The Good Red Road

2021 Scholarly Writing Award in the Saskatchewan Book Awards This book presents two of the most important traditions of the Dakota people, the Red Road and the Holy Dance, as told by Samuel Mniyo and Robert Goodvoice, two Dakota men from the Wahpeton Dakota Nation near Prince Albert, Saskatchewan, Canada. Their accounts of these central spiritual traditions and other aspects of Dakota life and history go back seven generations and help to illuminate the worldview of the Dakota people for the younger generation of Dakotas, also called the Santee Sioux. "The Good Red Road," an important symbolic concept in the Holy Dance, means the good way of living or the path of goodness. The Holy Dance (also called the Medicine Dance) is a Dakota ceremony of earlier generations. Although it is no longer practiced, it too was a central part of the tradition and likely the most important ceremonial organization of the Dakotas. While some people believe that the Holy Dance is sacred and that the information regarding its subjects should be allowed to die with the last believers, Mniyo believed that these spiritual ceremonies played a key role in maintaining connections with the spirit world and were important aspects of shaping the identity of the Dakota people. In The Red Road and Other Narratives of the Dakota Sioux, Daniel Beveridge brings together Mniyo and Goodvoice's narratives and biographies, as well as songs of the Holy Dance and the pictographic notebooks of James Black (Jim Sapa), to make this volume indispensable for scholars and members of the Dakota community.

In 1975 Kenneth Lincoln went on the road with his small daughter and four students, traveling from Los Angeles through Arizona, New Mexico, Nebraska, and the Dakotas, searching for the essence of the Indian experience in modern America. His gritty but poetic account of this trip explores the challenges facing native peoples. The Good Red Road captures the tension between Indians and whites, reveals the continuing importance of religion among the Lakotas, and depicts the differences among Indians. Finally, the book is a journey of self-discovery by Lincoln and his students, one of them coauthor Al Logan Slagle, a Cherokee Indian and later an advocate for Indian rights.

"Time and again our Elders have said that the 12 Steps of AA are just the same as the principles that our ancestors lived by, with only one change. When we place the 12 Steps in a circle then they come into alignment with the circle teachings that we know from many of our tribal ways. When we think of them in a circle and use them a little differently, then the words will be more familiar to us. This book is about a Red Road, Medicine Wheel Journey to Wellbriety--to become sober and well in a Native American cultural way."--Back cover.

This fast-paced YA debut novel has it all: smart, savvy characters making their way through an eerily dystopian society, with all the requisite action, adventure and romance characteristic of the genre vividly and at times, chillingly, portrayed. In a wild and lawless future, where life is cheap and survival is hard, eighteen-year-old Saba lives with her father, her twin brother Lugh, her young sister Emmi and her pet crow Nero. Theirs is a hard and lonely life. The family resides in a secluded shed, their nearest neighbour living many miles away and the lake, their only source of water and main provider of food, gradually dying from the lack of rain. But Saba's father refuses to leave the place where he buried his beloved wife, Allis, nine years ago. Allis died giving birth to Emmi, and Saba has never forgiven her sister for their mother's death. But while she despises Emmi, Saba adores her twin brother Lugh. Golden-haired and blue-eyed, loving and good, he seems the complete opposite to dark-haired Saba, who is full of anger and driven by a ruthless survival instinct. To Saba, Lugh is her light and she is his shadow, he is the day, she is the nighttime, he is beautiful, she is ugly, he is good, she is bad. So Saba's small world is brutally torn apart, when a group of armed riders arrives five day's after the twin's eighteenth birthday snatch Lugh away. Saba's rage is so wild, that she manages to drive the men away, but not before they have captured Lugh and killed their father. And here begins Saba's epic quest to rescue Lugh, during which she is tested by trials she could not have imagined, and one that takes the reader on breathtaking ride full or romance, physical adventure and unforgettably vivid characters, making this a truly sensational YA debut novel.

"As soon as I started reading I couldn't put it down, as I was drawn into an evolutionary process where I came in touch with both the brilliance and with frozen parts of myself - where consciousness isn't yet awakened." Renate McNay, Conscious.TV. Are you 'almost happy'? Perhaps you're looking for a way to relax and open to inherent radianc

“Gracefully written . . . thoroughly researched . . . America is a banquet prepared by the Indians—who were forgotten when it was time to give thanks at the table.”—St. Paul Pioneer-Express “Well written, imagery-ridden . . . A tale of what was, what became, and what is today regarding the Indian relation to the European civilization that ‘grafted’ itself onto this ‘ancient stem’”—Minneapolis Star Tribune In Indian Givers, anthropologist Jack Weatherford revealed how the cultural, social, and political practices of the American Indians transformed the world. In Native Roots, Weatherford focuses on the vital role Indian civilizations have played in the making of the United States. Conventional American history holds that the white settlers of the New World re-created the societies they had known in England, France, and Spain. But, as Weatherford so brilliantly shows, Europeans in fact grafted their civilizations onto the deep and nourishing roots of Native American customs and beliefs. Beneath the glass-and-steel skyscrapers of contemporary Manhattan lies an Indian fur-trading post. Behind the tactics of modern guerrilla warfare are the lightning-fast maneuvers of the Plains Indians. Our place names, our farming and hunting techniques, our crafts, and the very blood that flows in our veins—all derive from American Indians in ways that we consistently fail to see. In Weatherford’s words, “Without understanding Native Americans, we will never know who we are today in America.”

1996 Minnesota Book Award winner — A Native American book The heart of the Native American experience: In this 1996 Minnesota Book Award winner, Kent Nerburn draws the reader deep into the world of an Indian elder known only as Dan. It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author, Kent Nerburn. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal If you enjoyed Empire of the Summer Moon, Heart Berries, or You Don’t Have to Say You Love Me, you’ll love owning and reading Neither Wolf nor Dog by Kent Nerburn.

The Fast Red Road--A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion--of aliens, ghosts, telekinesis, and water-pistol violence--where television offers redemption, and "the Indian always gets it up the ass." Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers "Dukestyle." "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe--a group of radicals to which Cline belonged. Pidgin's search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west--a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor's Griever, The Fast Red Road--A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past--the texture of the road--can and must be changed.