The Karkadann Triangle

In ancient Persia, magical beasts are nearly extinct. But the unicorns are not yet gone—not when the terrifying karkadann wields its deadly horn. It will be up to Heydari, tenderhearted son of an elephant driver, to discover more than a monster in a badly-injured beast. Lisa passes her days as a distracted maid who is slow of speech and thought. But Lisa has unique memories: a terrible sorcerer has cursed with his dying spell, taking both her freedom and her true form. Discover unicorns as you have never imagined them, in this special, limited edition chapbook celebrating fantasy icons Peter S. Beagle and Patricia A. McKillip at the height of their powers.

“What a treasure trove!” —Sarah Beth Durst, author of Queen of the Blood Unicorns: Not just for virgins anymore. Here are sixteen lovely, powerful, intricate, and unexpected unicorn tales from fantasy icons including Garth Nix, Peter S. Beagle, Patricia A. McKillip, Bruce Coville, Carrie Vaughn, and more. In this volume you will find two would-be hunters who enlist an innkeeper to find a priest hiding the secret of the last unicorn. A time traveler tries to corral an unruly mythological beast that might never have existed at all. The lover and ex-boyfriend of a dying woman join forces to find a miraculous remedy in New York City. And a small-town writer of historical romances discovers a sliver of a mysterious horn in a slice of apple pie.

INCLUDES A NEW INTRODUCTION BY PATRICK ROTHFUSS Experience one of the most enduring classics of the twentieth century and the book that The Atlantic has called “one of the best fantasy novels ever.” The unicorn lived in a lilac wood, and she lived all alone... ...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a despondent monarch—and confronting the creature that would drive her kind to extinction.... In The Last Unicorn, renowned and beloved novelist Peter S. Beagle spins a poignant tale of love, loss, and wonder that has resonated with millions of readers around the world. “Peter S. Beagle illuminates with his own particular magic.”—Ursula K. Le Guin

From the New York Times bestselling author of The Last Unicorn comes a new novel with equal amounts of power and whimsy in which a loveable cast of characters trapped within their roles of dragon hunter, princess, and more must come together to take their fates into their own hands. Dragons are common in the backwater kingdom of Bellemontagne, coming in sizes from mouse-like vermin all the way up to castle-smashing monsters. Gaius Aurelius Constantine Heliogabalus Thrax (who would much rather people call him Robert) has recently inherited his deceased dad’s job as a dragon catcher/exterminator, a career he detests with all his heart in part because he likes dragons, feeling a kinship with them, but mainly because his dream has always been the impossible one of transcending his humble origin to someday become a prince’s valet. Needless to say, fate has something rather different in mind…

Renowned author Peter S. Beagle returns to the world of The Last Unicorn in this resonant and moving two-novella collection, featuring the award-winning “Two Hearts” and the brand-new “Sooz.” The Last Unicorn is one of fantasy’s most revered classics, beloved by generations of readers and with millions of copies in print. Revisiting the world of that novel, Beagle’s long-awaited Hugo and Nebula-Awards-winning “Two Hearts” introduced the irrepressible Sooz on a quest to save her village from a griffin, and explored the bonds she formed with unforgettable characters like the wise and wonderful Molly Grue and Schmendrick the Magician. In the never-before-published “Sooz,” the events of “Two Hearts” are years behind its narrator, but a perilous journey lies ahead of her, in a story that is at once a tender meditation on love and loss, and a lesson in finding your true self. The Way Home is suffused with Beagle’s wisdom, profound lyricism, and sly wit; and collects two timeless works of fantasy.

Peter S. Beagle's beloved fantasy classic captured imaginations around the world and takes on new life in this luscious, fully illustrated graphic novel adaptation. The Last Unicorn is a tale for any age about the wonders of magic, the power of love, and the tragedy of loss. The unicorn, alone in her enchanted wood, learns that she may be the last of her kind. Reluctant at first, she sets out on a journey to discover the fate of her fellow unicorns, even if it means facing the terrifying anger of the Red Bull and the malignant evil of the king who wields its power. Along the way she'll encounter a cast of unforgettable characters, including Schmendrick the magician, the bandit Molly Grue, the noble Prince Lír, and the occasional talking butterfly. Adapted by Peter B. Gillis and lushly illustrated by Renae De Liz and Ray Dillon, The Last Unicorn is simultaneously current and timeless in this newest incarnation.

Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.