The Hunter And Other Stories

“This fascinating collection of hitherto unpublished or ungathered tales . . . will be a treat for any fan of the father of the hardboiled detective story.” —The Wall Street Journal A unique publication from one of the greatest writers of the twentieth century, The Hunter and Other Stories includes new Dashiell Hammett stories gleaned from his personal archives along with screen treatments long buried in film industry files, screen stories, and intriguing unfinished narratives. Hammett is regarded as both a pioneer and master of hardboiled detective fiction, but these dozen-and-a-half pieces, which explore failed romance, courage in the face of conflict, hypocrisy, and crass opportunism, show him in a different light. The title story concerns a dogged PI unwilling to let go of a seemingly trivial case, and the collection also includes an unfinished Sam Spade story and two full-length screen treatments: “On the Make,” about a corrupt detective, and “The Kiss-Off,” the basis for City Streets (1931), in which Gary Cooper and Sylvia Sydney are caught in a romance complicated by racketeering’s obligations and temptations. Rich in both story and character, this is a volume no Hammett fan should do without. “For aficionados of the genre, the unearthing of new Hammett stories is akin to Christians discovering an epilogue to the New Testament. . . . These stories are among Hammett’s best. . . . [His] prose is always savvy and sturdy, but for the man who invented ‘hard-boiled,’ it can also be surprisingly elegant.” —San Francisco Chronicle

**The Hunter Shortlisted for the 2015 CWA Short Story Dagger ** A new collection of crime stories from the legendary hard-boiled writer Dashiell Hammett. The author of classic novels The Thin Man and The Maltese Falcon, Hammett has been called 'a master of the detective novel, yes, but also one hell of a writer' ( The Boston Globe), while Raymond Chandler raved that Hammett 'wrote scenes that seemed never to have been written before.' Two previously unseen 'Thin Man' novellas were recently published together as Return of the Thin Man, which garnered strong praise: the New York Journal of Books called it a reason to 'rediscover why Dashiell Hammett was the peerless master of crime fiction in all its dark and bloody glory,' while The Wall Street Journal praised it as 'an occasion for delight.' This new collection, The Hunter and Other Stories, includes several more never-before-published short stories, and, like the screen stories from Return of the Thin Man, the pieces here read as novellas rich in both story and character that no Hammett fan should do without. The Hunter and Other Stories includes new Hammett stories gleaned from his personal archives along with screen treatments long buried in film-industry files, screen stories, unpublished and rarely published fiction, and intriguing unfinished narratives. Hammett is regarded as both a pioneer and master of hard-boiled detective fiction, but these dozen-and-a-half stories, which explore failed romance, courage in the face of conflict, hypocrisy, and crass opportunism, show him in a different light. Featuring the title story, about a dogged PI unwilling to let go of a seemingly trivial case, the collection also includes two full-length screen treatments. ' On the Make' is the basis for the rarely seen 1935 film Mister Dynamite, about a corrupt detective who never misses an opportunity to take advantage of his clients rather than help them. ' The Kiss-Off' is the basis for City Streets (1931), in which Gary Cooper and Sylvia Sydney are caught in a romance complicated by racketeering's obligations and temptations.

A property developer fears that a burgeoning ibis population will prevent the construction of a high rise apartment complex; a bus stop outside a dementia care facility in Düsseldorf suffers its own identity crisis; a young man's new job requires him to pose as a woodcutter and wave at a trainload of tourists; an aging, reclusive archivist becomes locked in a strange battle of wills with a courier; a backpacker in Israel has a bizarre religious experience.In these award winning stories, David Cohen explores the oddities of human behaviour with wit, affection and startling brilliance. 'AN EXCEPTIONAL WRITER ' Newtown Review of Books

Tom Hunter is a London-based photographer of international renown for his engaging, distinctive, and often provocative re-creations of Old Master paintings. In 1998 he won the John Kobal Photographic Portrait Award for A Woman Reading a Possession Order, a beautifully crafted photograph based on a composition by the Dutch master, Johannes Vermeer (1632–1675). Featuring selections of the bold images that established Hunter’s reputation, together with new work, this book conveys the artist’s deep concern with depicting the lives of the residents of Hackney, East London, as captured in the headlines of Hunter’s local newspaper, the Hackney Gazette. These startling, sometimes tragic, stories are retold in carefully staged photographs, whose compositions are frequently derived from paintings in the National Gallery. An essay by best-selling novelist Tracy Chevalier examines Hunter’s story-telling, while Colin Wiggins discusses the relationship between Hunter’s work and paintings in the National Gallery and elsewhere.

The Gist Hunter & Other Stories chronicles nine unique stories set in the Dying Earth-esque planet that expands the universe of Matthew Hughes’s Archonate novels. This series of stories best introduces and plays companion pieces to Black Brillion, Fool Me Twice, and Fools Errant. The tales of Henghis Hapthorn, Old Earth’s “foremost freelance discriminator,” combines the best of mystery and science fantasy while recalling the excellence of Gene Wolfe’s arch irony and the witty mannerisms of Jack Vance. Though fantastical, something is true-to-life in Hapthorn’s amusing and bewildered set of conversations and circumstances. It’s a futuristic pull with just the right quirk. The stories of lowly student Guth Bandar and his slightly off-beat and unconventional studies slowly reveal the complexities and wonder of the amazing noösphere. As Banter roams through life and studies, the incredibly vital noösphere acts as the Archonate’s collective unconsciousness. Bandar’s rise from his student status to veteran noönaut will have him quickly realize that a little learning is dangerous learning when spread too thin. The Gist Hunter & Other Stories is a perfect introduction to the great work by Matthew Hughes, and one that admirers of science fiction and fantasy will respect and enjoy. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

A woman defies expectations—including those of an arrogant earl—in the first regency romance in New York Times bestselling author Madeline Hunter's Fairbourne Quartet. Despite the limits of her sex, Emma Fairbourne intends to run her late father's prestigious London auction house. Of course, she's not addlepated enough to do it openly and scare away her wealthy collectors. Instead, she and her friend concoct a deception, hiring a handsome and charming front man who will do her bidding... All would have proceeded smoothly—if it weren’t for the maddening interference of Darius, the arrogant Earl of Southwaite, who was her father’s “silent partner”. Darius has no interest in running an auction house—and he's certainly not interested in allowing the lovely Miss Fairbourne to run it either, her ludicrous scheme notwithstanding. But headstrong Emma is like no other lady he has ever encountered, refusing to follow his dictates. Holding his temper in check, Darius decides to attack on a different front. There is another way to achieve her surrender, one far more pleasurable for both of them...

Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .