The Killing Choice

Sunday Times Crime Book of the Month, one of The Times Best Crime Novels of 2021, The Sunday Times Crime Club Book of the Week, one of The Times best books to read this summer and one of the Observers thrillers of the month. 'Riveting . . . Shindler's second novel displays an acute understanding of family dynamics, easily fulfilling the promise of his debut, The Burning Men' SUNDAY TIMES, CRIME BOOK OF THE MONTH THE SECOND NOVEL FROM THE AUTHOR OF THE BURNING MEN, FEATURING DI ALEX FINN AND DCI MATTIE PAULSEN A FRIDAY NIGHT Karl and his daughter Leah are on their weekly evening stroll through Crystal Palace Park. A HOODED FIGURE From out of the shadows, a figure wearing a blank mask ambushes them, armed with a large knife. A CHOICE TO MAKE Karl is forced to make an impossible decision: stay and die, or walk away from Leah with a knife at her throat and the promise that they will both survive. Could Karl ever live with himself if he left his daughter? Does he really have a choice? Soon, more seemingly unconnected and innocent people across London are offered a deal in exchange for their lives. DI Alex Finn and DC Mattie Paulsen must hunt for a killer that appears to have no face, no motive and no conscience before more victims' blood is spilled. Praise for THE KILLING CHOICE 'The explosive opening hooked me straight in . . . With a cast of credible characters, a twisting plotline and some ingenious twists, the book develops at a cracking pace' Lesley Sanderson, author of The Orchid Girls 'An outstanding page-turner' Robin Morgan-Bentley, author of The Wreckage 'DI Alex Finn and DCI Mattie Paulsen are back, this time chasing someone who forces their victims to make an impossible life-and-death decision. This is sitting up and begging to be developed for television' Sunday Times, Pick of the Week 'Riveting . . . Shindler's second novel displays an acute understanding of family dynamics, easily fulfilling the promise of his debut, The Burning Men' Sunday Times, Book of the month 'An excellent second outing for the cop pair following their introduction in The Burning Men - and as fine a police procedural as you'd want for a cold winter's night' Weekend Sport 'The Killing Choice is the second in a series that opened with The Burning Men, and is another adept police procedural, building the sense of dread to breaking point as Finn and Paulsen rush to uncover any links between the victims. This is an immersive read that leaves the reader wondering how they would react if faced with such an unimaginable choice' Observer ***Order the third novel in the Finn and Paulsen series, THE HUNTING GROUND, now!***

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

From beloved author Lois Duncan comes a frightening novel about a group of students who set out to teach their malicious teacher a lesson -- only to learn that one of them could be a killer. Mr. Griffin is the strictest teacher at Del Norte High, with a penchant for endless projects and humiliating students. Even straight-A student Susan can't believe how mean he is to her crush, Dave, and to the charismatic Mark Kinney. So when Dave asks Susan to help a group of students teach Mr. Griffin a lesson of their own, she goes along with them. After all, it's a harmless prank, right? But things don't go according to plan. When one "accident" leads to another and people begin to die, Susan and her friends must face the awful truth: one of them is a killer.

Oprah's Book Club Summer 2018 Selection The Instant New York Times Bestseller A powerful, revealing story of hope, love, justice, and the power of reading by a man who spent thirty years on death row for a crime he didn't commit. “An amazing and heartwarming story, it restores our faith in the inherent goodness of humanity.” —Archbishop Desmond Tutu In 1985, Anthony Ray Hinton was arrested and charged with two counts of capital murder in Alabama. Stunned, confused, and only twenty–nine years old, Hinton knew that it was a case of mistaken identity and believed that the truth would prove his innocence and ultimately set him free. But with no money and a different system of justice for a poor black man in the South, Hinton was sentenced to death by electrocution. He spent his first three years on Death Row at Holman State Prison in agonizing silence—full of despair and anger toward all those who had sent an innocent man to his death. But as Hinton realized and accepted his fate, he resolved not only to survive, but find a way to live on Death Row. For the next twenty–seven years he was a beacon—transforming not only his own spirit, but those of his fellow inmates, fifty–four of whom were executed mere feet from his cell. With the help of civil rights attorney and bestselling author of Just Mercy, Bryan Stevenson, Hinton won his release in 2015. With a foreword by Stevenson, The Sun Does Shine is an extraordinary testament to the power of hope sustained through the darkest times. Destined to be a classic memoir of wrongful imprisonment and freedom won, Hinton’s memoir tells his dramatic thirty–year journey and shows how you can take away a man’s freedom, but you can’t take away his imagination, humor, or joy.

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!

These 100 Questions grew out of an assignment to me by the president of the Stamford, Connecticut, chapter of the NAACP, within one month of the killing of George Floyd, an African-American man on May 25, 2020, on "how can white ppl help [end] systemic racism?" My answer was: "Easily. It takes more than two pages however." Here is my presentation to "white ppl" to help end systemic racism/statism, the hurdles, burdens and barriers put in the way of the citizen to get an education, get a job, start a business, put a roof over their head, put food on the plate of their children and pursue happiness as they see fit. The Chicago Tragedy is shorthand for our nation's silence on the daily violent death of young black men, boys and bystanders countrywide. For example, in 2016 there were 762 murders reported in Chicago alone, which worked out to more than 2 people killed per day, which fell most heavily on young black men, boys and bystanders!

We hold many assumptions about police workÑthat it is the responsibility of the state, or that police officers are given the right to kill in the name of public safety or self-defense. But in The Killing Consensus, Graham Denyer Willis shows how in S‹o Paulo, Brazil, killing and the arbitration of ÒnormalÓ killing in the name of social order are actually conducted by two groupsÑthe police and organized crimeÑboth operating according to parallel logics of murder. Based on three years of ethnographic fieldwork, Willis's book traces how homicide detectives categorize two types of killing: the first resulting from ÒresistanceÓ to police arrest (which is often broadly defined) and the second at the hands of a crime "family' known as the Primeiro Comando da Capital (PCC). Death at the hands of police happens regularly, while the PCCÕs centralized control and strict moral code among criminals has also routinized killing, ironically making the city feel safer for most residents. In a fractured urban security environment, where killing mirrors patterns of inequitable urbanization and historical exclusion along class, gender, and racial lines, Denyer Willis's research finds that the cityÕs cyclical periods of peace and violence can best be understood through an unspoken but mutually observed consensus on the right to kill. This consensus hinges on common notions and street-level practices of who can die, where, how, and by whom, revealing an empirically distinct configuration of authority that Denyer Willis calls sovereignty by consensus.