The Historical Fiction Of Mori Gai

The fiction of Mori Ogai, written after the death of Emperor Meiji in 1912, secured his promiment place in modern Japanese literature. This collection of stories, set in the Tokugawa Period, provide a means for Ogai to deal with contemporary moral and philosophical values and themes.

The literary writings of Mori Ōgai (1862-1922), one of the giant figures of the Meiji period, have become increasingly well known to readers of English through a number of recent translations of his novels and short stories. Ōgai was more than a writer of fiction, however. He has long been regarded in Japan as one of the most influential intellectual and artistic figures of his period, possessing a wide range of enthusiasms and concerns, many developed through his early European experiences. Not a Song Like Any Other attempts to reveal the full range of Ōgai’s creative endeavor, providing trenchant examples of his remarkable range, from dramatist and storyteller to poet and polemicist, all translated into English for the first time. The first of seven parts, “The Author Himself,” offers a variety of self portraits and other insights into Ōgai’s character through his essays—laconic, ironic, detached—written over the course of his career. “Mori Ōgai in Germany” reveals his responses to living in Germany in the 1880s and seeing for the first time how his country was being interpreted from the outside. It includes his celebrated and spirited defense of his country, originally published in a German newspaper. “Mori Ōgai and the World of Politics” relates his uneasy reactions to Japanese society at a later phase in his career. The fourth section provides some of the first information available in English concerning his lifelong interest in painting and other aspects of the visual arts in the Japan of his day. Ōgai’s theatrical experiments are briefly chronicled in Part 5. “Four Unusual Stories” offers new evidence of the range of the writer’s interests and ambitions. The final section includes some of the first translations of Ōgai’s poetry available in English. Contributors: Richard Bowring, Sarah Cox, Sanford Goldstein, Andrew Hall, Mikiko Hirayama, Helen Hopper, Marvin Marcus, Keiko McDonald, J. Thomas Rimer, Hiroaki Sato, William J. Tyler.

Kenji Mizoguchi's masterpiece Sanshô Dayû (1954) retells a classic Japanese folktale about an eleventh-century feudal official forced into exile by his political enemies. In his absence, his children fall under the corrupting influence of the malevolent bailiff Sansho. In their study of the film, film scholar Dudley Andrew and Japanese literature professor Carole Cavanaugh highlight the cultural, aesthetic and social contexts of this film which is at once rooted in folk legend and a modern artwork released in the aftermath of World War II. This edition includes a new foreword by the authors in which they consider the film's contemporary parallels in modern slavery and children torn from their families by malevolent authorities.

The role of translation in the formation of modern Japanese identities has become one of the most exciting new fields of inquiry in Japanese studies. This book marks the first attempt to establish the contours of this new field, bringing together seminal works of Japanese scholarship and criticism with cutting-edge English-language scholarship. Collectively, the contributors to this book address two critical questions: 1) how does the conception of modern Japan as a culture of translation affect our understanding of Japanese modernity and its relation to the East/West divide? and 2) how does the example of a distinctly East Asian tradition of translation affect our understanding of translation itself? The chapter engage a wide array of disciplines, perspectives, and topics from politics to culture, the written language to visual culture, scientific discourse to children's literature and the Japanese conception of a national literature. Translation in Modern Japan will be of huge interest to a diverse readership in both Japanese studies and translation studies as well as students and scholars of the theory and practice of Japanese literary translation, traditional and modern Japanese history and culture, and Japanese women’s studies.

The new leader of the noble family meets a beautiful French woman in Japan in the 1860s.

"Grand in scope and scale, filled with the richness and passion of two great histories coming together, Gai-jin is the long-awaited sixth novel in James Clavell's magnificent Asian Saga. Sweeping us back to the enigmatic and elusive land of his best-selling Shogun, he weaves an extraordinary tale of Japan, now newly open to gai-jin - foreigners - and teeming with contradictions as the ancient and the modern meet in a clash of cultures, of nations, of generations." "It is 1862, and in Japan's Foreign Settlement of Yokohama, reverberations from an explosive act of violence will forever alter - and connect - the lives of the major characters. Malcolm Struan, at twenty, is heir to the title of tai-pan of the most powerful and bitterly contested English trading company in the Orient, the Noble House. Malcolm's fate, and that of his family's legacy, become inextricably intertwined with that of a beautiful young French woman, Angelique Richaud. Desired by many, loved purely and passionately by Malcolm, Angelique will hold the future of the Noble House in her hands." "Intricately interwoven into the story of the struggle for control of the Noble House is a powerful parallel story of the Land of the Gods, Japan, a country ripped apart by greed, idealism, and terrorism as groups of young xenophobic revolutionaries, ronin, attempt to seize the Shogunate and expel the hated gai-jin from Japan. One man, Lord Toranaga Yoshi, a direct descendant of the first Toranaga Shogun, attempts not only to protect the Shogunate, but to usher it, and Japan, into the modern age." "Amid the brutality and heroism, the betrayals and the stunning romance, a multilayered, complex story unfolds. Here the dark and erotic world of the pleasure houses - the Ladies of the Willow World, spies, and terrorists - meets the world of pageantry and power - monarchs and diplomats. And here East meets West in an inevitable collision of two equally powerful cultures as James Clavell creates a vibrant and authentic portrait of a time that is gone forever...but of a world not unlike our own."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved