The Hunt For The Panther 3

The Islands hold secrets for those brave enough to discover them. Scarlet McCray and the Lost Souls are happy as clams at high tide until they learn two very curse-worthy things. One: There is a new pirate captain sailing the seas. And two: Scarlet's family is coming to the tropics, forcing her to trade her pirate's cap for a petticoat. Now Jem Fitzgerald is in charge. And his most important mission--after guarding the treasure from the pirates and keeping peace among the crew--is to find the ferocious black panther that lives on Island X before the panther finds a single Lost Soul.

Hunting and its imagery continued to play a significant role in archaic and classical Greece long after hunting had ceased being a necessity for survival in everyday life. Drawing on vase paintings, sculpture, inscriptions, and other literary evidence, Judith Barringer reexamines the theme of the hunt and shows how the tradition it depicts helped maintain the dominance of the ruling social groups. Along with athletics and battle, hunting was a defining activity of the masculine aristocracy and was crucial to the efforts of the Athenian elite to control the social agenda, even as their political power declined. The Hunt in Ancient Greece examines descriptions of hunting in initiation rituals as well as the ideals of masculinity and adulthood such rites of passage promoted. Barringer argues that depictions of the hunt in literature and art also served as striking metaphors for the intricacies of courtship, shedding light on sexuality and gender roles. Through an exploration of various representations of the hunt, Barringer provides extraordinary insight into Athenian society.

Regardless of color or class, men in the Old South hunted; the meat, hides, and furs they brought home reinforced the hunters' claims to patriarchal authority as providers for their households. During the antebellum era, many white men also began using the hunt as a venue for the display of increasingly complex ideas about gender, race, class, and community. Proctor (history, Simpson College) explores the social drama of the hunt as it was conducted between 1800 and 1860, through accounts in books, letters, journals, and periodicals. He looks at the historical developments that shaped hunting as well as interactions between men and women and between owners and slaves. Annotation copyrighted by Book News, Inc., Portland, OR

Ten essays from a symposium held at Newcastle University in 1997, which examine the general themes of kingship and imperialism by focusing on the romances that surround Alexander.

Collects Captain America (1968) #208-212, Black Panther (1977) #1-3, Machine Man (1978) #1-6 and Devil Dinosaur #4-7. Jack is back! Thrill to all-time classics from Kirby's 1970s return to Marvel - presented larger than life in true "King" size! With Kirby as both writer and artist, these stories are a live wire hooked directly into the imagination of comics' most powerful creative dynamo. Captain America battles the Red Skull and the bizarre Arnim Zola - who has reanimated Hitler's brain in the body of an unstoppable android! The Black Panther faces a generation-spanning Wakandan saga for the ages! Machine Man, a weapon of war with a human soul, explores the world of man - but can he find acceptance before the army hunts him down? And Devil Dinosaur and Moon Boy fight savage battles against alien invaders to protect early humans from annihilation!

Giovanni Boccaccio is one of the most influential writers in the Western tradition, yet his first literary work, "Diana's Hunt," has never been translated into English, and the Italian text has long been out of print. Anthony Cassell and Victoria Kirkham redeem Boccaccio's early effort in this dual-language edition, with an extensive introduction and commentary, that goes far beyond assuring its accessibility. The plot of "Diana's Hunt" is simple enough: the narrator observes the goddess Diana convening a band of Neapolitan court ladies to hunt in a wood. After slaying an impressive number of beasts, the huntresses are incited to rebellion against Diana by the fairest of their number. They invoke the goddess Venus, who transforms the beasts into young men ready to be faithful to her. As a final twist, the narrator himself, who we now learn was actually a stag all along, undergoes a similar transformation and is offered to the fairest lady. Cassell and Kirkham have edited the Italian text of "La Caccia di Diana," drawing from the six extant manuscripts of the original work. Their critical interpretation of the poem redefines the ground on which we evaluate the merits of "Diana's Hunt" and points to ways in which it looks forward to Boccaccio's later work. The poem emerges as an allegory of the struggle in the soul before Christian baptism and entrance into the active life of virtue. This theme will be central in the early fictions, such as the Filocolo and Ameto, and will be parodied and reversed in the later Elegy of Madonna Fiammetta and Corbaccio. The editors offer a readable translation, extensive notes, and a glossary of female historical characters that will prove invaluable to students and scholars of medieval and Renaissance literature, women's studies, and art history.