The History Of Fashion In France

Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick Worth to Gabrielle "Coco†? Chanel, Christian Dior, and Yves Saint Laurent, fashion history is dominated by the names of Parisian couturiers. But Valerie Steele's Paris Fashion is much more than just a history of great designers. This fascinating book demonstrates that the success of Paris ultimately rests on the strength of its fashion culture – created by a host of fashion performers and spectators, including actresses, dandies, milliners, artists, and writers. First published in 1988 to great international acclaim, this pioneering book has now been completely revised and brought up to date, encompassing the rise of fashion's multiple world cities in the 21st century. Lavishly illustrated, deeply learned, and elegantly written, Valerie Steele's masterwork explores with brilliance and flair why Paris remains the capital of fashion.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Reprint of the original, first published in 1882.

Born in Paris, Jean Baptiste Marie Augustin Challamel (1818-1894) was a historian who wrote extensively about various aspects of the social history of France. He wrote a great deal, and his works were well-received. Some of his titles included France and the French Through the Centuries (1882), The Legends of Place Maubert (1877), and The Ghosts of the Place de Grève (1879). Deeply a bibliophile, he was a bookseller as well as a library curator. He also was involved with the Société des gens de lettres de France, a group of authors who banded together to defend their interests. This edition is dedicated to Cecile Ravauger, able and energetic scholar and researcher of French social movement.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The History Of Fashion In France: Or, The Dress Of Women From The Gallo-Roman Period To The Present Time Augustin Challamel Frances Cashel Hoey, John Lillie Low, Marston, Searle, & Rivington, 1882 Costume; Fashion; Women's clothing

Excerpt from The History of Fashion in France, or the Dress of Women From the Gallo-Roman Period to the Present Time Therefore to write the history of female fashion in France is a more serious task than it might seem to be at the first glance. The levity Of the subject is mastered by its moral interest. Montesquieu remarks, in his Lettres Persanes, A certain lady takes it into her head that she must appear at an assembly in a particular costume; from that moment fifty artisans have to go Without sleep, or leisure either to eat or drink. She commands, and is obeyed more promptly than a Shah of Persia, because self interest is the mightiest ruler upon the earth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.