The Gothic Revival

From the Houses of Parliament to the Midland Hotel at St Pancras and Strawberry Hill House, Gothic Revival buildings are some of the most distinctive structures found in Britain. Far from a copy of medieval buildings, it was a style full of colour and invention, in which its exponents created a daring new approach to design. Throwing out the old Classical rule book, Gothic Revival architects like Pugin and George Gilbert Scott designed buildings which were asymmetrical in form and visually expressive of their function. The movement went beyond just bricks and mortar and had a strong moral code, the influence of which was still felt into the 20th century. In this illustrated book, Trevor Yorke tells the story of the Gothic Revival from its origins in the whimsical fancies of the Georgian Period through to its High Victorian climax.

This book contains the text and illustrations of ten papers delivered at a conference held in the Irish Architectural Archive in January 2005 to mark the retirement of Professor McCarthy. The conference was sponsored by the Archive, the Irish Georgian Society and the Irish Association of Art Historians and was co-ordinated by Karina O'Neill. The authors of the essays have all been associated with Professor McCarthy at University College Dublin or at the University of Toronto or in studies of the architectural history of Ireland.

Lewis's survey of the Gothic revival treats individual buildings and broad movements in England, Europe and the USA with fresh authority. This is a comprehensive introduction to one of the most colourful periods in the history of architecture.

This magisterial study of Gothic architecture traces the meaning and development of the Gothic style through medieval churches across Europe. Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl's book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature--books, reviews, exhibition catalogues, and periodicals--that have emerged in a variety of languages. New illustrations have also been included.

Pugin’s global influence on church architecture and material reform The year 2012 marked the bicentenary of the gothic revival architect A.W.N. Pugin. His influence as a designer not only spread fast globally, but also played a leading part in the transformation of material culture from the mid-nineteenth century onwards. Pugin’s work has been comprehensively reevaluated over the last decade. In this volume sixteen leading scholars from across the globe discuss Pugin’s direct influence on church architecture and furnishing. Beautifully illustrated with a large selection of new photography, Gothic Revival Worldwide, the successor to the volume Gothic Revival published in 2000, reveals how Pugin’s ideas played a profound role in the changing face of material reform in church architecture as an expression of the evolving identity of the churches across the world from North America to Mongolia and the South Pacific. Contributors Stephen Bann (Bristol University), Jessica Basciano (University of St. Thomas, Houston), G.A. Bremner (University of Edinburgh), Martin Bressani (McGill University, Montréal), Karen Burns (University of Melbourne), Timothy Brittain-Catlin (University of Kent), Peter Coffman (Carleton University, Ottawa), Thomas Coomans (KU Leuven), Jan De Maeyer (KU Leuven / KADOC), Candace Iron (York University, Toronto), Stephen Kite (Cardiff University, Wales), Alex Lawrey (independent scholar), Peter N. Lindfield (University of Stirling), Cameron Macdonell (Institute for the History and Theory of Architecture, ETH Zurich), M. Stephen McNair, Jr. (McNair Historic Preservation), Gilles Maury (École National Supérieure d’Architecture et de Paysage, Lille), Henrik Schoenefeldt (University of Kent), Richard A. Sundt (University of Oregon), Malcolm Thurlby (York University, Toronto)

Gothic style and contemporary architecture worldwide Although largely overlooked in studies of architectural history, church architecture in a Gothic idiom outlived its 19th century momentum to persist worldwide throughout the 20th century and into the new millennium. Global Gothic presents a first systematic worldwide understanding of "Gothic" in contemporary architecture, both as a distinct variation and as a competitor to recognized modern styles. The book’s chapters critically discuss Gothic’s various manifestations over the past century, describing and illustrating approaches from Gothic Revival living traditions in the former British Empire and original Gothic appropriation in Latin America to competitions of European builders in former Asian and African colonies. The focus is also on the special appropriations in North America, China and Japan, as well as contemporary solutions that tend to be transnational in style. With contributions from renowned architecture experts from around the world, Global Gothic provides an overview of this cultural phenomenon and presents a wealth of stunning material, much of it little known. Richly illustrated in full color, it offers an important contribution to colonial and postcolonial global art history and a seldom acknowledged perspective on art history in general. Contributors: Barbara Borngässer (Technische Universität Dresden), Martín M. Checa-Artasu (Metropolitan Autonomous University, Mexico City), Thomas Coomans (KU Leuven), Pedro Guedes (University of Queensland), Bruno Klein (Technische Universität Dresden), Bettina Marten (Technische Universität Dresden), Olimpia Niglio (Hosei University Tokyo), Peter Scriver (University of Adelaide), Amit Srivastava (University of Adelaide) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

With meticulous research and carefully chosen illustrations, Phoebe Stanton here explores the influence of the English Gothic revival on American church architecture in the mid-nineteenth century, arguing that this fundamentally conservative movement provided a foundation for a new aesthetic. Examining the writings of the movement's leading proponents as well as a variety of important buildings, Stanton offers a comprehensive survey of the architectural principles and models that became most influential in America. She also confirms the importance of the Cambridge Camden Society, which provided the theoretical atmosphere and practical examples that helped to establish new standards of excellence in American architecture.