The Hawaiian Steel Guitar And Its Great Hawaiian Musicians

(Fretted). The term "steel guitar" can refer to instruments with multiple tunings, 6 to 14 strings, and even multiple fretboards. To add even more confusion, the term "Hawaiian guitar" refers to an instrument played flat on the lap with a steel bar outside of Hawaii, but in Hawaii, it is the early term for the slack key guitar. Lorene Ruymar clears up the confusion in her new book that takes a look at Hawaiian music; the origin of the steel guitar and its spread throughout the world; Hawaiian playing styles, techniques and tunings; and more. Includes hundreds of photos, a foreword by Jerry Byrd, and a bibliography and suggested reading list.

Since the nineteenth century, the distinct tones of k&299;k&257; kila, the Hawaiian steel guitar, have defined the island sound. Here historian and steel guitarist John W. Troutman offers the instrument's definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Troutman explains, by the 1970s the instrument's embrace and adoption overseas also worked to challenge its cultural legitimacy in the eyes of a new generation of Hawaiian musicians. As a consequence, the indigenous instrument nearly disappeared in its homeland. Using rich musical and historical sources, including interviews with musicians and their descendants, Troutman provides the complete story of how this Native Hawaiian instrument transformed not only American music but the sounds of modern music throughout the world.

This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. DeWitt Scott comments: There are two types of Hawaiian music, the 'authentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive.

Volume 2 continues the exploration of the classic Hawaiian guitar solos from the Golden Age of Hawaiian music that began in Volume One of the Art of Hawaiian Steel Guitar. Contained here are precise transcriptions and playing hints of classic tunes like 'Hula Girl' and 'Kaala', by the greatest players like Sol Hoopii, the Genial Hawaiians, and many others. Together with the accompanying CD, this book is a great tool for learning this exquisite slide guitar style. Easy to use by both acoustic, resonator and electric slide players. A whole chapter of Hawaiian turnarounds is an added bonus. Most of the tunes are in major tuning but there are several in B minor and C6.

"This quirky, brilliant book gives the reader the thrill of cultural history done well. Okihiro undertakes a conventional topic in a jarring way, avoiding the assumption of set boundaries of nations and human societies."—Henry Yu, author of Thinking Orientals: Migration, Contact, and Exoticism in Modern America "This beautifully written book integrates the history of Hawai'i into that of the U.S. better than any other I have ever read." —Patricia Seed, author of American Pentimento: The Invention of Indians and the Pursuit of Riches