The Ideal Realized

How to Move Mountains The extraordinary mystic Neville Goddard (1905-1972) is one of today's most influential metaphysical voices—and spiritual writer Mitch Horowitz is widely acknowledged as the leading interpreter of the teacher's ideas and life story. Now, in an unparalleled effort, Mitch combs through Neville's extensive body of work to distill the master's most practical and effective methods and techniques for operating the creative powers of your mind. The Ideal Realized helps you vault past difficulties in using Neville’s work, particularly in the all-important area of entering the “feeling state” of your wish fulfilled. Mitch selects and highlights key passages that supply hands-on methods from Neville himself. This collection also includes key passages on dream interpretation, analysis of numbers and symbols, the use of objects for meditation, and the uses and misuses of speech. Mitch’s introduction, “The Triumph of Imagination,” identifies and addresses some of the challenges you might experience on the creative-mind path; supplies fresh techniques; and suggests works to read hand-in-hand with Neville. Mitch’s afterword, “Chariot of Fire,” which is the first-ever transcript of his earliest talk on Neville, provides the full background of the ideas and history from which Neville emerged. This anthology also features the first print version of one of Neville’s final lectures, “Even the Wicked,” delivered shortly before the teacher’s death in 1972; the complete text of his classic Prayer: The Art of Believing from 1945; and many valuable and overlooked works, including radio, record, and television lectures. The collection is capped with a timeline of Neville’s life and a selection of his most powerful aphorisms. The Ideal Realized is a wholly original volume that spans Neville’s career and helps you to speed past bumps and deepen your practical understanding of the master’s ideas.

Modern critics and contemporary readers familiar with the field of Whitman criticism may find surprising an analysis of the structure of Leaves of Grass that concerns itself with Whitman as the poet-prophet and the identification of Whitman (or of his persona in the poem) with Christ. Early twentieth-century criticism has tended to exalt the early Whitman at the expense of the later one and to regard as poetically inferior the image of the national and democratically prophetic Whitman as expressed in the later editions. Thomas Edward Crawley, in full knowledge of the contemporary currents of Whitman criticism, chooses to revert to this older view, through which he sheds new light on Whitman’s artistic achievement. The basic premise of this study is that Walt Whitman’s Leaves of Grass is a unified work, lyrical, yet epic in quality, design, and spirit. Crawley’s purpose is to demonstrate the basis of this unity: its origin and operation and the nature of its realization. He demonstrates that an aesthetically maturing Whitman, in this work, was finally able to harmoniously bring together his individual and social subject matter. Crawley defines the unifying spirit of Leaves of Grass in terms of Whitman’s concept of the poet-prophet and the poet-reader relationship. This concept is conveyed primarily through the development of the Christ- symbol, the dominant image in the poem. Through a careful analysis of Whitman’s handling of the simultaneous development of the poet-prophet and the nation, his masterful fusion of the personal element and the national element, an understanding of the complex structure of Leaves of Grass emerges. Crawley presents an analysis of Whitman’s final and carefully arrived at grouping of the lyrics in the 1881 edition according to a definite, distinguishable pattern—a pattern revealed in Whitman’s use of allusions, in his transitional poems and passages, and, most important, in his thematic handling of imagery. The cumulative effect of these devices is emphasized. The organic development of Leaves of Grass, made possible by Whitman’s faith in and careful adherence to his concept of the organic theory of art, is substantiated. Crawley concludes his analysis with a detailed examination of the growth of Leaves of Grass as reflected in the various editions leading up to the 1881 volume, the last to be revised and published by Whitman.

The Power of Awareness by Neville Goddard is a transformative exploration of the creative power of consciousness and the role of awareness in shaping one's reality. Originally presented as lectures in the mid-20th century, this classic work delves into the profound understanding that individuals can consciously use their awareness to manifest desired outcomes in their lives.