The Inconceivable Life Of Quinn

A compelling YA story with a magical realism twist about a girl whose pregnancy shocks everyone . . . most of all her Quinn Cutler is sixteen, the daughter of a candidate for congress in Brooklyn, and a student at a private school in Park Slope. She’s also pregnant, a situation made infinitely more shocking by the fact that she has no memory of actually having sex. Scared and confused, Quinn struggles to piece together what might have happened: An unlikely accident while she and her boyfriend were fooling around? A rape that she’s repressing from trauma? Before she’s had any revelations, the situation becomes public, putting her most intimate life up for scrutiny and ridicule, and jeopardizing her father’s political career. Religious fanatics begin gathering at the Cutlers’ house, believing she’s pregnant with the next Messiah. As things spiral out of control through a frenzy of brutal online gossip and rumor, the clues that Quinn uncovers reveal more about her childhood and her family than about the pregnancy itself. She starts to realize that much of her life is built on secrets and lies—strange, possibly supernatural ones that her father is desperate to keep concealed. And uncovering the mysterious secrets is the only way she’ll learn the truth about her pregnancy, and the only way she’ll discover why, despite all evidence and logic, a deep down part of her believes the truth isn’t an ugly one. Might she, in fact, be a virgin?

A teenage girl begins secretly forging paintings, plunging her into a dark and dangerous imaginary world Indigo and her mother, once-famous artist Zoe Serra, have barely been scraping by since her mom's breakdown. When a gallery offers Zoe a revival show for her unfinished blockbuster series, Wolfwood, Indigo knows it's a crucial chance to finally regain stability. Zoe, however, mysteriously refuses. Desperate not to lose the opportunity, Indigo secretly takes up the brush herself. It turns out, there might be a very good reason her mother wants nothing to do with Wolfwood. Painting submerges Indigo into Wolfwood itself—a dangerous jungle where an army of grotesque, monstrous flora are in a violent battle with a band of girls. As Indigo enters Wolfwood again and again, the line between fantasy and reality blurs. It's a tenuous balancing act: keeping her forgery secret and her mind lucid, all while fighting her attraction to Kai, the son of the gallery owner. And by the time Indigo realizes the true nature of the monsters she's up against, it might be too late—and the monsters might just win.

Alexandra Collier was a writer living in a light-filled Brooklyn brownstone in New York with the man she loved. But when she woke up to a ravenous hunger to have a baby that her partner didn't share, she had to make a choice between love or a future family. She chose family, which catapulted her life back to Melbourne where, at 37, she found herself single, heartbroken and living with her parents. Ally began dating with dedication with sometimes hilarious and often soul-crushing results. But like many single women approaching 40, she found that her reproductive timeline was rapidly outpacing her romantic life. So she began to explore another controversial option: conceiving a baby with donor sperm. From defying her family's expectations to searching for sperm and navigating pregnancy alone, Ally deftly takes us through the ecstatic, complicated and demanding path to becoming a solo mother by choice. 'An inspiring and necessary book that challenges the narratives we set for our lives and reveals the beauty beyond them' CLEMENTINE FORD 'Powerful, singular story I rejoiced in reading. Finally, here is a story about a woman who has created her own happily ever after, without submitting to traditional forms of family-building. Collier writes movingly of the judgement single women face in society. Necessary, immersive read.' JESSIE TU

If you could return to the road not taken...would you? Quinn Braverman has a perfect life, with a loving husband, an adorable son, and another baby on the way. Quinn also has an ominous secret: she knows that another version of her life exists...one in which she made totally different life choices. But she's never been tempted to switch lives-until a shocking turn of events pushes her to cross over, and she discovers the one person she thought she'd lost forever: Her mother. But Quinn can't have both lives. Soon, she must decide which she really wants-the one she has...or the other life...

I'll Sing My Songs Again is the biography of Ronnie Besaw Fuller, who grew up in a tiny, poor American Indian community in Northeastern Wisconsin. He was sick for much of his youth, and the only real interest he had was playing the guitar and singing. Realizing the extraordinary talent that Ronnie had, his father took him to talent contests around the area. In 1953, at the age of seven, he performed on television, and that was before they even had one for their home. Ronnie performed with many bands around the Midwest and in 1969, while in Las Vegas, an important person heard two of his recordings. Ronnie signed a seven-year contract to perform on-stage as a musician. In 1976, Ronnie was diagnosed with Ankylasing Spondylitis. He returned to Wisconsin to deal with it. Doctors told him that he had about five years to live. He began treatment at a nearby clinic. For nearly ten years he was given an enormous amount of medications. The last several years the pill count got up to 80 pills per day. Then, after he crashed, they took him off of the medications without a detox program. In 1992, he filed a 50 million-dollar lawsuit for medical malpractice. The way the court case was handled is unprecedented and unbelievable for a court case that was handled in the United States of America. What happened to Ronnie Besaw Fuller should never happen to anyone else in this country During his 27 years of disability, Ronnie Fuller has recorded 35 songs and has written another 124 songs that are still to be recorded. His latest CD, "Message From America" is getting a lot of attention. Many people in the business believe Ronnie is one of the best songwriters of his time.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Leena Thomas’s senior year at boarding school starts with a cruel shock: Frost House, the cozy Victorian dorm where she and her best friends chose to live, has been assigned an unexpected roommate—confrontational, eccentric Celeste Lazar. What Celeste lacks in social grace, however, her brother, David, a recent transfer student, makes up for in good looks and charm. But while he and Leena hit it off immediately, Leena finds herself struggling to balance her growing attraction with her fear of getting hurt. As classes get under way, strange happenings begin to bedevil Frost House—frames mys-teriously falling off walls, doors locking by themselves, furniture toppling over. Celeste blames the housemates, convinced they want to scare her into leaving. And while Leena tries to play peacekeeper between her best friends and new roommate, soon the mysterious happenings in the dorm, an intense triangle between Leena, Celeste, and David, and the reawakening of childhood fears all push Leena to take increasingly desperate measures to feel safe. But does the threat lie with her new roommate, within Leena’s own mind . . . or in Frost House itself? Frost is a stunning and surprising tale of suspense from debut author Marianna Baer.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry