The Karma Of Words

"A masterly book . . . will prove of great assistance to a student of Japanese literature and thought from the eleventh century onwards."--Times Literary Supplement "A major contribution to the fields of Japanese studies, comparative literature, and history of religions . . . a book that begs for classroom use."--The Eastern Buddhist "Innovative and provocative . . . will be of interest not only to specialists in Japanese religion and Japanese culture, but also to literary critics and cultural historians."--Religious Studies Review "Rich and stimulating material . . . an important help and influence to all concerned with understanding the tradition that has shaped Japanese culture and religion."--History of Religions "Thought provoking, finely written . . . one of the more original and creative contributions to the study of medieval culture and religion to be produced by a Western scholar. . . . Can be read with profit by all Western students of Japanese culture . . . one of those rare books that has something to offer Japanese specialists in medieval studies."--Journal of Japanese Studies "A very important contribution to Japanese studies . . . a paradigm of the genre."--Pacific Affairs "This is an exciting, ground-breaking book."--Chanoyu Quarterly "I have been most impressed and even excited by what I have read."--Donald Keene, Professor Emeritus and Shincho Professor Emeritus of Japanese Literature at Columbia University "This is one of the most important books in Japanese studies in a long time and will influence the entire field."--Robert Bellah, former Elliott Professor of Sociology, Professor Emeritus at the University of California, Berkeley

"A masterly book . . . will prove of great assistance to a student of Japanese literature and thought from the eleventh century onwards."--Times Literary Supplement "A major contribution to the fields of Japanese studies, comparative literature, and history of religions . . . a book that begs for classroom use."--The Eastern Buddhist "Innovative and provocative . . . will be of interest not only to specialists in Japanese religion and Japanese culture, but also to literary critics and cultural historians."--Religious Studies Review "Rich and stimulating material . . . an important help and influence to all concerned with understanding the tradition that has shaped Japanese culture and religion."--History of Religions "Thought provoking, finely written . . . one of the more original and creative contributions to the study of medieval culture and religion to be produced by a Western scholar. . . . Can be read with profit by all Western students of Japanese culture . . . one of those rare books that has something to offer Japanese specialists in medieval studies."--Journal of Japanese Studies "A very important contribution to Japanese studies . . . a paradigm of the genre."--Pacific Affairs "This is an exciting, ground-breaking book."--Chanoyu Quarterly "I have been most impressed and even excited by what I have read."--Donald Keene, Professor Emeritus and Shincho Professor Emeritus of Japanese Literature at Columbia University "This is one of the most important books in Japanese studies in a long time and will influence the entire field."--Robert Bellah, former Elliott Professor of Sociology, Professor Emeritus at the University of California, Berkeley

Over the past century, Buddhism has come to be seen as a world religion, exceeding Christianity in longevity and, according to many, philosophical wisdom. Buddhism has also increasingly been described as strongly ethical, devoted to nonviolence, and dedicated to bringing an end to human suffering. And because it places such a strong emphasis on rational analysis, Buddhism is considered more compatible with science than the other great religions. As such, Buddhism has been embraced in the West, both as an alternative religion and as an alternative to religion. This volume provides a unique introduction to Buddhism by examining categories essential for a nuanced understanding of its traditions. Each of the fifteen essays here shows students how a fundamental term—from art to word—illuminates the practice of Buddhism, both in traditional Buddhist societies and in the realms of modernity. Apart from Buddha, the list of terms in this collection deliberately includes none that are intrinsic to the religion. Instead, the contributors explore terms that are important for many fields and that invite interdisciplinary reflection. Through incisive discussions of topics ranging from practice, power, and pedagogy to ritual, history, sex, and death, the authors offer new directions for the understanding of Buddhism, taking constructive and sometimes polemical positions in an effort both to demonstrate the shortcomings of assumptions about the religion and the potential power of revisionary approaches. Following the tradition of Critical Terms for Religious Studies, this volume is not only an invaluable resource for the classroom but one that belongs on the short list of essential books for anyone seriously interested in Buddhism and Asian religions.

