The Haunted House That Jack Built

"Jack has assembled a creepy cast of characters in his haunted house. As they chase each other around the dark halls, we meet a mummy, a ghost, a monster or two, and many more creatures that are sure to delight young readers."--Page 4 of cover.

It's Halloween and Jack and his ghouly family and friends have put together a haunted house. As the rhyme goes along, we meet a ghost, a witch, a mummy, a fairy, a monster and more. At the end of the rhyme, we see that all of the characters are actually just friends and family dressed up in costumes.

Never Flip a Haunted House... In less than 24 hours Nate Merritt loses his job, his girlfriend, and his estranged Aunt Edna. But after Edna's will bequeaths him a historic mansion deep in the backwoods of Louisiana, Nate hatches a daring plan: he'll renovate the house and flip it for a tidy profit. The fact that Nate doesn't know anything about home improvement doesn't deter him at all. Too bad Nate doesn't realize the mansion in question happens to be haunted. And the ghost who lives there might not be so indiscriminate about Nate's ability. Humorous and irreverent, The House That Jack Built is a story of learning how to move on into the next chapter of life-as well as a tribute to every disastrous renovation ever attempted by a homeowner. And ghosts. Don't forget the ghosts.

The House That Jack Built collects for the first time the four historic talks given by controversial poet Jack Spicer just before his early death in 1965. These lively and provocative lectures function as a gloss to Spicer's own poetry, a general discourse on poetics, and a cautionary handbook for young poets. This long-awaited document of Spicer's unorthodox poetic vision, what Robin Blaser has called "the practice of outside," is an authoritative edition of an underground classic. Peter Gizzi's afterword elucidates some of the fundamental issues of Spicer's poetry and lectures, including the concept of poetic dictation, which Spicer renovates with vocabularies of popular culture: radio, Martians, and baseball; his use of the California landscape as a backdrop for his poems; and his visual imagination in relation to the aesthetics of west-coast funk assemblage. This book delivers a firsthand account of the contrary and turbulent poetics that define Spicer's ongoing contribution to an international avant-garde.

After Craig Bellman is horrifically attacked, he and his wife Effie leave New York for the peace of the country, hoping to rebuild their damaged relationship. However, when Craig insists on buying a derelict mansion on a mountainside - despite Effie's serious reservations - their problems are only just beginning... The house echoes with a terrible agonised sobbing, and Effie, trying to overcome her fears, recruits a spiritualist to deal with its threatening vibrations. But when a gruesome death occurs she starts to fear that the spirit of the past, and of the previous owner, notorious gambler Jack Belias, is back to haunt them for good...

The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.

Historical Dictionary of Horror Literature contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 400 cross-referenced entries covering authors, subgenres, tropes, awards, organizations, and important terms related to horror.,

From the silent-film era to the blockbusters of today, Horror Unmasked is a fun-filled, highly illustrated dive into the past influences and present popularity of the horror film genre. The horror film’s pop-culture importance is undeniable, from its early influences to today’s most significant and exciting developments in the genre. Since 1990, the production of horror films has risen exponentially worldwide, and in 2021, horror films earned an estimated $580 million in ticket sales, not to mention how the genre has expanded into books, fashion, music, and other media throughout the world. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. This comprehensive guide features: A thorough discussion on monster movies and B-movies (The Thing; It Came from Outer Space; The Blob) The destruction of the American censorship system (Blood Feast; The Night of the Living Dead; The Texas Chainsaw Massacre) International horror, zombies, horror comedies, and horror in the new millennium (Matango; Suspiria; Ghostbusters) A dissection of the critical reception of modern horror (Neon Demon; Pan’s Labyrinth; Funny Games) Stunning movie posters and film stills, plus fan-made tributes to some of the most lauded horror franchises in the world (Aliens; the Evil Dead; The Hills Have Eyes; Scream) A perfect reference and informational book for horror fans and those interested in its cultural influence worldwide, Horror Unmasked provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.