic of Gilgamesh, Plato’s Atlantis, and myths of a new sky and a new sun, of great floods and the death of the gods, and of the preceding Golden Age. He connects these myths to a real extinction event that occurred 12,000 years ago. He explains how the survivors--our ancestors--were catapulted from utopia into a world of scarcity, scarring the collective mind of humanity and initiating the struggle for resources in an attempt to regain our lost paradise. He shows how our world system of economics, focused on ownership and based on the false belief of separateness--benefitting a few at the expense of the many--arose as a reaction to this catastrophe. Drawing on the pre-catastrophe teachings preserved by the ancient Egyptians, Malkowski reveals that we are returning to a celestial configuration parallel to that of the past Golden Age. Through our collective DNA memory and the creative power of our imaginations, we can end our 12,000-year quest to regain paradise lost and launch a new Golden Age of unity, abundance, and equality for all humanity.

A golden age mystery, first published in 1961.

In the early days of flight, no one imagined the aeroplane as a weapon of war. Inevitably, the First World War proved the catalyst that was to change the face of battle for ever. But at the war’s outbreak, military aircraft, most of which were slow and stable two-seat biplanes, were held to have only one useful function: reconnaissance.It was not long, however, before pilots had the idea of dropping explosives from their cockpits. Once machine guns began to be fitted to aircraft, two factors immediately became clear: reconnaissance aircraft needed to be defended, and enemy machines had to be attacked and destroyed. So was born the ‘scout’ (as fighter aircraft were known then), to be followed, before long, by the ‘aces’ who flew them.In this wide-ranging and extremely readable study of the fighter pilot’s skills, training and experiences from the early days of flight, and the development of the machines they flew, the author, who has written widely on aerial warfare, takes the reader on a journey from the first flying machines in the late nineteenth century, to the development of the specialised fighter aircraft armed with one or more machine guns, and capable, by the war’s end, of speeds of 140mph and more. Along the way he takes in the development of the devices that allowed a machine gun to fire through the propeller arc, the coming of aerial photography and airborne wireless, parachutes, engine design, test flying and problems of flight, including the dreaded ‘spin’ that killed so may pilots, and the invention of aerial tactics such as the Immelmann Turn.Here, too, are the aces, the pilots who became famous and fêted at home for their exploits, at a time when newspapers were filled with ever-lengthening casualty lists from the Western Front. Some, like Germany’s Manfred von Richthofen - the ‘Red Baron’ - Britain’s James McCudden and Eddie Rickenbacker of the USA, are still well-known today, while others like Raymond Collishaw of the Royal Naval Air Service, France’s René Fonck, and Aleksandr Kazakov of the Imperial Russian Air Service are less prominent.In 1914 it was all new, this business of flying at the enemy. It is a story of creativity, of machines, experiments, turning points, ebb and flow, heroes. Starting from almost nothing, the fighting men tried out their ideas and established the principles that ultimately made aircraft the most important weapon of all.