The Isle Of Pines 1668 And An Essay In Bibliography By Worthington Chauncey Ford

The Isle Of Pines (1668) and An Essay in Bibliography by Worthington Chauncey Ford by Worthington Chauncey Ford THE ISLE OF PINES The scene opens in Cambridge, Massachusetts, in the year 1668, where in one of the college buildings a contest between two rival printers had been waged for some years. Marmaduke Johnson, a trained and experienced printer, to whose ability the Indian Bible is largely due, had ceased to be the printer of the corporation, or Society for the Propagation of the Gospel in New England, but still had a press and, what was better, a fresh outfit of type, sent over by the corporation and entrusted to the keeping of John Eliot, the Apostle. Samuel Green had become a printer, though without previous training, and was at this time printer to the college, a position of vantage against a rival, because it must have carried with it countenance from the authorities in Boston, and public printing then as now constituted an item to a press of some income and some perquisites. By seeking to marry Green's daughter before his English wife had ceased to be, Johnson had created a prejudice, public as well as private, against himself.{1} 1 Mass. Hist Soc. Proceedings, xx. 265. Each wished to set up a press in Boston itself, but the General Court, probably for police reasons, had ordered that there should be no printing but at Cambridge, and that what was printed there should be approved by any two of four gentlemen appointed by the Court. It thus appeared that each printer possessed a certain superiority over his rival. In the matter of types Johnson was favored, as he had new types and was a trained printer; but these advantages were partially neutralized by indolence and by Green's better standing before the magistrates.{1} In England the excesses of the printing-press during the civil war and commonwealth led to a somewhat strict though erratically applied censorship under the restoration. A publication must be licensed, and the Company of Stationers still sought, for reasons of profit, to control printers by regulating their production. The licensing agent in chief was a character of picturesque uncertainty and spasmodic action, Roger L'Estrange, half fanatic, half politician, half hack writer, in fact half in many respects and whole only in the resulting contradictions of purpose and performance. On one point he was strong-a desire to suppress unlicensed printing. So when in 1668 warrant was given to him to make search for unauthorized printing, he entered into the hunt with the zeal of a Loyola and the wishes of a Torquemada, harrying and rushing his prey and breathing threats of extreme rigor of fine, prison, pillory, and stake against the unfortunates who had neglected, in most cases because of the cost, to obtain the stamp of the licenser.{2} We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

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