The Hole Truth And Nothing

The Hole Truth and Nothing... By: Ron Budge About the Book The Hole Truth and Nothing... uncovers the importance of holes, which has never before been written. No holes, no life. Never take nothing for granted.

Imagine a world where babies are born and their names are instantly turned into corporations. Where birth certificates are worth millions. Where colonists took the law of the seas and imposed it onto the land. Corporations were classified as 'Persons' and had the ability to control, imprison and extract money from people. Where for certain groups of people, it was illegal to learn how to read and write or even own property. This isn't an imaginary world...this is the 20th century in the UNITED STATES OF AMERICA...allow me to explain.

From the dawn of the studio system to the decade it all came crashing down, Hedda Hopper was one of the Queens of Hollywood. Although she made her name as a star of the silent screen, she found her calling as a gossip columnist, where she had the ear of the most powerful force in show business: the public. With a readership of 20,000,000 people, Hopper turned nobodies into stars, and brought stars to their knees. And in this sensational memoir, she tells all. In her career, Hopper crossed some of Hollywood’s biggest bold-faced names, from Spencer Tracy and Katherine Hepburn to Charlie Chaplin and Joseph Cotten, and her feud with rival gossip columnist Louella Parsons became the stuff of legend. In The Whole Truth and Nothing But, we get Hedda’s side of the story—and what a story it is. Hedda Hopper is portrayed by Judy Davis in the Ryan Murphy TV series Feud about Joan Crawford and Bette Davis.

After terminating my tenure and positions as Trumpet Teacher, Associate Director of Bands and Chairman of Instrumental Music at Florida A&M University in 1980, I was bombarded with questions and often criticized on the wisdom of abandoning the pathway I had earned as heir apparent to the position of Director of Bands. Rumors were also whispered that I was fired for involvement in questionable and unprofessional faculty-student relationships. I deliberately hesitated to answer such questions, first, because they could possibly be interpreted as my being critical of the people and the program that made it possible for me to develop whatever God given talents I possessed. Second, I chose to quietly accept said criticisms and dismiss the rumors to avoid giving them credibility by commenting on them one way or the other. However, I have always felt an obligation to provide the truth to the friends, colleagues, and fans that assisted in the realization of my professional pursuits at FAMU. These questions and inquiries gradually subsided after my appointment as Chairman of Fine Arts at the University of North Florida four years later. Thirty one years later, the disturbing news from Orlando, Florida, announcing the death of Robert Champion, a FAMU Drum Major, renewed the urgency for me to address long standing and new questions on various aspects about FAMU’s band. The untimely death of Champion resulted, allegedly, from a brutal “ritual of acceptance” hazing, on the occasion of the 2011 Orange Blossom Classic football game between the Florida A&M and Bethune Cookman Universities. Regrettably many supporters, fans and former band members, including myself, had long feared such an occurrence would happen sooner or later. I was similarly harassed as a freshman during the 1958 band season following the Orange Blossom Classic held in Miami. In spite of my negative treatment, I went on to become Band President and, after graduating, Associate Director of this esteemed organization. Therefore, I feel intimately familiar with the band and its history, including the unsanctioned tradition of hazing, and feel competent to voice my opinions on the question of hazing and on the current and future status of the FAMU band program. Following the death of Mr. Champion, I again began receiving renewed calls, visits, and e-mails, inquiring of my thinking and position on the situation at hand. After Dr. Julian White, Director of Bands, was unceremoniously terminated, over 150 former students encouraged me to seek the position of Director. Obviously, those encouraging me to do so, did not factor in my advancing age or health status. Nonetheless, these renewed questions awakened the need and obligation for me to speak out and weigh- in on long standing issues about the band and my reasons for abandoning it. Accordingly, the crisis of Mr. Champion’s death has created a renewed sense of urgency for me to finally speak out and describe how such issues led to my departure from the FAMU Marching Band. It is hoped that this booklet will provide truthful answers to long standing questions and serve to explore a plethora of traditions and misconceptions about the band. This writing is a recollection of my personal journey as a student participant and eventual Associate Director of this Band. The reader is therefore afforded to share the author’s perspective, insight and self-discovery during this time frame. It is hoped that this booklet will positively assist in a similar “societal-discovery” and serve as a deterrent to hazing, violence and other punitive actions that have all but become standard codes of conduct on many college and university campuses. Lenard C. Bowie, DMA Former Associate Director of Bands Florida A&M University

p.B. J. Whiting savors proverbial expressions and has devoted much of his lifetime to studying and collecting them; no one knows more about British and American proverbs than he. The present volume, based upon writings in British North America from the earliest settlements to approximately 1820, complements his and Archer Taylor's Dictionary of American Proverbs and Proverbial Phrases, 1820-1880. It differs from that work and from other standard collections, however, in that its sources are primarily not "literary" but instead workaday writings - letters, diaries, histories, travel books, political pamphlets, and the like. The authors represent a wide cross-section of the populace, from scholars and statesmen to farmers, shopkeepers, sailors, and hunters. Mr. Whiting has combed all the obvious sources and hundreds of out-of-the-way publications of local journals and historical societies. This body of material, "because it covers territory that has not been extracted and compiled in a scholarly way before, can justly be said to be the most valuable of all those that Whiting has brought together," according to Albert B. Friedman. "What makes the work important is Whiting's authority: a proverb or proverbial phrase is what BJW thinks is a proverb or proverbial phrase. There is no objective operative definition of any value, no divining rod; his tact, 'feel, ' experience, determine what's the real thing and what is spurious."

The Hole Truth The 52nd Donut Mystery When Richard Covington is murdered, his past leads Suzanne and her stepfather, Phillip, on a wild ride to the present as they search for the man’s killer. To make matters worse, one of Suzanne’s best friends is one of their main suspects, and Suzanne must walk the fine line between friendship and her compulsion to discover The Hole Truth. Jessica Beck is the New York Times Bestselling Author of the Donut Mysteries, the Cast Iron Cooking Mysteries, the Classic Diner Mysteries, and the Ghost Cat Cozy Mysteries.

It is 1932. Polly and her older sister, Maud, travel by train and boat from Winnipeg to an island between Vancouver and Victoria. Polly will live with their grandmother, the sisters’ new guardian, and attend the small school on the island, while Maud will go to boarding school in Victoria. Their extended family welcomes the girls warmly. New-school jitters give way to new friendships and even a new puppy, and slowly Polly feels that she is becoming part of a larger family she never knew until now. But Polly and Maud have a dramatic secret, and they have promised each other never to tell anyone. A surprise arrival on the island, however, threatens Polly’s newfound happiness and tests the bonds of family love. Can Polly keep the secret and her new life on the island?

A powerful defense contractor, a reluctant intelligence agent, and an ambitious journalist race to contain and control an international crisis that could destroy the world in this #1 New York Times bestselling thriller. "Dick, I need a war." Nicolas Creel is a man on a mission. He heads up the world's largest defense contractor, The Ares Corporation. Dick Pender is the man Creel retains to "perception manage" his company to even more riches by manipulating international conflicts. But Creel may have an even grander plan in mind. Shaw, a man with no first name and a truly unique past, has a different agenda. Reluctantly doing the bidding of a secret multi-national intelligence agency, he travels the globe to keep it safe and at peace. Desperate to get back to the top of her profession, Katie James gets the break of a lifetime: the chance to interview the sole survivor of a massacre that has left every nation stunned. In David Baldacci's first international thriller, these characters face a catastrophic threat that could change the world as we know it.