The Impressionist Murders

A murderer in Houston is arranging his crime scenes to resemble Impressionist paintings, and Detective Ross Clayton has to stop him before this vicious serial killer hits close to home.Suddenly without warning, the killer was on him, turning him over. For the first time he could see the killer's face. His body was covered in Youssef's blood, but what was the man wearing? It looked like a jumpsuit of some sort made of clear plastic. The killer grabbed him by the lapels of his jacket lifting his torso off the concrete. Just as his head involuntarily arched backward from its own weight, the killer swung the curved blade weapon his throat just as he had Youssef's?.He could feel the killer removing the duct tape from his ankles and wrists, and for a fraction of a second he wanted to command his brain to react, to kick, or to attack his killer with his freed hands. He could do neither. The last clear thought that his mind registered was a lament that he hadn't listened to his mother. He closed his eyes and quietly died.When the fireworks display was over, a bank of lights on the north side of Minute Maid Park came on, lighting the walkways and the concrete sidewalks along the Crawford Street. It would take another eight minutes for the crowd to spill out of the stadium and into the surrounding streets and find the slain bodies of Youssef and Omar Abuo.

Two Arab men are found murdered near downtown Houston, Texas, and detectives Ross Clayton and Leona Stillwell are sent to investigate. These arent ordinary murders, howeverthe bodies are arranged to mirror a famous Impressionist painting, and the exactitude of the killing gives Clayton cause to be concerned. He suspects this killer isnt finished. His suspicions turn out to be correct as more men end up dead and similarly arranged. Every victim is of Arab descent, and its hard to deny the killer must have both some kind of racial vendetta and a love for Impressionist art. Clayton and his partner have no choice but to seek out an expertLund Corbel from the Houston Fine Arts Museum. He sets them on the right path, but their path gets crowded as the serial killer continues the spree. Clayton has solved plenty of strange crimes before, but hes beginning to feel out of his depth, especially following the death of a fellow cop in pursuit of another investigation involving drugs, prostitution, and murder. Soon, two investigations collide, and the end wont be as pretty as a painting.

This carefully crafted ebook: "S.S. VAN DINE Premium Collection: Thriller Classics, Murder Mysteries, Detective Tales & More (Illustrated)" is formatted for your eReader with a functional and detailed table of contents: The Philo Vance Series The Benson Murder Case The Canary Murder Case The Greene Murder Case The Bishop Murder Case The Scarab Murder Case The Kennel Murder Case The Dragon Murder Case The Casino Murder Case The Garden Murder Case The Kidnap Murder Case The Gracie Allen Murder Case The Winter Murder Case Other Works Modern Painting: Its Tendency and Meaning Misinforming a Nation Twenty Rules for Writing Detective Stories S. S. Van Dine is the pseudonym used by American art critic Willard Huntington Wright when he wrote detective novels. He was an important figure in avant-garde cultural circles in pre-WWI New York, and under the pseudonym he created the immensely popular fictional detective Philo Vance. Wright was, however, most respected in intellectual circles for his writing about art, best known of which is the book Modern Painting: Its Tendency and Meaning.

This carefully crafted ebook: "S.S. VAN DINE Premium Collection: Thriller Classics, Murder Mysteries, Detective Tales & More (Illustrated)" is formatted for your eReader with a functional and detailed table of contents: The Philo Vance Series The Benson Murder Case The Canary Murder Case The Greene Murder Case The Bishop Murder Case The Scarab Murder Case The Kennel Murder Case The Dragon Murder Case The Casino Murder Case The Garden Murder Case The Kidnap Murder Case The Gracie Allen Murder Case The Winter Murder Case Other Works Modern Painting: Its Tendency and Meaning Misinforming a Nation Twenty Rules for Writing Detective Stories S. S. Van Dine is the pseudonym used by American art critic Willard Huntington Wright when he wrote detective novels. He was an important figure in avant-garde cultural circles in pre-WWI New York, and under the pseudonym he created the immensely popular fictional detective Philo Vance. Wright was, however, most respected in intellectual circles for his writing about art, best known of which is the book Modern Painting: Its Tendency and Meaning.

The last thing Jason West, an ambitious young FBI special agent with the Art Crime Team, wants—or needs—is his uncertain and unacknowledged romantic relationship with irascible legendary Behavioral Analysis Unit Chief Sam Kennedy. And it’s starting to feel like Sam is not thrilled with the idea either. But personal feelings must be put aside when Sam requests Jason’s help to catch a deranged killer targeting wealthy, upscale art collectors. A killer whose calling card is a series of grotesque paintings depicting the murders.

Roland Evans-Jones thought by lending an 1889 work by a minor American Impressionist to an upcoming art exhibition, the value of his painting might increase by a few thousand dollars. But when pages from the artist's journal are found wedged in the frame - and they tell of a double murder committed by one of the dominant painters of that era - Roland knows he has something sensational on his hands.Using clues provided by the painting and the journal, Detective John Flynn, now-former garden club president Liz Phillips, and Roland set out to see if there are, indeed, two bodies buried behind a modest house in the Boston suburb of Hardington.What they find is something no one could have expected, and thus begins twin tales: one of the lengths to which the descendants of an artist will go to protect a legacy; and another of illicit riches being made today through robocalls and phone scams.The attraction between Liz and Flynn is more evident than ever as events in their lives sweep them toward an unknown future.Murder Brushed with Gold is the sixth entry in a series that includes A Murder in the Garden Club and A Murder at the Flower Show.

"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance

A grim portrait of murder in Victorian London.1897, London. The capital is shocked to learn that the body of a woman has been found at the National Gallery, eviscerated in a manner that recalls all too strongly the exploits of the infamous Jack the Ripper.Daniel Wilson and Abigail Fenton are contacted by a curator of the National Gallery for their assistance. The dead woman, an artist's model and lady of the night, had links to artist Walter Sickert who was a suspect during the Ripper's spree of killings. Scotland Yard have arrested Sickert on suspicion of this fresh murder but it is not the last.Copycat murders of the Ripper's crimes implicate the artist who loves to shock but Sickert insists that he is innocent. Who would want to frame him? Wilson and Fenton have their work cut out catching an elusive and determined killer.