The Iraqi Nights

A stunning new collection by one of Iraq’s brightest poetic voices The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

Through the personification of Scheherazade from "One Thousand and One Nights", the author collects poems to confront death through grief and love while gathering the strength to move on.

Shant Kenderian's visit to Baghdad in 1980, at age seventeen, was supposed to be a short one -- just enough time to make peace with his estranged father before returning to his home in the United States. But then Saddam Hussein invaded Iran and sealed off Iraq's borders to every man of military age -- including Shant. Suddenly forced onto the front lines, his two-week visit turned into a nightmare that lasted for ten years. 1001 Nights in Iraq presents a human story that provides unique insight into a country and culture that we only get a hint of in the headlines. After surviving the horrors of the Iran-Iraq War, Shant was then forced to fight on the front lines of Desert Storm without being given the proper equipment, including a gun, but miraculously survived to be captured by the Americans and become a POW. He underwent starvation, heavy interrogations, and solitary confinement, but what broke him in the end was his love affair with a female American soldier. Yet throughout this whole ordeal, Shant never lost his respect for people, his faith in God, or his sense of humor.

The true story of a beekeeper who risks his life to rescue enslaved women from Daesh Since 2014, Daesh (ISIS) has been brutalizing the Yazidi people of northern Iraq: sowing destruction, killing those who won’t convert to Islam, and enslaving young girls and women. The Beekeeper, by the acclaimed poet and journalist Dunya Mikhail, tells the harrowing stories of several women who managed to escape the clutches of Daesh. Mikhail extensively interviews these women—who’ve lost their families and loved ones, who’ve been sexually abused, psychologically tortured, and forced to manufacture chemical weapons—and as their tales unfold, an unlikely hero emerges: a beekeeper, who uses his knowledge of the local terrain, along with a wide network of transporters, helpers, and former cigarette smugglers, to bring these women, one by one, through the war-torn landscapes of Iraq, Syria, and Turkey, back into safety. In the face of inhuman suffering, this powerful work of nonfiction offers a counterpoint to Daesh’s genocidal extremism: hope, as ordinary people risk their own lives to save those of others.

A brilliant poetic exploration of language and gender, place, and time, seen through the mirror of exile In Her Feminine Sign follows on the heels of Dunya Mikhail's devastating account of Daesh kidnappings and killings of Yazidi women in Iraq, The Beekeeper. It is the first book she has written in both Arabic and English, a process she talks about in her preface, saying "The poet is at home in both texts, yet she remains a stranger." With a subtle simplicity and disquieting humor reminiscent of Wislawa Szymborska and an unadorned lyricism wholly her own, Mikhail shifts between her childhood in Baghdad and her present life in Detroit, between Ground Zero and a mass grave, between a game of chess and a flamingo. At the heart of the book is the symbol of the tied circle, the Arabic suffix taa-marbuta—a circle with two dots above it that determines a feminine word, or sign. This tied circle transforms into the moon, a stone that binds friendship, birdsong over ruins, three kidnapped women, and a hymn to Nisaba, the goddess of writing. A section of "Iraqi haiku" unfolds like Sumerian symbols carved onto clay tablets, transmuted into the stuff of our ordinary, daily life. In another poem, Mikhail defines the Sumerian word for freedom, Ama-ar-gi, as "what seeps out / from the dead into our dreams."

Nights in the Pink Motel is the first historical account of the strategic process that sought to reverse the negative consequences of the U.S.-led occupation of Iraq. It offers details and insights into the Iraqi insurgency and Coalition counterinsurgency available nowhere else. This book is a sustained, comprehensive account of all the conflicting factors that have made Iraq such an intractable international crisis and offers an intriguing narrative of how the American-led Coalition returned sovereignty to Iraq in June 2004, while defending Iraq’s fledgling interim government against a rising insurgency and terrorism and helping ensure the success of Iraq’s first national election in January 2005. The author, Robert Earle—recruited by the first U.S. ambassador to Iraq, John Negroponte, to serve as Negroponte’s strategist—documents the Coalition’s uncertainty about the nature of the insurgent/terrorist enemies, whose aim is to defeat democratization in Iraq. Earle’s story explores the impediments frustrating the massive, $18 billion U.S. reconstruction effort and recounts the formulation of a comprehensive counterinsurgency strategy issued by Negroponte and Multinational Force-Iraq Commanding General George Casey. The title of the book is derived from the name given to the author's dingy offices a former palace of Saddam Hussein in the Green Zone of Badgad where he wrestled with developing a startegy for peace. Upon drafting the strategy, Earle learns he must be evacuated from Iraq because of massive deep vein thrombosis in his left thigh.This narrative twist takes him from the company of senior diplomats, generals, and Iraqi politicians and places him in the medical pipeline of wounded soldiers. Upon arriving home, Earle thinks his nightmare assignment in Iraq is over, but Negroponte requests that he return to Baghdad to write a long message to the President, explaining that U.S. policy is failing and offering an alternative approach. Casey, meanwhile, also wants Earle to assess the evolution of Iraqi politics and possible outcomes of the risky January 2005 election.Returning to Iraq over the strenuous objections of State Department doctors, Earle occupies the dingy environs he calls the “Pink Motel” and completes his assignments, digging deeper into the realities of the international effort to end the violence and build the peace. Nights in the Pink Motel is a graphic, first-person account of the political, military, and human efforts to dispel the fog of 21st century warfare.The book is an essential contribution to understanding how all elements of national power must be combined to defeat insurgency and terror.

A collection of dazzling new, contemporary from Iraq, edited by award-winning Iraqi-American poet Dunya Mikhail

Poems by an exiled Iraqi poet, many about war.