The Italian City Republics

Daniel Waley and Trevor Dean illustrate how, from the eleventh century onwards, many dozens of Italian towns achieved independence as political entities, unhindered by any centralising power. Until the fourteenth century, when the regimes of individual ‘tyrants’ took over in most towns, these communes were the scene of a precocious, and very well-documented, experiment in republican self-government. Focusing on the typical medium-sized towns rather than the better-known cities, the authors draw on a rich variety of contemporary material (both documentary and literary) to portray the world of the communes, illustrating the patriotism and public spirit as well as the equally characteristic factional strife which was to tear them apart. Discussion of the artistic and social lives of the inhabitants shows how these towns were the seed-bed of the cultural achievements of the early Renaissance. In this fourth edition, Trevor Dean has expanded the book’s treatment of religion, women, housing, architecture and art, to take account of recent trends in the abundant historiography of these topics. A new selection of illuminating images has been included, and the bibliography brought up to date. Both students and the general reader interested in Italian history, literature and art will find this accessible book a rewarding and fascinating read.

Now in its fifth edition, The Italian City Republics illustrates how, from the eleventh century onwards, many Italian towns achieved independence as political entities, unhindered by any centralising power. Until the fourteenth century, when the regimes of individual ‘tyrants’ took over in most towns, these communes were the scene of a precocious, and very well-documented, experiment in republican self-government. In this new edition, Trevor Dean has expanded the book’s treatment of women and gender, the early history of the communes and the lives of non-élites. Focusing on the typical medium-sized towns rather than the better-known cities, the authors draw on a rich variety of contemporary material, both documentary and literary, to portray the world of the communes, illustrating the patriotism and public spirit as well as the equally characteristic factional strife which was to tear them apart. Discussion of the artistic and social lives of the inhabitants shows how these towns were the seedbed of the cultural achievements of the early Renaissance. The Bibliography has been updated to a list of Further Reading with the latest scholarship for students to continue their studies. Both students and the general reader interested in Italian history, literature and art will find this accessible book a rewarding and fascinating read.

Jean Charles Leonard de Sismondi (1773-1842), whose real name was Simonde, was a writer born at Geneva. He is best known for his works on French and Italian history, and his economic ideas.

Daniel Waley and Trevor Dean illustrate how, from the eleventh century onwards, many dozens of Italian towns achieved independence as political entities, unhindered by any centralising power. Until the fourteenth century, when the regimes of individual ‘tyrants’ took over in most towns, these communes were the scene of a precocious, and very well-documented, experiment in republican self-government. Focusing on the typical medium-sized towns rather than the better-known cities, the authors draw on a rich variety of contemporary material (both documentary and literary) to portray the world of the communes, illustrating the patriotism and public spirit as well as the equally characteristic factional strife which was to tear them apart. Discussion of the artistic and social lives of the inhabitants shows how these towns were the seed-bed of the cultural achievements of the early Renaissance. In this fourth edition, Trevor Dean has expanded the book’s treatment of religion, women, housing, architecture and art, to take account of recent trends in the abundant historiography of these topics. A new selection of illuminating images has been included, and the bibliography brought up to date. Both students and the general reader interested in Italian history, literature and art will find this accessible book a rewarding and fascinating read.

Italy in the Middle Ages was unique among the countries of Europe in recreating, in a changed environment, the urban civilization of antiquity - the society, culture, and political formations of city-states. This book examines the origins and nature of this phenomenon from the fall of Rome to the eve of its consummation, the Italian Renaissance. The explanation is sought in Italy's singular `double existence' between two contrasted worlds - ancient and medieval. The ancient was characterised by the total predominance of the landed aristocracy in economy and society, enforced through a peculiar system of city states embracing town and country. The new medieval influences were marked by the separation of town, country and aristocracy, by the identification of towns with trade and a mercantile bourgeoisie, and by commercial and proto-industrial revolution. Italy shared in both worlds. It remained a land of cities and of an urbanized ruling class (except in the Norman South) and re-established territorial city states; but the staes were very different from those of antiquity, the city leaders in the commercial revolution, and Italy itself seen as a nation of shopkeepers, birthplace of capitalism. In this fascinating and ground-breaking study, Philip Jones traces in detail the tension and interaction between the two traditions, civic and patrician, mercantile and bourgeois, through all phases of Italian life to their culmination in two rival regimes of communes and despots.