The Illustrated Book Of Science Fiction Ideas Dreams

Some might think that the 27 thousand tons of material launched by earthlings into outer space is nothing more than floating piles of debris. However, when looking at these artifacts through the eyes of historians and anthropologists, instead of celestial pollution, they are seen as links to human history and heritage. Space: The New Frontier for Archeologists Handbook of Space Engineering, Archaeology and Heritage, published this month by CRC Press Taylor and Francis Group, brings together 43 anthropologists, historians, physicists, and engineers, a scientific team as culturally diverse as the crew of any science fiction cruiser. They offer a range of novel historical and technological perspectives on humankind’s experience in space. This ambitious work presents an informative, thought-provoking, and educational text that discusses the evolution of space engineering, spacecraft reliability and forensics, field techniques, and mission planning, as well as space programs for the future. The book is edited by a pair of scientists from different sides of the campus: Ann Garrison Darrin, aerospace engineer and NASA veteran and Beth Laura O’Leary, anthropologist and member of the World Archaeological Congress Space Heritage Task Force. The handbook delves into the evolution of space archaeology and heritage, including the emerging fields of Archaeoastronomy, Ethnoastronomy, and Cultural Astronomy. It also covers space basics and the history of the space age from Sputnik to modern day satellites. It discusses the cultural landscape of space, including orbital artifacts in space, as well as objects left on planetary surfaces and includes a look at the culture of Apollo as a catalog of manned exploration of the moon. It also considers the application of forensic investigation to the solving of cold case mysteries including failed Mars mission landing sites and lost spacecraft, and even investigates the archaeology of the putative Roswell UFO crash site and appraises material culture in science fiction.

The period between World War I and World War II was one of intense change. Everything was modernizing, including our technology for making war—witness machine guns, trench warfare, biological agents, and ultimately The Final Solution. This modernization and eye toward the future was reflected in many facets of pop culture, including fashion, home-wear design, and the popular literature of the time. In sci-fi, a specific genre emerged—that of the ‘future war.’ Fred Krome has collected many of these future war stories together for the first time in Fighting the Future War. Bolstered by a comprehensive introduction, and introduced with historical information about both the authors of the stories and the historical time period, these stories provide a view into the field of pulp science fiction writing, the issues that informed the time period between the world wars, and the way people envisioned the wars of tomorrow. Revealing anxieties about society, technology, race and politics, the genre of the future war story is important material for students of history and literature.

The entire planet was an awesome time-bomb set to explode at the slightest provocation. Worsel's first mistake was merely lethal. His next promised to be positively catastrophic! Book jacket.

Fifteen authors from thirteen different disciplines discuss their varied approaches to teaching.

The strangest of all Second Stage Lensmen is Nadreck, the multidimensional extraterrestrial guardian of Palain VII. When the spawn of Boskonia threaten an inter-planetary Armageddon, only Nadreck's Z-powers can save the Lensmen and civilization from a deadly mind attack from another plane of existence! Book jacket.

An assassin's attack has nearly killed Second Stage Lensman Tregonsee, the brilliant telepathic intelligence chief of the Galactic Patrol. Their forces in disarray, the Rigellian Tregonsee and a rookie Tellurian Patrolman named D.D. Cloudd plan a desperate shell game to avoid intergalactic devastation! Book jacket.

When United Airlines workers reported a UFO at O'Hare Airport in November 2006, it was met with the typical denials and hush-up that usually accompany such sightings. But when a related story broke the record for hits at the Chicago Tribune's website, it was clear that such unexplained objects continued to occupy the minds of fascinated readers. Why, wonders Thomas Bullard, don't such persistent sightings command more urgent attention from scientists, scholars, and mainstream journalists? The answer, in part, lies in Bullard's wide-ranging magisterial survey of the mysterious, frustrating, and ever-evolving phenomenon that refuses to go away and our collective efforts to understand it. In his trailblazing book, Bullard views those efforts through the lens of mythmaking, discovering what UFO accounts tell us about ourselves, our beliefs, and the possibility of visitors from beyond. Bullard shows how ongoing grassroots interest in UFOs stems both from actual personal experiences and from a cultural mythology that defines such encounters as somehow "alien"-and how it views relentless official denial as a part of conspiracy to hide the truth. He also describes how UFOs have catalyzed the evolution of a new but highly fractured belief system that borrows heavily from the human past and mythic themes and which UFO witnesses and researchers use to make sense of such phenomena and our place in the cosmos. Bullard's book takes in the whole spectrum of speculations on alien visitations and abductions, magically advanced technologies, governmental conspiracies, varieties of religious salvation, apocalyptic fears, and other paranormal experiences. Along the way, Bullard investigates how UFOs have inspired books, movies, and television series; blurred the boundaries between science, science fiction, and religion; and crowded the Internet with websites and discussion groups. From the patches of this crazy quilt, he posits evidence that a genuine phenomenon seems to exist outside the myth. Enormously erudite and endlessly engaging, Bullard's study is a sky watcher's guide to the studies, stories, and debates that this elusive subject has inspired. It shows that, despite all the competing interests and errors clouding the subject, there is substance beneath the clutter, a genuinely mysterious phenomenon that deserves attention as more than a myth.