The Grifters

To his friends, to his coworkers, and even to his mistress Moira, Roy Dillon is an honest hardworking salesman. He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character. Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars -- the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life -- until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother. The Grifters, one of the best novels ever written about the art of the con, is an ingeniously crafted story of deception and betrayal that was the basis for Stephen Frears' and Martin Scorsese's critically-acclaimed film of the same name.

From the prize-winning, New York Times bestselling author of Say Nothing and Empire of Pain, twelve enthralling stories of misbehavior and skullduggery by one of the most decorated journalists of our time. "I read everything he writes. Every time he writes a book, I read it. Every time he writes an article, I read it. . . . He's a national treasure." --Rachel Maddow, host of MSNBC's The Rachel Maddow Show and author of the #1 New York Times bestseller Blowout Patrick Radden Keefe has garnered prizes ranging from the National Magazine Award to the Orwell Prize to the National Book Critics Circle Award for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker. As Keefe says in his preface, "They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial." Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistle-blower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black-market arms merchant, and profiles a passionate death-penalty attorney who represents the "worst of the worst," among other bravura works of literary journalism. The appearance of his byline in The New Yorker is always an event, and collected here for the first time readers can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.

"Hype is the best kind of nonfiction: juicy, sharp, savage and wildly entertaining, with a celebrity behaving badly on every page. What more could you want?” -Cat Marnell, New York Times-bestselling author of How to Murder Your Life From former Vice journalist and executive producer of hit Netflix documentary Fyre comes an eye-opening look at the con artists, grifters and snake oil salesmen of the digital age—and why we can’t stop falling for them. We live in an age where scams are the new normal. A charismatic entrepreneur sells thousands of tickets to a festival that never happened. Respected investors pour millions into a start-up centered around fake blood tests. Reviewers and celebrities flock to London’s top-rated restaurant that’s little more than a backyard shed. These unsettling stories of today’s viral grifters have risen to fame and hit the front-page headlines, yet the curious conundrum remains: Why do these scams happen? Drawing from scientific research, marketing campaigns, and exclusive documents and interviews, former Vice reporter Gabrielle Bluestone delves into the irresistible hype that fuels our social media ecosystem, whether it’s from the trusted influencers that peddled Fyre or the consumer reviews that sold Juicero. A cultural examination that is as revelatory as it is relevant, Hype pulls back the curtain on the manipulation game behind the never-ending scam season—and how we as consumers can stop getting played.

A thoroughly entertaining and darkly humorous roundup of history’s notorious but often forgotten female con artists and their bold, outrageous scams—by the acclaimed author of Lady Killers. From Elizabeth Holmes and Anna Delvey to Frank Abagnale and Charles Ponzi, audacious scams and charismatic scammers continue to intrigue us as a culture. As Tori Telfer reveals in Confident Women, the art of the con has a long and venerable tradition, and its female practitioners are some of the best—or worst. In the 1700s in Paris, Jeanne de Saint-Rémy scammed the royal jewelers out of a necklace made from six hundred and forty-seven diamonds by pretending she was best friends with Queen Marie Antoinette. In the mid-1800s, sisters Kate and Maggie Fox began pretending they could speak to spirits and accidentally started a religious movement that was soon crawling with female con artists. A gal calling herself Loreta Janeta Velasquez claimed to be a soldier and convinced people she worked for the Confederacy—or the Union, depending on who she was talking to. Meanwhile, Cassie Chadwick was forging paperwork and getting banks to loan her upwards of $40,000 by telling people she was Andrew Carnegie’s illegitimate daughter. In the 1900s, a 40something woman named Margaret Lydia Burton embezzled money all over the country and stole upwards of forty prized show dogs, while a few decades later, a teenager named Roxie Ann Rice scammed the entire NFL. And since the death of the Romanovs, women claiming to be Anastasia have been selling their stories to magazines. What about today? Spoiler alert: these “artists” are still conning. Confident Women asks the provocative question: Where does chutzpah intersect with a uniquely female pathology—and how were these notorious women able to so spectacularly dupe and swindle their victims?

When an 82-year-old Manhattan heiress disappeared, an investigation led to the arrest of Sante and Kenneth Kimes, a mother and son team who had lived in a world of riches and privilege. As they face trial, accused of a shocking array of crimes, including murder, an award-winning police reporter provides this gripping account of a case that continues to shock the nation. of photos.

Introduced in Tap Doubt, Dani Silver is the daughter of a legendary old con artist Leroy Amadeus Logan. After conning her fianc� out of 1.2 million dollars, she's hoping he'll come after her. Dani is going to set up the first self-financed long cons. With old members of Leroy's gang, and new members of her own, Dani's out to pull of some of the most outrageous crimes ever.Dani starts the new business by taking down a crooked televangelist. Unfortunately, he's not crooked and the plan goes off the rails. Can she keep her crew together long enough to find another mark?

"My favorite read this year. A hilarious space adventure. Hard book to put down." ―Hugh Howey, author of Wool A space-faring ne'er-do-well with more bravado than brains, Rex Nihilo plies the known universe in a tireless quest for his own personal gain. But when he fleeces a wealthy weapons dealer in a high-stakes poker game, he ends up winning a worthless planet...and owing an outstanding debt more vast than space itself! The only way for Rex to escape a lifetime of torture on the prison world Gulagatraz is to score a big payday by pulling off his biggest scam. But getting mixed up in the struggle between the tyrannical Malarchian Empire and the plucky rebels of the Revolting Front―and trying to double-cross them both―may be his biggest mistake. Luckily for Rex, his frustrated but faithful robot sidekick has the cyber-smarts to deal with buxom bounty hunters, pudgy princesses, overbearing overlords, and interstellar evangelists...while still keeping Rex's martini glass filled.

"An elegant, precise, and accessible modern-English rendering of the two best examples of the early modern picaresque genre: the paradigmatic Lazarillo de Tormes and Quevedo's mordant El Buscón. Frye's translations are triumphant, capturing the cadence of popular early modern speech while remaining faithful to the original texts; his notes illuminate the diverse contexts in which the texts were written. Frye gives careful attention throughout to the historical background that propelled these two parallel but different monuments of Golden Age Spanish literature." --Teofilo Ruiz, UCLA