The Hare Krishna Explosion English

The first draft of The Hare Krishna Explosion was written in July 1969 just after Srila Prabhupada’s first visit to New Vrindavan. At that time Hayagriva realized that the details of the beginnings of the Krishna Consciousness Movement had best be recorded when the events were still fresh. Working from notebooks, diaries and memories he compiled the first edition in a month. Then the manuscript remained packed away until Srila Prabhupada left the mortal world in 1977.

The captivating documentary “Vrindaban Days” transports viewers to the holy Indian village of Vrindavan, known as the mysterious playground of Lord Krishna. This beautiful book provides readers with an up-close and personal glimpse into the spirituality, lively culture, and timelessness of Vrindavan, where the divine and the mundane coexist in perfect harmony.

Miracle on Second Avenue is a short, carefully researched documentary book written in a you-are-there style, that catalogs the start and growth of the Hare Krishna movement. The work is a memoir of Mukunda Goswami, one of the pioneers of the religious group that is now known throughout the world formally as the International Society for Krishna Consciousness (ISKCON). Miracle on Second Avenue is a series of historical events that include the movement's founder, A.C. Bhaktivedanta Swami Prabhupada, and his interactions on two continents with the author over the three-year period from August 1966 until December 1969. Mukunda Goswami's book Miracle on Second Avenue won the 2012 National Indie Excellence Award, as their 2012 Biography-General prize winner.

Dancing and chanting with their shaven heads and saffron robes, Hare Krishnas presented the most visible face of any of the eastern religions transplanted to the West during the sixties and seventies. Yet few people know much about them. This comprehensive study includes more than twenty contributions from members, ex-members, and academics who have followed the Hare Krishna movement for years. Since the death of its founder, the movement, also known as the International Society for Krishna Consciousness (ISKCON), has experienced debates over the roles of authority, heresy, and dissent, which have led to the development of several splinter movements. There is a growing women's rights movement and a highly publicized child abuse scandal. Providing a privileged look at the people and issues shaping ISKCON, this volume also offers insight into the complex factors surrounding the emergence of religious traditions, including early Christianity, as well as a glimpse of the original seeds and the germinating stages of a religious tradition putting down roots in foreign soil.

There are over 600 New Religious Movements (NRMs) in Great Britain alone, and more than 2000 in the United States. A Reader in New Religious Movements provides an introduction to the main teachings of a selection of these organizations, focusing on those that are well established in the West. The contemporary—and in some cases controversial—NRMs covered include the Unification Church, the International Society for Krishna Consciousness, the Family, Osho, Soka Gakkai International and the Western Buddhist Order.

Chants of a Lifetime offers an intimate collection of stories, teachings, and insights from Krishna Das, who has been called "the chant master of American yoga" by the New York Times. Since 1994, the sound of his voice singing traditional Indian chants with a Western flavor has brought the spiritual experience of chanting to audiences all over the world. He has previously shared some of his spiritual journey through talks and workshops, but now he offers a unique book-with-audio download combination that explores his fascinating path and creates an opportunity for just about anyone to experience chanting in a unique and special way. Chants of a Lifetime includes photos from Krishna Das’s years in India and also from his life as a kirtan leader—and the audio that is offered exclusively in the book consists of a number of "private" chanting sessions with the author. Instead of just being performances of chants for listening, the recordings make it seem as if Krishna Das himself is present for a one-on-one chanting session. The idea is for the listener to explore his or her own practice of chanting and develop a deepening connection with the entire chanting experience.