The Juvenile Instructor

Shrouded in the lore of legendary Indians, Mt. Timpanogos beckons the urban populace of Utah. And yet, no “Indian” legend graced the mount until Mormon settlers conjured it—once they had displaced the local Indians, the Utes, from their actual landmark, Utah Lake. On Zion’s Mount tells the story of this curious shift. It is a quintessentially American story about the fraught process of making oneself “native” in a strange land. But it is also a complex tale of how cultures confer meaning on the environment—how they create homelands. Only in Utah did Euro-American settlers conceive of having a homeland in the Native American sense—an endemic spiritual geography. They called it “Zion.” Mormonism, a religion indigenous to the United States, originally embraced Indians as “Lamanites,” or spiritual kin. On Zion’s Mount shows how, paradoxically, the Mormons created their homeland at the expense of the local Indians—and how they expressed their sense of belonging by investing Timpanogos with “Indian” meaning. This same pattern was repeated across the United States. Jared Farmer reveals how settlers and their descendants (the new natives) bestowed “Indian” place names and recited pseudo-Indian legends about those places—cultural acts that still affect the way we think about American Indians and American landscapes.

How Native Hawaiians' experience of Mormonism intersects with their cultural and ethnic identities and traditions

The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.

Philip L. Barlow analyzes the approaches taken to the Bible by key Mormon leaders, from founder Joseph Smith up to the present day. This edition includes an updated preface and bibliography.

The Power of Godliness is a key work to understand Mormon conceptions of priesthood, authority, and gender. With in-depth research and never previously used documents, Jonathan A. Stapley explores the rituals of ordination, temple "sealings," baby blessings, healing, and cunning-folk traditions. In doing so, he demonstrates that Mormon liturgy includes a much larger and more complex set of ritualized acts of worship than the specific rites of initiation, instruction, and sealing that take place within the temple walls. By exploring Mormonism's liturgy more broadly, The Power of Godliness shows both the nuances of Mormon belief and practice, and how the Mormon ordering of heaven and earth is not a mere philosophical or theological exercise. Stapley examines Mormonism's liturgical history to reveal a complete religious world, incorporating women, men, and children all participating in the construction of the Mormon universe. This book opens new possibilities for understanding the lived experiences of women and men in the Mormon past and present, and investigates what work these rituals and ritualized acts actually performed in the communities that carried them out. By tracing the development of the rituals and the work they accomplish, The Power of Godliness sheds important new light on the Mormon universe, its complex priesthoods, authorities, and powers.

From the author of A Midwife's Tale, winner of the Pulitzer Prize and the Bancroft Prize for History, and The Age of Homespun--a revelatory, nuanced, and deeply intimate look at the world of early Mormon women whose seemingly ordinary lives belied an astonishingly revolutionary spirit, drive, and determination. A stunning and sure-to-be controversial book that pieces together, through more than two dozen nineteenth-century diaries, letters, albums, minute-books, and quilts left by first-generation Latter-day Saints, or Mormons, the never-before-told story of the earliest days of the women of Mormon "plural marriage," whose right to vote in the state of Utah was given to them by a Mormon-dominated legislature as an outgrowth of polygamy in 1870, fifty years ahead of the vote nationally ratified by Congress, and who became political actors in spite of, or because of, their marital arrangements. Laurel Thatcher Ulrich, writing of this small group of Mormon women who've previously been seen as mere names and dates, has brilliantly reconstructed these textured, complex lives to give us a fulsome portrait of who these women were and of their "sex radicalism"--the idea that a woman should choose when and with whom to bear children.