The Haunting Of The Tenth Avenue Theater

Is San Diego’s renowned Tenth Avenue Theater home to an unlikely cast of ghosts — and if so, what has kept the spirits of the dead bound to this venue of entertainment and illusion? From reports of a child’s tragic death on the premises to a suicide stemming from overwhelming guilt, there is grief, turmoil, and unfinished business lingering within these walls. Alex Matsuo, an actress by day and a ghost hunter by night, was granted unlimited access to the haunted property where she has performed as an actor and staged professional readings of her plays. Investigating the popular and thriving theater she has always considered home, Alex must unravel the turbulent history of the building in order to find out why the ghosts of the Tenth never want to leave.

The history of paranormal phenomena in the presidential residence is revealed for the first time in a fascinating exploration of the country's most famous portal to the unknown.

London, 1896: Dr. Ambrose Gennett can’t shake the fear that gripped him when he heard her voice. On the train platform in Kensington, he went to the aid of a woman hurt in an accident. He didn’t know her, but she knew him–she saw things he had never revealed to anyone. She spoke prophecy and then disappeared into the crowd.Gennett is a “mad doctor,” one of the few physicians in London aware of the new Freudian theories of the mind. His confidence shaken by the encounter, Gennett vows to find this young woman again, partly to help her and largely to prove to himself that she is not as supernatural as she seems. She has to be either mistaken or mad.The truth is much worse.Lily Embly is a fake medium but a real psychic–or at least she believes she is. Struggling to free herself from a lifetime of poverty and schooled as a charlatan by her mother, Lily works the strings and magnets of trickery at séances that have become wildly popular in Victorian England. Her false spirit messages are guided by the tarot cards and horoscopes she consults in secret. But when her mother falls ill, debt threatens to destroy them both.Desperate, Lily has teamed up with a dangerous con man, Monsieur St. Aubin, to pull off a risky–and potentially very lucrative–séance. And when Gennett discovers that his own sister has fallen under the sway of the spiritual frenzy that has gripped the city, his sanity depends on exposing Lily as a fraud.Only one can be right, and only one will survive.Richly atmospheric, In the Tenth House conjures up a world of obsession and passion; it transports readers to an era that saw science and faith collide. Full of wit, insight, and fascinating historical detail, it is an astonishing debut.

Theatre critics' reviews brings you the complete reviews from these New York publications and stations whenever covered by the critic: New York daily news, Wall Street journal, Time, New York post, Women's wear daily, WABC-TV, CBS-TV, New York times, Christian Science monitor, Newsweek.

In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers—including Kara Walker, Kara Lynch, Tourmaline, and Ja’Tovia Gary—create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history. Duke University Press Scholars of Color First Book Award recipient

THE STORY: Edgar Oliver weaves a fantastical and hilarious voyage through the dark and strange rooms of his East Village tenement building, inhabited by a dwarf cabalist, a possible Nazi, the landlord's former wet nurse and other memorable persons.