The Heroic Gangster

Traces the life and contributions of the feared gang leader in lower Manhattan who served a ten-year sentence in Sing Sing, before he joined the National Guard and risked his life for his fellow soldiers.

An intimate biography as well as an epic history, Monk Eastman vividly recounts the life and times of old New York’s most infamous gangster-cum-soldier as he made his way from the sooty streets and dingy saloons of the Lower East Side to the battlefields of the Western Front. Born in 1873 to a respectable New York family, Monk was running wild in Manhattan’s rough Lower East Side by the age of eighteen. He found work as a bouncer—when the saloon owner first turned him down because he had two bouncers already, Monk beat them both up and was promptly hired in their place. He soon developed a loyal following of immigrant toughs, and by 1900, he was the most feared gang leader in lower Manhattan, protected by corrupt politicians and crooked cops, and commanding an army of two thousand pickpockets, thieves, prostitutes, and thugs. But changing neighborhood demographics and shifting political fortunes colluded against Monk: after a pitched battle with Pinkerton detectives, he was sent to Sing Sing on a ten-year sentence, and his territory quickly slipped from his grasp. In 1917, no longer safe from the law—or from rival gangs—Monk joined the New York National Guard. As a gangster, he’d been the equivalent of a general; as an enlisted man, Monk was just another private. After several months of combat training, Monk’s division of Brooklyn recruits was thrown headlong into the bitter trench warfare in Europe. His experience in gangland combat served him well: he was repeatedly cited by his superiors for his bravery and he received a hero’s welcome back in New York and an offical pardon from the governor. But Monk’s gangland past was not so easily erased and caught up with him in the end. In Neil Hanson’s able hands, Monk’s unique and compelling story becomes an emblem of a time of upheaval—for New York and for the nation. From the Hardcover edition.

A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.

During the Great Depression, writers of True Crime could take the decade off: life was imitating art so dramatically they had nothing to add. In these pages historian Robert Underhill presents the most notorious criminals of 1930-1934: Wilbur Underhill, Alvin Karpis, the Barker Clan, Pretty Boy Floyd, Baby Face Nelson, the Barrows (Buck, Blanche, Clyde, and Bonnie), and John Dillinger along with supporting material on their henchmen and the rise of the FBI. Often armed better than the police, criminals of the 1930s committed deeds ranging from stealing chickens to kidnappings, bank robberies, and killing innocent victims. Yet such crimes were often taken in stride by avid readers. Cooperation among local, state and federal lawmen was rare as each sought to protect his own turf. Criminals and lawmen made mistakes battling one another, but in most cases the law triumphed and the wanted fugitive died under a hail of bullets. His death would start myths and raise his reputation to national status. The author of 'Against the Grain: Six Men Who Shaped America' and 'The Rise and Fall of Franklin D. Roosevelt' shows us another aspect of the Roosevelt era and portrays a series of figures who contributed to pop culture as well helping to shape the security forces in America. Robbing the banks and driving fast cars, they did what many Americans dreamed of, and gave a depressed populace some excitement to distract from everyday worries. With the Great Depression, some citizens came to regard bank robbers as modern Robin Hoods seeking to avenge depositors whose life earnings had been wiped out by a bank's failure or malfeasance by its owners. No small wonder that criminals were given colorful sobriquets and fact and fiction became intertwined. Underhill shows how such heists, and kidnappings especially, helped create the modern FBI, overcoming the complaints of those who alleged that a federal force was the first step toward an American Gestapo. The belief that federal government had nothing to do with fighting crime was rooted in the U.S. Constitution and its provisions for states' rights. Local police were expected to provide security and to apprehend criminals without Washington getting involved. In the big cities, Prohibition era mobsters still ruled, but in the Midwest especially, smaller bands, "gangsters," began to make headlines. They tended to be blue-collar criminals whose favorite targets were filling stations, grocery stores, and small town banks. Prior to 1930, corruption was rife and cooperation among local, state, and federal police was little to none; criminals often got away. Only in 1935 was the FBI formally anointed and its agents were permitted to carry guns. Now, there was a federal agency that could supply sheriffs all over the country with information on suspected criminals. By 1935, the hardest times of the Depression were beginning to ease and the thrill of watching these cops-and-robber stories play out was combined with a renewed interest in the lives of the rich and famous, previously scorned for their role in ripping off the average man. All in all, the early 1930s were a uniquely dramatic time for crime and crimestoppers in America.

