The Kadesh Inscriptions Of Ramesses Ii

Studying Ramesses IIa (TM)s Dedicatory Inscription in detail allows one to connect it with the development of the Solar-Osirian theology postdating the Amarna Period of Egypt. This study thus links the historical background of the pharaoha (TM)s visit to Abydos at the very beginning of his first regnal year with the religious aspects of early Dynasty XIX.

Of all the enormous monuments throughout Egypt and Nubia that Ramesses II (the Great; ca. 1279-1212 BCE) left behind, his temple at Abydos, built early in his reign, stands as one of his most elegant monuments, with its simple architectural layout and dramatic and graceful painted relief scenes. Though best known for its dramatic reliefs depicting the battle of Kadesh, the temple also offers a wealth of information about religious and social life in ancient Egypt. It reflects, for example, the strenuous efforts of the early Ramessides to reestablish the Osiris cult in Egypt--and particularly at Abydos--in the aftermath of the Amarna period. Over a seven-year period, the authors of The Temple of Ramesses II in Abydos conducted a field project with the aim of producing an up-to-date and comprehensive architectural, photographic, and epigraphic record of the temple. This lavish volume, the second of two documenting their results, presents miscellaneous elements of the temple, including the pillars, as well as translations of the inscriptions found in the temple. Volume 1, "Wall Scenes," contains more than two hundred detailed line drawings--accurately rendered according to modern epigraphical standards--of the temple's carved relief scenes, placed alongside their corresponding full-color photographs. The result is a masterpiece of modern epigraphic research and publication.

This volume covers the alterations that were performed by Pentawaret, the scribe of P. Sallier III, when he decided to copy the entire text of the Battle of Kadesh. (Temp.: Ramesses II). The work covers his difficulties with syntax and morphology, but also treats the literary aspects of the original composition. The intellectual background to Pentawaret and his associates, especially their political and literary milieu, are covered. A specialized chapter treats the palaeography of P. Sallier III, and additional ones provide the necessary background data concerning the style of the copy and its relationship to the original hieroglyphic version. The final chapter provides a detailed analysis of Egyptian military compositions as literature, and a new unpublished war account of Ramesses III, in hieratic, rounds out the work.

In The Books behind the Masks Anthony Spalinger continues his work on the warrior kings of pharaonic Egypt. Here is covered their actual war records from the perspective of literature and the contemporary court-based society, especially with the eulogies.