The Hollywood Renaissance

In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.

In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era's most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing - a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.

New Hollywood extends from the radical gestures of the 'Hollywood Renaissance' of the late 1960s and early 1970s to the current dominance of the corporate blockbuster. Geoff King covers new Hollywood dynamically and accessibly in this thoroughly modern introductory text. He discusses diverse films as well as the film-makers and film companies, focusing on the interactions between the film texts, their social contexts and the industry producing them. Using examples across Hollywood and its genres, King reveals how the positions of studios within media conglomerates, together with the impact of television, advertising and franchising on the New Hollywood, shape the form and content of the films.

At the end of World War II, Hollywood basked in unprecedented prosperity. Since then, numerous challenges and crises have changed the American film industry in ways beyond imagination in 1945. Nonetheless, at the start of a new century Hollywood's worldwide dominance is intact - indeed, in today's global economy the products of the American entertainment industry (of which movies are now only one part) are more ubiquitous than ever. How does today's "e;Hollywood"e; - absorbed into transnational media conglomerates like NewsCorp., Sony, and Viacom - differ from the legendary studios of Hollywood's Golden Age? What are the dominant frameworks and conventions, the historical contexts and the governing attitudes through which films are made, marketed and consumed today? How have these changed across the last seven decades? And how have these evolving contexts helped shape the form, the style and the content of Hollywood movies, from Singin' in the Rain to Pirates of the Caribbean? Barry Langford explains and interrogates the concept of "e;post-classical"e; Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present. Integrating film history, discussion of movies' social and political dimensions, and analysis of Hollywood's distinctive methods of storytelling, Post-Classical Hollywood charts key critical debates alongside the histories they interpret, while offering its own account of the "e;post-classical."e; Wide-ranging yet concise, challenging and insightful, Post-Classical Hollywood offers a new perspective on the most enduringly fascinating artform of our age.

Award-Winning Wall Street Journal bestselling author Kennedy Ryan launches a brand-new series with a Hollywood tale of wild ambition, artistic obsession, and unrelenting love. One moment in the spotlight . . . For months I stood by, an understudy waiting in the wings, preparing for my time to shine. I never imagined he would watch in the audience that night. Canon Holt. Famous film director. Fascinating. Talented. Fine Before I could catch my breath, everything changed. I went from backstage Broadway to center stage Hollywood. From being unknown, to my name, Neevah Saint, on everyone’s lips. Canon casts me in a star-studded Harlem Renaissance biopic, catapulting me into another stratosphere. But stars shine brightest in the dead of night. Forbidden attraction, scandal and circumstances beyond my control jeopardize my dream. Could this one shot—the role of a lifetime, the love of a lifetime—cost me everything?

Set in the dynamic worlds of professional basketball and entertainment, two of Kennedy Ryan’s most critically-acclaimed series—HOOPs and Hollywood Renaissance—collide in this tale of forbidden romance. I met Nazareth Armstrong when I was eighteen years old. From the beginning, my brother warned me to stay away from him. Told Naz to stay away from me. Our hearts didn’t listen. I shared one magical night under the stars with my brother's rival, thinking it was the start of a once-in-a-lifetime something. But one awful moment ended it all. Years later when we meet again, we’ve both pursued our dreams, lived a little, found success…but never found love. What began as a tiny flame when we were young now threatens to consume us. I’m more drawn to Naz than ever, but his complicated history with my brother makes whatever this could be…nearly impossible. But Naz accepts impossible as a dare. Through his clever maneuvering and dogged determination, I find myself on a yacht with him and his friends cruising through the Mediterranean. It’s a whirlwind set ablaze. Away from reality, surrendering to the tender heat of his touch, I forget that everything could burn. *This is the love story of Takira, who first appears in Reel, book 1 of the Hollywood Renaissance series. Characters from the HOOPS series also make appearances, but you do not have to read any of those books to enjoy this one. **Every 1001 Dark Nights novella is a standalone story. For new readers, it’s an introduction to an author’s world. And for fans, it’s a bonus book in the author’s series. We hope you'll enjoy each one as much as we do.** Reviews for The Close-Up: “Kennedy Ryan’s gorgeous style coupled with her capacity to draw characters that steal hearts makes her a must-read.” ~ Amy, Professor Romance “Full of desire, joy, heat, romance and passion. Descriptives that are tantalizing. Captivating. Intoxicating. Every romance reader needs this in their lives!” ~ Anita Hot Romance Stories “So good, full of passion and emotion. The author's unique style of narration makes you feel and live the scenes with the characters, definitely a must read for all fans of this author. super recommended.” ~ Vanessa, When Vane Reads “For a taste of the Hoops world and a second chance romance with a side of forbidden, dive into The Close Up. You will LOVE each and every character, but you will definitely fall in love with Naz and Takira's journey to their HEA.” ~ ReadingTilTheBreakOfDawn “Fun, humor, sexiness, friendship, family and loyalty, It's a second chance romance with everything I love.” ~ Kara, Two Book Pushers

A study of how films from the late 1930s to the early 60s portrayed the American ideal.