Charlie Richardson, one of Britain's most notorious gangland bosses, sheds light on his extraordinary life story completed just weeks before his death in September 2012. Notorious Charlie Richardson was the most feared gangster in 1960s London. Boss of the Richardson Gang and rival of the Krays, to cross him would result in brutal repercussions. Famously arrested on the day England won the World Cup in 1966, his trial heard he allegedly used iron bars, bolt cutters and electric shocks on his enemies. The Last Gangster is Richardson’s frank account of his largely untold life story, finished just before his death in September 2012. He shares the truth behind the rumours and tells of his feuds with the Krays for supremacy, undercover missions involving politicians, many lost years banged up in prison and reveals shocking secrets about royalty, phone hacking, bent coppers and the infamous black box. Straight up, shocking and downright gripping, this is the ultimate exposé on this legendary gangster and his extraordinary life.

Why young people participate in violent gang behavior The effects of gang violence are witnessed every day on the streets, in the news, and on the movie screen. In all these forums, gangs of young adults are associated with drugs and violence. Yet what is it that prompts young people to participate in violent behavior? And what can be done to extract adolescents from the gangster world of crime, death, and incarceration once they have become involved? In Gangsters: 50 Years of Madness, Drugs, and Death on the Streets of America, Lewis Yablonsky provides answers to the most baffling and crucial questions regarding gangs. Using information gathered from over forty years of experience working with gang members and based on hundreds of personal interviews, many conducted in prisons and in gang neighborhoods, Yablonsky explores the pathology of the gangsters' apparent addiction to incarceration and death. Gangsters is divided into four parts, including a brief history of gangs, the characteristics of gangs, successful approaches for treating gangsters in prison and the community, and concluding with a review and analysis of notable behavioral and social scientific theories of gangs. While condemning their violent behavior in no uncertain terms, Yablonsky offers hope through his belief that, given a chance in an effective treatment program, youths trapped in violent behavior can change their lives in positive ways and, in turn, facilitate positive change in their communities and society at large.

Much analysis of gangster movies has been based upon a study of the gangster as a malign figuration of the American Dream, originally set in the era of the Depression. This text extends previous analysis of the genre by examining the evolution of gangster movies from the 1930s to the contemporary period and by placing them in the context of cultural and cinematic issues such as masculinity, consumerism and technology. With a close examination of many films from Scarface and Public Enemy to Reservoir Dogs and Pulp Fiction , this book provides a fascinating insight into a topical and popular subject.

A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby. Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses—movie studios, production companies, video game studios, and publishing houses—buy and sell them. Writers who want to succeed professionally must write the stories these businesses want to buy. Simply put, the storytelling game is won by mastering the structure of genres. The Anatomy of Genres: How Story Forms Explain the Way the World Works is the legendary writing teacher John Truby’s step-by-step guide to understanding and using the basic building blocks of the story world. He details the three ironclad rules of successful genre writing, and analyzes more than a dozen major genres and the essential plot events, or “beats,” that define each of them. As he shows, the ability to combine these beats in the right way is what separates stories that sell from those that don’t. Truby also reveals how a single story can combine elements of different genres, and how the best writers use this technique to craft unforgettable stories that stand out from the crowd. Just as Truby’s first book, The Anatomy of Story, changed the way writers develop stories, The Anatomy of Genres will enhance their quality and expand the impact they have on the world.