The Harp In Distant Healing

The Harp in Distant Healing A collection of texts, most already published as papers and chapters. I have played different harps since 1980, and teach spiritual healing, distant healing and the subtle effects of sound. Can some of the subtle effects of the harp be used in distant healing? What is transmitted in distant healing with the harp? The absent receiver does not see or hear you, cannot talk to you, nor touch you. Anything that could impress them other than the music no longer operates. The great potential of the harp and of similar instruments with resonating strings, was shown to me in 2019 by a group of spirit beings. They specialize in the subject of distant healing with the harp and want to encourage us to discover this potential for the benefit of others. According to them many harpists in the world potentially have a Seraphim energy around their harp, making it possible to send distant healing to humans and animals. Many more harpists can send distant healing to nature and nature spirits of all kinds. I have included numerous experiences and suggestions as to how to understand distant healing and how to adapt our harp playing so it can fulfil the requirements for distant healing as well as possible. Contents: The source of our inspiration; the 5 elements determining the quality of music; 7 levels of conceptualisation of music; doors into improvisation; raising our own vibration.

In these extraordinaty times of change we can learn to use our thoughts and actions for the benefit of nature and all sentient beings: animals, human, bees, birds, nature spirits... This present book describes how healing works, how to proceed and how to beypass inner hindrances. I have been studying and teaching spiritual healing for many years. The changes of recent years have moved my focus very naturally from personal development towards including nature healing. In my book Earth-Healing (in German and French) I explain hwo this shift came abouit through the many requests from nature spirits. Healing in all its forma, from spiritual healing, to distant healing or prayer, is a simple and natural procedure. It is based o Love, the ever-present energy of the Universe. New nature spirits have recently appeared to encourage humans to become more aware of and to send daily distant healint to our immediate natural surroundings. Groups of citizens throughout the world have become active to legally secure the rights of nature for river systems, forests, etc. We neet to link local action to global awareness. We can all contribute no matter who and where we are.

What fascinates me is the fact that the smaller harps, the no-pedal harps, are widely called 'Celtic harps' all over the world. They could have been called 'small harps', 'troubadour harps' or something else. But the term 'Celtid harp' stayed. Believing that there is more to it that just a technical term, I want to explore what draws people to vbuy a 'Celtic harp' and play 'Celtic Music'; The term 'Celtic' points at something deeper, something many people nowadays are looking for and need. This book is not particularly about Ireland, and even less so contemporary, urban Ireland as this, I believe, is not the reason Celtic harpist come to the harp. I am interested to explore what exactly brings them to this quite unique instrument, and why Celtic. Exploring why they mainly play Irish traditional music on it is yet another question I will give some thoughts.

This book presents a collection of communications that author Daniel Perret has experienced with nature spirits and other spirit beings. They bring forward the insights, and intelligence of the different beings and show how precise and wide ranging their knowledge and wisdom is - some are recent conversations and some are already published in his previous books. In the coming times humanity can only evolve through respecting all sentient beings and cooperating with them. How can we develop a communication with the invisible realm that enables us to know who is 'on the phone'? In this helpful book Daniel presents many of his own expe-riences and tells us how he built up his communication with nature spirits and spirit beings. He shows how we can learn to ask questions and to distinguish valuable from non-valuable dialogues and partners. He sets out how we can distinguish between our projections and a real communication. The usefulness of any communication with invisible beings depends on how much we really know ourselves and speak from the depth of our heart, from our higher spiritual self? This requires a high degree of sincerity and allows us to distinguish valuable from non-valuable dialogues and partners.

Documents case studies of paranormal research failures while explaining why and how mainstream science rejects the paranormal, in a provocative report that outlines the principles for revitalizing research in the areas of clairvoyance, mediumship, and psychic healing. Original.

Sound created by singing bowls, drums, flutes, string instruments, and many others described in this book, can produce healing effects. Many music therapists and sound healers have been using this knowledge with success. Working with sound healing to harmonize body, soul, and spirit is more complex than just working with music or using sounds. Our consciousness is the key to lasting changes, and sounds can work as keyholes. The system of the five elements--earth, water, fire, air, and space?creates a comprehensive approach to using sound that integrates body zones, emotions, and thought patterns as well as the subtle anatomy, the energy fields of the human being. Perret learned how the use of the ancient wisdom of the five elements can produce a harmonic balance. In working with sound healing we need to find the right sounds for a person. An "earth" person may need some "fiery" sounds and instruments to get a step further, while an "airy" person may need more "earth," or more "grounding." This is a practical handbook for therapists and anyone else interested in sound healing.