The Gospel In A Handshake

This book enables worship leaders to skillfully guide spiritual novices, skeptics, and Christian veterans to the grace embedded in the timeless liturgy. Offering winsome worship hospitality, these pages provide seasoned wisdom, often in the form of pithy introductions (Adams calls these “frames”) that alert worshipers to the character and purpose of various service elements. Readers get the tools to create their own frames, informed by the church of all ages, and customized to their congregation and neighborhood. This book will serve well anyone who wants to increase their missional worship IQ.

This book enables worship leaders to skillfully guide spiritual novices, skeptics, and Christian veterans to the grace embedded in the timeless liturgy. Offering winsome worship hospitality, these pages provide seasoned wisdom, often in the form of pithy introductions (Adams calls these "frames") that alert worshipers to the character and purpose of various service elements. Readers get the tools to create their own frames, informed by the church of all ages, and customized to their congregation and neighborhood. This book will serve well anyone who wants to increase their missional worship IQ.

AIDS. Ebola. "Killer microbes." All around us the alarms are going off, warning of the danger of new, deadly diseases. And yet, as Nancy Tomes reminds us in her absorbing book, this is really nothing new. A remarkable work of medical and cultural history, The Gospel of Germs takes us back to the first great "germ panic" in American history, which peaked in the early 1900s, to explore the origins of our modern disease consciousness. Little more than a hundred years ago, ordinary Americans had no idea that many deadly ailments were the work of microorganisms, let alone that their own behavior spread such diseases. The Gospel of Germs shows how the revolutionary findings of late nineteenth-century bacteriology made their way from the laboratory to the lavatory and kitchen, with public health reformers spreading the word and women taking up the battle on the domestic front. Drawing on a wealth of advice books, patent applications, advertisements, and oral histories, Tomes traces the new awareness of the microbe as it radiated outward from middle-class homes into the world of American business and crossed the lines of class, gender, ethnicity, and race. Just as we take some of the weapons in this germ war for granted--fixtures as familiar as the white porcelain toilet, the window screen, the refrigerator, and the vacuum cleaner--so we rarely think of the drastic measures deployed against disease in the dangerous old days before antibiotics. But, as Tomes notes, many of the hygiene rules first popularized in those days remain the foundation of infectious disease control today. Her work offers a timely look into the history of our long-standing obsession with germs, its impact on twentieth-century culture and society, and its troubling new relevance to our own lives.

Through the eyes of the Prince of the Apostles we see Jesus as he really was, in Palestine and in his transforming impact on Christians around the first-century Mediterranean. J. B. Phillips, one of the best-known translators of the new Testament into modern English, interprets with simplicity and clarity the Gospel of Mark and the letters of Peter, basing what he says on his own latest translation. His conviction that the Gospel of Mark is nothing less than the writing down of Peter's own memoirs of his master, and that the First Letter of Peter is authentic, although the Second Letter is not, making this an especially exciting commentary.

What is the difference between good worship and good entertainment? Too often, people disparage some aspect of worship by calling it “just entertainment” or “just a performance.” Others say that they do not need to go to church because they have profound spiritual or even religious experiences at concerts, plays, movies, or dances. How is worship different from these performing arts? How is art different from entertainment? This book looks at the history of the performing arts both in worship and as worship, with particular attention to the attitudes that shape our ideas about both worship and entertainment. Working definitions of words like “art,” “excellence,” “liturgy,” and “play” help to illuminate what different people mean when they use them in conversations about Christian worship. Putting theological, scriptural, and practical writings on worship and the performing arts in conversation with interviews with dancers, musicians, actors, preachers, and liturgical scholars, this volume is intended to help pastors, performers, and everyone who plans, leads, or cares about worship talk with one another in mutually respectful and helpful ways.

THE GOSPEL ACCORDING TO MONTY PYTHON Who was the real Brian? Who was the real Jesus? Did the Romans build the Jerusalem Aqueduct? Were the Magi really wise? And were the Peoples Front of Judea, splitters? All the crucial issues this book dares to confront. 'Life of Brian' editor Julian Doyle, not only reveals some telling information about the filming process but also compares each and every hysterical scene of the film with the actual Biblical events and comes to some extraordinary conclusions, including the well held belief that 'Life of Brian' is the most accurate Biblical film ever made. A must not only for Python fans but film students wishing to understand the process of comedy editing.

"With updated bibliography"--Copyright page.