The Imaginary Garden

In this wondrous picture book bursting with mixed-media art, an imaginary garden is the center of a special relationship between a girl and her grandfather.

An imaginary garden is the center of a special relationship between a girl and her grandfather.

Includes a selection of poems by American poets and works of art by a variety of artists. A collection of well-known poems, from Ogden Nash to Walt Whitman, with accompanying illustrations that also represent a wide range of artists and styles. A number of garden poems are matched with beautiful color reproductions of famous paintings. Includes a selection of poems by American poets and works of art by a variety of artists.

Perfect for Neil Gaiman and Roald Dahl fans, this fully illustrated journey into the secret world of imaginary friends is quirky, dark, and utterly irresistible. Rudger is Amanda Shuffleup's imaginary friend. Nobody else can see Rudger--until the evil Mr. Bunting arrives at Amanda's door. Mr. Bunting hunts imaginaries. Rumor has it that he even eats them. And now he's found Rudger. Soon Rudger is alone, and running for his imaginary life. He needs to find Amanda before Mr. Bunting catches him--and before Amanda forgets him and he fades away to nothing. But how can an unreal boy stand alone in the real world? In the vein of Coraline, this gripping take on imaginary friends comes to life in a lush package: beautiful illustrations (10 in full color) by acclaimed artist Emily Gravett, a foiled and debossed case cover, printed endpapers, and deckled page edges. Winner of the UKLA Book Award (7-11 category) (2016) British Book Design and Production Award (children's category and overall winner) (2015)

When Uno arrives in the forest one beautiful day, there are many fascinating and extraordinary animals there to greet him. And one entirely unexceptional Snortlepig. Uno loves the forest so much, he decides to live there. But, in time, a little village grows up around his house. Then a town, then a city . . . and soon Uno realises that the animals and plants have begun to disappear . . . From the creator of the international bestsellers Animalia, The Waterhole and Jungle Drums, here is an illuminating blend of storybook, puzzle book and numbers book - a moving and timely tale about how we all unknowingly affect the environment around us, just by being there, and how we can always learn from our mistakes and find ways of doing things better. Join Graeme Base in this beautifully illustrated, funny and moving story about environment, ecology, and human's ability to affect the world around them - for better and for worse - and learn basic maths concepts along the way, as Uno learns that it's all a question of balance.

The girl in this book grows chocolate rabbits, tomatoes as big as beach balls, flowers that change color, and seashells in her garden. How does your garden grow?

In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.

Humans have long turned to gardens - both real and imaginary - for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh's garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens. With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur'an; Plato's Academy and Epicurus's Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt - all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power. Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison's earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility - and its enduring importance to humanity.