The Good German

In November 1939, a German anti-fascist named Georg Elser came as close to assassinating Adolf Hitler as anyone ever had. In this gripping novel of alternate history, he doesn’t just come close—he succeeds. But he could never have imagined the terrible consequences that would follow from this act of heroism. Hermann Göring, masterful political strategist, assumes the Chancellery and quickly signs a non-aggression treaty with the isolationist president Joseph Kennedy that will keep America out of the war that is about to engulf Europe. Göring rushes the German scientific community into developing the atomic bomb, and in August 1944, this devastating new weapon is tested on the English capital. London lies in ruins. The war is over, fascism prevails in Europe, and Canada, the Commonwealth holdout in the Americas, suffers on as a client state of the Soviet Union. Georg Elser, blinded in the A-bombing of London, is shipped to Canada and quarantined in a hospice near Toronto called Mercy House. Here we meet William Teufel, a German-Canadian boy who in the summer of 1960 devises a plan that he hopes will distance himself from his German heritage and, unwittingly, brings him face to face with the man whose astonishing act of heroism twenty-one years earlier set the world on its terrifying new path. In this page-turning narrative, Bock has created an utterly compelling and original novel of historical speculation in the vein of Philip Roth’s The Plot Against America, John Wyndham’s The Chrysalids and Philip K. Dick’s cult classic The Man in the High Castle.

Set in Berlin just after the end of World War II, Joseph Kanon's The Good German, now a major motion picture, is a brilliant thriller about the end of one war and the beginning of another, by the bestselling author of Los Alamos. Berlin, 1945. Hitler has been defeated, and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. When an American soldier's body is found in the Russian zone during the Potsdam Conference, Jake stumbles on the lead to a murder mystery. Jason Kanon's The Good German is a story of espionage and love, an extraordinary recreation of a city devastated by war, and a thriller that asks the most profound ethical questions in its exploration of the nature of justice, and what we mean by good and evil in times of peace and of war.

Essays analyzing postwar literary, cultural, and historical representations of "good Germans" during the Second World War and the Nazi period. In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans asevil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting behavior, moral truth, or at the very least civil disobedience. The "good German's" counterhegemonic practice cannot negate or contradict the barbaric reality of Hitler's Germany, but reflects a value system based on humanity and an "other" ideal community. This volume of new essays explores postwar and recent representations of "good Germans" during the Third Reich, analyzing the logic of moral behavior, cultural and moral relativism, and social conformity found in them. It thus draws together discussions of the function and reception of "Good Germans" in Germany and abroad. Contributors: Eoin Bourke, Manuel Bragança, Maeve Cooke, Kevin De Ornellas, Sabine Egger, Joachim Fischer, Coman Hamilton, Jon Hughes, Karina von Lindeiner-Strásky, Alexandra Ludewig, Pól O Dochartaigh, Christiane Schönfeld, Matthias Uecker. Pól O Dochartaigh is Professor of German and Dean of the Faculty of Arts at the University of Ulster, Northern Ireland. Christiane Schönfeld is Senior Lecturer in German and Head of the Department of German Studies at Mary Immaculate College, University of Limerick.

After 1933, as the brutal terror regime took hold, most of the two-thirds of Germans who had never voted for the Nazis - some 20 million people - tried to keep their heads down and protect their families. They moved to the country, or pretended to support the regime to avoid being denounced by neighbours, and tried to work out what was really happening in the Reich, surrounded as they were by Nazi propaganda and fake news. They lived in constant fear. Yet many ordinary Germans found the courage to resist. Catrine Clay argues that it was a much greater number than was ever formally recorded. Her ground-breaking book focuses on six very different characters. They are not seen in isolation but as part of their families. Each experiences the momentous events of Nazi history as they unfold in their own small lives - Good Germans all.

The Good Man of Nanking is a crucial document for understanding one of World War II's most horrific incidents of genocide, one which the Japanese have steadfastly refused to acknowledge. It is also the moving and awe-inspiring record of one man's conscience, courage, and generosity in the face of appalling human brutality. Until the recent emergence of John Rabe's diaries, few people knew abouth the unassuming hero who has been called the Oskar Schindler of China. In Novemgber 1937, as Japanese troops overran the Chinese capital of Nanking and began a campaign of torture, rape, and murder against its citizens, one man-a German who had lived in China for thirty years and who was a loyal follower of Adolph Hitler-put himself at risk and in order to save the lives of 200,000 poor Chinese, 600 of whom he sheltered in his own home.

In 1996, in the middle of watching an ill-tempered football match between England and Germany, Philip Oltermann's parents tell him that they are going to leave their home city Hamburg behind and move to London. Inspired by his own experience of both countries, Philip Oltermann looks at eight historical encounters between English and German people from the last two hundred years: Helmut Kohl tries to explain German cuisine to the Iron Lady, the Mini plays catch-up with the Volkswagen Beetle, and Joe Strummer has an unlikely brush with the Baader-Meinhof gang. Keeping Up with the Germans is a witty look at the lighter-side of Anglo-German relations over the last 100 years.

Emiko Amai is six years old in August 1945 when the Hiroshima bomb burns away half of her face. To Anton, a young German physicist involved in the Manhattan Project, that same bomb represents the pinnacle of scientific elegance. And for his Austrian wife Sophie, a Jewish refugee, it marks the start of an irreparable fissure in their new marriage. Fifty years later, seemingly far removed from the day that defined their lives, Emiko visits Anton and Sophie, and in Dennis Bock’s powerfully imagined narrative, their histories converge.

“Compelling . . . [a] classic study of the revolutionary process” (Neil Davidson, author of How Revolutionary Were the Bourgeois Revolutions?). As the First World War was about to end in defeat, German sailors began to mutiny—giving voice to the widespread anger against the elites who had led the nation into war and the calamitous impact of that decision on everyday people. The events that followed would eventually result in the parliamentary democracy known as the Weimar Republic—and the socialists who had initially risen up would be attacked by German counterrevolutionary troops, their uniforms marking the debut of a new symbol: the swastika. Because of the socialists’ defeat in Germany, Russia fell into the isolation that gave Stalin his road to power. Here, Chris Harman unearths the history of the lost revolution in Germany and reveals its lessons for the future struggles for a better world. “Chris Harman’s compelling analysis of the failed German Revolution covers the entire period from 1918 to the debacle of 1923, paying close attention to episodes such as the Bavarian Soviet Republic which are often neglected or minimized. Harman clearly demonstrates that this example of ‘lost revolution’ was the real turning point in German history when history failed to turn, with dire consequences.” —Neil Davidson, author of Discovering the Scottish Revolution