As I got extremely ill and my Qi deteriorated, my desired manifestations never occur anymore. I could also say the same for the undesired manifestations. My world came to a grinding halt… what I always accepted as normal and “take for granted” disappeared from my life. Of course, what I thought was “out of my league” for me became even farther. Here is the truth… "When you have a broken system of Qi flows, you will have weaker manifestation power in your life… as your thoughts become weaker each day." The truth is your thoughts have energy… and there are power levels to your thoughts. When your manifesting power is low, life becomes reactive. You are no longer in control of your life. You will slowly become puppets of others’ realities. In just two months of noticing something was wrong, I lost over seventy pounds. I deteriorated quickly. I became gaunt. Bony looking. One of the most common outward appearances of individuals with little life/bio-energy left is that of gaunt facial and body image. Yet I would meet a key person and many masters by the way synchronicity -- starting an incredible journey of spiritual evolution.

Annotation Shifting Shape, Shaping Text examines the fox koan in relation to philosophical and institutional issues facing the Ch'an/Zen tradition in both Sung China and medieval and contemporary Japan.

Chinese Buddhist monks of the Song dynasty (960–1279) called the irresistible urge to compose poetry “the poetry demon.” In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks. Although much has been written about verses in the gong’an (Jpn. kōan) tradition, very little is known about the large corpora—roughly 30,000 extant poems—composed by these monastics. Protass addresses the oversight by using strategies associated with religious studies, literary studies, and sociology. He weaves together poetry with a wide range of monastic sources and in doing so argues against positing a “literary Chan” movement that wrote poetry as a path to awakening; he instead presents an understanding of monks’ poetry grounded in the Song discourse of monks themselves. The work begins by examining how monks fashioned new genres, created their own books, and fueled a monastic audience for monks’ poetry. It traces the evolution of gāthā from hymns found in Buddhist scripture to an independent genre for poems associated with Chan masters as living buddhas. While Song monastic culture produced a prodigious amount of verse, at the same time it promoted prohibitions against monks’ participation in poetry as a worldly or Confucian art: This constructive tension was an animating force. The Poetry Demon highlights this and other intersections of Buddhist doctrine with literary sociality and charts productive pathways through numerous materials, including collections of Chan “recorded sayings,” monastic rulebooks, “eminent monk” and “flame record” hagiographies, manuscripts of poetry, Buddhist encyclopedia, primers, and sūtra commentary. Two chapter-length case studies illustrate how Song monks participated in two of the most prominent and conservative modes of poetry of the time, those of parting and mourning. Protass reveals how monks used Chan humor with reference to emptiness to transform acts of separation into Buddhist teachings. In another chapter, monks in mourning expressed their grief and dharma through poetry. The Poetry Demon impressively uncovers new and creative ways to study Chinese Buddhist monks’ poetry while contributing to the broader study of Chinese religion and literature.

Although these lectures were given during 1916, they have much to teach us about the political spin, media distortions, propaganda and downright lies we encounter on a daily basis in public life. Rudolf Steiner's calm and methodological approach penetrates the smokescreen of accusations and counterclaims, of illusion and untruth, surrounding the Great War. Hiding behind this fog, and under the guise of outer events, he reveals the true spiritual struggle that is taking place. His words give a deeper understanding of the politics and world conflicts that confront us today through the filter of the media.In the midst of the turmoil of the First World War, Steiner speaks out courageously against the hatred and untruthfulness in the propaganda of the time. From his detailed research into the spiritual impulses of human evolution, he describes the dominant role secret brotherhoods played in the events culminating in the cataclysmic war, and warns that the retarding forces of nationalism must be overcome if Europe is to find its new destiny. He also emphasizes the urgent need for new social structures if further catastrophes are to be avoided.At a time when political events throughout the world are moving with breathless rapidity, the reader will find much in these lectures that will illuminate what lies behind the symptoms of our turbulent times.This new edition, reproduced in a larger format, is put in a modern context and introduced by Terry Boardman.