The Jazz Rhythm Section

The Jazz Rhythm Section is a detailed overview of an important part of the ensemble.

Fix any rhythm section for less than $80! Perfect for instrumental jazz ensembles, small group combos, vocal jazz ensembles, and praise and worship bands!

Written by a jazz teacher for jazz teachers, "The Real Jazz Pedagogy Book" is based on the premise that successful jazz teachers must be constantly working four main areas: 1) the wind instruments-including tone production, intonation, and section playing skills; 2) playing styles correctly-such as rhythmic and time feel approach, articulation approach, and phrasing; 3) the rhythm section-playing the instruments, time feel and concept, coordination of comping, harmonic voicings, drum fills and setups, stylistic differences; and 4) the soloists-developing improvisational skills (both right brain and left brain), jazz theory, the ballad soloist, and the vocal soloist. Ray Smith, who has taught and directed jazz ensembles, including the acclaimed Brigham Young University group, Synthesis, and given private lessons for over forty years, also discusses the details of running school programs. Smith's YouTube channel complements "The Real Jazz Pedagogy Book."

"There are two groups of standards that help form the basic repertory used in jazz improvisation. The first group was created by jazz musicians directly from improvisation, experimentation and the analysis of musical forms, ideas and practices that were developed through study and the natural gifts of some of the greatest musicians of the twentieth century. This group codified jazz into chronological styles and provides concrete examples of its styles and concepts. The second group of standards is comprised of compositions written as popular songs during the first half of the twentieth century ... Every improviser is a composer who makes up melodies spontaneously. The model choruses give examples that can be studied, learned, broken into independent phrases and used to create other melodies that reflect more clearly what the improviser wants to say musically ..."--Preface

DVD provides over three hours of audio and video demonstrations of rehearsal techniques and teaching methods for jazz improvisation, improving the rhythm section, and Latin jazz styles.

An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.

If you play the drums, percussion, bass, guitar, or keyboard, and are interested in Brazilian rhythms, this book is for you! You will learn how to translate the main percussion rhythms which are typical for Brazilian music styles, into your instrument. You will also learn how to interact with fellow musicians, avoiding unnecessary repetition and adding transparency to the rhythm section. The book contains brief explanations of jargons, history, and styles, and also provides useful information on what to hear, what to read, and how to find sheet music, among other useful tips.