The Great New Orleans Kidnapping Case

In June 1870, the residents of the city of New Orleans were already on edge when two African American women kidnapped seventeen-month-old Mollie Digby from in front of her New Orleans home. It was the height of Radical Reconstruction, and the old racial order had been turned upside down: black men now voted, held office, sat on juries, and served as policemen. Nervous white residents, certain that the end of slavery and resulting "Africanization" of the city would bring chaos, pointed to the Digby abduction as proof that no white child was safe. Louisiana's twenty-eight-year old Reconstruction governor, Henry Clay Warmoth, hoping to use the investigation of the kidnapping to validate his newly integrated police force to the highly suspicious white population of New Orleans, saw to it that the city's best Afro-Creole detective, John Baptiste Jourdain, was put on the case, and offered a huge reward for the return of Mollie Digby and the capture of her kidnappers. When the Associated Press sent the story out on the wire, newspaper readers around the country began to follow the New Orleans mystery. Eventually, police and prosecutors put two strikingly beautiful Afro-Creole women on trial for the crime, and interest in the case exploded as a tense courtroom drama unfolded. In The Great New Orleans Kidnapping Case, Michael Ross offers the first full account of this event that electrified the South at one of the most critical moments in the history of American race relations. Tracing the crime from the moment it was committed through the highly publicized investigation and sensationalized trial that followed, all the while chronicling the public outcry and escalating hysteria as news and rumors surrounding the crime spread, Ross paints a vivid picture of the Reconstruction-era South and the complexities and possibilities that faced the newly integrated society. Leading readers into smoke-filled concert saloons, Garden District drawing rooms, sweltering courthouses, and squalid prisons, Ross brings this fascinating era back to life. A stunning work of historical recreation, The Great New Orleans Kidnapping Case is sure to captivate anyone interested in true crime, the Civil War and its aftermath, and the history of New Orleans and the American South.

Recounts a famous kidnapping that took place in New Orleans in 1870, in which a seventeen-month-old white child was taken by two African-American women, and the resulting public hysteria that led to racial tensions, political divisions, and false accusations and arrests.

Discusses a famous 1912 real-life drama, in which a young boy, believed to be kidnapped, was returned to his wealthy parents by the courts, with the case only solved in 2004 when DNA testing proved that he was not the kidnapped child.

From bestselling author Gary Krist, a vibrant and immersive account of New Orleans’ other civil war, at a time when commercialized vice, jazz culture, and endemic crime defined the battlegrounds of the Crescent City Empire of Sin re-creates the remarkable story of New Orleans’ thirty-years war against itself, pitting the city’s elite “better half” against its powerful and long-entrenched underworld of vice, perversity, and crime. This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.

After Union forces captured New Orleans in 1862, Rose Herera’s owners fled to Havana, taking her three children with them. Adam Rothman tells the story of Herera’s quest to rescue her children from bondage after the war. As the kidnapping case made its way through the courts, it revealed the prospects and limits of justice during Reconstruction.

Appointed by Abraham Lincoln to the U.S. Supreme Court during the Civil War, Samuel Freeman Miller (1816--1890) served on the nation's highest tribunal for twenty-eight tumultuous years and holds a place in legal history as one of the Court's most influential justices. Michael A. Ross creates a colorful portrait of a passionate man grappling with the difficult legal issues arising from a time of wrenching social and political change. He also explores the impact President Lincoln's Supreme Court appointments made on American constitutional history. Best known for his opinions in cases dealing with race and the Fourteenth Amendment, particularly the 1873 Slaughter-House Cases, Miller has often been considered a misguided opponent of Reconstruction and racial equality. In this major reinterpretation, Ross argues that historians have failed to study the evolution of Miller's views during the war and explains how Miller, a former slaveholder, became a champion of African Americans' economic and political rights. He was also the staunchest supporter of the Court of Lincoln's controversial war measures, including the decision to suspend such civil liberties as habeas corpus. Although commonly portrayed as an agrarian folk hero, Miller in fact initially foresaw and embraced a future in which frontier and rivertown settlements would bloom into thriving metropolises. The optimistic vision grew from the free-labor ideology Miller brought to the Iowa Republican Party he helped found, one that celebrated ordinatry citizens' right to rise in station an driches. Disillusioned by the eventual failure of the boomtowns and repelled by the swelling coffers of eastern financiers, corporations, and robber barons, Miller became an insistent judicial voice for western Republicans embittered and marginalized in the Gilded Age. The first biography of Miller since 1939, this welcome volume draws on Miller's previously unavailable papers to shed new light on a man who saw his dreams for America shattered but whose essential political and social values, as well as his personal integrity, remained intact.

In Writing for Justice, Elna Mortara presents a richly layered study of the cultural and intellectual atmosphere of mid-nineteenth-century Europe and the United States, through close readings of the life and work of Victor SŽjour, an expat American Creole from New Orleans living in Paris. In addition to writing The Mulatto, an early story on slavery in Saint-Domingue, SŽjour penned La Tireuse de cartes (The Fortune-Teller, 1859), a popular play based on the famed Mortara case. In this historical incident, Pope Pius IX kidnapped Edgardo Mortara, the child of a Jewish family living in the Papal States. The details of the play's production - and its reception on both sides of the Atlantic - are intertwined with the events of the Italian Risorgimento and of pre - Civil War America. Writing for Justice is full of surprising encounters with French and American writers and historical figures, including Hugo, Hawthorne, Twain, Napoleon III, Garibaldi, and Lincoln. As Elna Mortara passionately argues, the enormous amount of public attention received by the case reveals an era of underappreciated transatlantic intellectual exchange, in which an African American writer used notions of emancipation in religious as well as racial terms, linking the plight of blacks in America to that of Jews in Europe, and to the larger battles for freedom and nationhood advancing across the continent. This book will appeal both to general readers and to scholars, including historians, literary critics, and specialists in African American studies, Jewish, Catholic, or religious studies, multilingual American literature, francophone literature, theatrical life, nineteenth-century European politics, and cross-cultural encounters.

"A rich and compelling narrative, as taut and suspenseful as good fiction. In places, Stories of Scottsboro is almost heartbreaking, not least because Goodman shows what people felt as well as what they thought." -- Washington Post Book World To white Southerners, it was "a heinous and unspeakable crime" that flouted a taboo as old as slavery. To the Communist Party, which mounted the defense, the Scottsboro case was an ideal opportunity to unite issues of race and class. To jury after jury, the idea that nine black men had raped two white women on a train traveling through northern Alabama in 1931 was so self-evident that they found the Scottsboro boys guilty even after the U.S. Supreme Court had twice struck down the verdict and one of the "victims" had recanted. This innovative and grippingly narrated work of history tells the story of a case that marked a watershed in American racial justice. Or, rather, it tells several stories. For out of dozens of period sources, Stories of Scottsboro re-creates not only what happened at Scottsboro, but the dissonant chords it struck in the hearts and minds of an entire nation. "Extraordinary.... To do justice to the Scottsboro story a book would have to combine edge-of-the-seat reportage and epic narrative sweep. And it is just such a book that James Goodman has given us, a beautifully realized history...written with complete authority, tight emotional control, and brilliant use of archival material." -- Chicago Tribune