The House Beyond The Hill

THE EVIL THAT FEEDS ON FEAR! The quiet suburb seems peaceful enough, until loner Donny Mann succumbs to the irresistible urge to Drive the web of the Southern California freeways, armed with a stolen .38-and the unspeakable need to fire it. He finds his victims soon enough-an old, black Cadillac alone on a dark stretch of highway. Three people witness the shooting. Three people see the Caddy crash. Three people know that no one left the wreck. But when the police arrive, they find the car empty of anything save blood.and the horror locked in its trunk. One after another, the citizens of Tamarind Valley fall prey to something, or some thing, that feeds on fear and grows exponentially in power with each victim. Donny's brother Richard gradually realizes that he stands at the center of an expanding circle of evil. If he and his friends do not prevail, the evil will! MICHAEL R. COLLINGS has written and edited over forty books of horror, literary criticism, and poetry, among others, many of them being reprinted by Borgo Press. He lives and works in Idaho.

Moving between past and present, a novel of marriage and murder, race and class, and two very different women struggling to find freedom . . . She’s generous, kind, and compassionate—yet Delilah Grey will forever be an outcast in the small seaside town of Camden Beach, Maryland. She takes in women shattered by abuse, poverty, illness, or events beyond their control. But no matter how far she’s come or how many she’s helped find their way back, there is no safe place for Delilah. Acquitted of her rich husband’s mysterious death decades ago, she lives in her beautiful mansion consumed by secrets—and mistakes she feels she can never atone for . . . until she takes in desperate mother Tracey Walters and her two young children. Tracey won’t say where she’s from or what sent her into hiding. But her determination and refusal to give up reminds Delilah of the spirited, hopeful girl she once was—and the dreams she still cherishes. As Tracey takes tentative steps to rebuild her life, her unexpected attraction to Delilah’s handsome, troubled caretaker inadvertently brings Delilah face to face with the past. And when Tracey’s worst fears come brutally calling, both women must find even more strength to confront truths they can no longer ignore—and at last learn how to truly be free . . . Resonant, moving, and unforgettable, The House on Harbor Hill paints a portrait of two women struggling to forgive themselves, take a chance on change, and challenge each other to finally live. Praise for Between Lost and Found “Moving, thoughtful, and entirely original.” —Taylor Jenkins Reid

A stolen skeleton leads to a web of mystery: “Those who treasure quirky characters, lively dialogue, and ingenious plots will be delighted” (Booklist). In England, a skeleton from Roman times goes missing from the site of an archaeological dig—as does the man overseeing the project. In Baghdad, a diplomat dies suddenly. And in California, a scientist commits suicide. These three events are in fact linked—and one tough, determined woman may be about to unravel a shocking conspiracy that lies behind them all, in this lively mystery by “one of Britain’s most consistently excellent crime novelists” (The Times, London). “The captivating cast includes an obnoxious student of archaeology, a fraudulent town official, a vaguely clairvoyant eccentric, a couple of mysterious brothers, and various other folks who aren’t quite what they seem to be.” —Booklist “Reginald Hill delivers literate, complex, and immensely satisfying thrillers.” —Orlando Sentinel

From a New York Times–bestselling author, “a superbly creepy modern horror story” about a family who discovers their home is inhabited by an evil spirit(Sunday Mirror). Ollie and Caro Harcourt are moving into a new house with their twelve-year-old daughter Jade. Ollie is desperate to leave the city. Caro is less sure. Then they view Cold Hill House, a dilapidated rural mansion, and fall instantly in love. It’s expensive, but with its space, seclusion and huge grounds it seems like a brilliant idea. That is, until they arrive. It soon becomes apparent that they are not alone. A spectral woman appears on screens and walks the corridors, vanishing before she can be challenged. Strange occurrences become ever more common. Then Caro starts seeing faces, always looking out of the same upstairs window. The room behind it could hold the key to the disturbing secret behind the house’s mysterious past. Except for the fact that the room doesn’t seem to exist . . . “James is a compelling storyteller and he ratchets up the tension in increments, so that his readers will be suitably terrified. By the time you want to scream ‘Look behind you!’, it’s already too late.” —Daily Mail “Impeccable.” —The Sunday Times “James neatly interlaces the traditional . . . with the modern . . . never losing the essential heart of the horror as it derails the lives of its victims.” —Publishers Weekly

If one seeks to understand Haudenosaunee (Six Nations) history, one must consider the history of Haudenosaunee land. For countless generations prior to European contact, land and territory informed Haudenosaunee thought and philosophy, and was a primary determinant of Haudenosaunee identity. In The Clay We Are Made Of, Susan M. Hill presents a revolutionary retelling of the history of the Grand River Haudenosaunee from their Creation Story through European contact to contemporary land claims negotiations. She incorporates Indigenous theory, Fourth world post-colonialism, and Amerindian autohistory, along with Haudenosaunee languages, oral records, and wampum strings to provide the most comprehensive account of the Haudenosaunee’s relationship to their land. Hill outlines the basic principles and historical knowledge contained within four key epics passed down through Haudenosaunee cultural history. She highlights the political role of women in land negotiations and dispels their misrepresentation in the scholarly canon. She guides the reader through treaty relationships with Dutch, French, and British settler nations, including the Kaswentha/Two-Row Wampum (the precursor to all future Haudenosaunee-European treaties), the Covenant Chain, the Nanfan Treaty, and the Haldimand Proclamation, and concludes with a discussion of the current problematic relationships between the Grand River Haudenosaunee, the Crown, and the Canadian government.

Fleeing a stalker, Kaine Prescott purchases an old house sight unseen in Wisconsin, which turns out to have a dark history: A century earlier, an unidentified woman was found dead on the grounds. As Kaine tries to settle in, she learns the story of her ancestor Ivy Thorpe, who, with the help of a man from her past, tried to uncover the truth about the death.