The Hank Williams Reader

Featuring more than sixty essential writings about country music's great singer and songwriter Hank Williams, this book reveals interpretations of his life over the last six decades and chronicles his transformation from star-crossed hillbilly singer to enduring American icon.

When Hank Williams died on New Year's Day 1953 at the age of twenty-nine, his passing appeared to bring an abrupt end to a saga of rags-to-riches success and anguished self-destruction. As it turned out, however, an equally gripping story was only just beginning, as Williams's meteoric rise to stardom, extraordinary musical achievements, turbulent personal life, and mysterious death all combined to make him an endlessly intriguing historical figure. For more than sixty years, an ever-lengthening parade of journalists, family and friends, musical contemporaries, biographers, historians and scholars, ordinary fans, and novelists have attempted to capture in words the man, the artist, and the legend. The Hank Williams Reader, the first book of its kind devoted to this giant of American music, collects more than sixty of the most compelling, insightful, and historically significant of these writings. Among them are many pieces that have never been reprinted or that are published here for the first time. The selections cover a broad assortment of themes and perspectives, ranging from heartfelt reminiscences by Williams's relatives and shocking tabloid exposés to thoughtful meditations by fellow artists and penetrating essays by prominent scholars and critics. Over time, writers have sought to explain Williams in a variety of ways, and in tracing these shifting interpretations, this anthology chronicles his cultural transfiguration from star-crossed hillbilly singer-songwriter to enduring American icon. The Hank Williams Reader also features a lengthy interpretive introduction and the most extensive bibliography of Williams-related writings ever published.

In The Country Music Reader Travis D. Stimeling provides an anthology of primary source readings from newspapers, magazines, and fan ephemera encompassing the history of country music from circa 1900 to the present. Presenting conversations that have shaped historical understandings of country music, it brings the voices of country artists and songwriters, music industry insiders, critics, and fans together in a vibrant conversation about a widely loved yet seldom studied genre of American popular music. Situating each source chronologically within its specific musical or cultural context, Stimeling traces the history of country music from the fiddle contests and ballad collections of the late nineteenth and early twentieth centuries through the most recent developments in contemporary country music. Drawing from a vast array of sources including popular magazines, fan newsletters, trade publications, and artist biographies, The Country Music Reader offers firsthand insight into the changing role of country music within both the music industry and American musical culture, and presents a rich resource for university students, popular music scholars, and country music fans alike.

It's 1948 in Rippling Creek, Louisiana, and Tate P. Ellerbee's new teacher has just given her class an assignment—learning the art of letter-writing. Luckily, Tate has the perfect pen pal in mind: Hank Williams, a country music singer whose star has just begun to rise. Tate and her great-aunt and -uncle listen to him on the radio every Saturday night, and Tate just knows that she and Hank are kindred spirits. Told entirely through Tate's hopeful letters, this beautifully drawn novel from National Book Award–winning author Kimberly Willis Holt gradually unfolds a story of family love, overcoming tragedy, and an insightful girl learning to find her voice. This title has Common Core connections.

Volume II picks up in 1943-44, right where Volume I left off, with Hank’s courtship and marriage to first wife, Audrey (Sheppard) Guy Williams, his rise to fame at the Louisiana Hayride, 1948-49, and at the Grand Ole Opry, 1949-50, before success began closing in on him by December 1950. Hank was only 27 years old at the time, and no one knew that he had only two more years to live. Despite Hank’s growing alcoholism, marital and health problems, and eventual addiction to prescription drugs, his last two years were perhaps the most productive and successful of his career. “A special feature of Volume II is that Dr. Nail devotes an entire chapter to the art and craft of songwriting. Here, Nail provides what I believe is the most accurate and comprehensive analysis to date of the relative contributions of Hank and his publisher/song editor, Fred Rose, to Hank’s songs. Like Volume I, Volume II is a must-read for anyone seeking greater understanding and insight into the short but fabulous life and career of the legendary Hank Williams. I wholeheartedly recommend it.” – Ed Guy, noted Hank Williams expert

"A compassionate yet clear-eyed" (Washington Post) portrait of country music’s founding father and "Hillbilly King." Mark Ribowsky’s Hank has been hailed as the "greatest biography yet" (Library Journal, starred review) of the beloved icon. Hank Williams, a frail, flawed man who had become country music’s first real star, instantly morphed into its first tragic martyr when he died in the backseat of a Cadillac at the age of twenty-nine. Six decades later, Ribowsky traces the miraculous rise of this music legend?from the dirt roads of rural Alabama to the now-immortal stage of the Grand Ole Opry, and, finally, to a lonely end on New Year’s Day in 1953. Examining Williams’s chart-topping hits while also re-creating days and nights choked in booze and desperation, Hank uncovers the real man beneath the myths, reintroducing us to an American original whose legacy, like a good night at the honkytonk, promises to carry on and on.

The largely untold story of the great migration of white southerners to the industrial Midwest and its profound and enduring political and social consequences Over the first two-thirds of the twentieth century, as many as eight million whites left the economically depressed southern countryside and migrated to the booming factory towns and cities of the industrial Midwest in search of work. The "hillbilly highway" was one of the largest internal relocations of poor and working people in American history, yet it has largely escaped close study by historians. In Hillbilly Highway, Max Fraser recovers the long-overlooked story of this massive demographic event and reveals how it has profoundly influenced American history and culture—from the modern industrial labor movement and the postwar urban crisis to the rise of today’s white working-class conservatives. The book draws on a diverse range of sources—from government reports, industry archives, and union records to novels, memoirs, oral histories, and country music—to narrate the distinctive class experience that unfolded across the Transappalachian migration during these critical decades. As the migration became a terrain of both social advancement and marginalization, it knit together white working-class communities across the Upper South and the Midwest—bringing into being a new cultural region that remains a contested battleground in American politics to the present. The compelling story of an important and neglected chapter in American history, Hillbilly Highway upends conventional wisdom about the enduring political and cultural consequences of the great migration of white southerners in the twentieth century.

Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, this book tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard--and changed the world. Describing the genesis of rock and roll, the author covers everything from its deep roots in the Mississippi Delta, key early figures, like deejay "Daddy-O" Dewey Phillips and gospel star Sister Rosetta Tharpe, and the influence of so-called "holy rollers" of the Pentecostal church who became crucial performers--Elvis Presley, Jerry Lee Lewis and Little Richard.